What If MAN OF STEEL Had Been In Color?

man-of-steel

Man of Steel had a lot of problems, and unfortunately Batman v. Superman looks to replicate some of them and add a few more. Which is a shame because Henry Cavill is an awesome Superman and Ben Affleck looks great as Batman.

These folks color-corrected Man of Steel to see how it would look if it were spared Zack Snyder’s monochromatic dreariness. It actually looks like a Superman movie, which would have been nice, though it still would have been a Superman movie in which Clark Kent just stands there and watches his dad be killed by a tornado.

Batman Strange Days (A New Bruce Timm cartoon)

Last week, I posted a short cartoon Bruce Timm and Zack Snyder made last year to celebrate Superman’s 75th anniversary. I mentioned also that a Timm-directed Batman short — commemorating the Dark Knight’s 75th — was due to be released shortly.

Click on the image below to watch Batman Strange Days, with Timm-style Batman animation applied, I believe, to a story from way back in 1939…

Batman Strange Days

Super Animation From Bruce Timm

How did I miss this? To celebrate the 75th anniversary of Superman, Bruce Timm and Zack Snyder collaborated on a short full of classic Superman action. It’s wonderful (if only some of that wonder had appeared in Snyder’s Man of Steel):

Additionally, Timm has directed a Batman short — the first appearance of his version of the character (from Batman: The Animated Series and related shows) in a decade. Titled Batman Strange Days, it will appear on Cartoon Network on April 9th. I’ll post the link when it becomes available.

Batman Strange Days

Now, if only the brain trust at Cartoon Network would bring back Beware the Batman

The Joker’s Cold, Cold Heart (ABC Wednesday & Song of the Week, 3/21/14)

The JokerThis week’s ABC Wednesday comes on Friday due to indecision and scheduling conflicts, and I’m combining it with the Song of the Week for efficiency’s sake.

I just completed the video game Batman: Arkham Origins. I’d gone into it with lowered expectations because, unlike the earlier Arkham games, this wasn’t written by the great Paul Dini, and it wasn’t developed by the original outfit, Rocksteady, but by a new developer using Rocksteady’s technical assets. I wasn’t just pleasantly surprised, I was blown away. The writing is probably the best in the games, with a strong storyline and some deeper insight into the characters’ minds; this is a grittier Arkham game (if that’s possible), with a more mature outlook. It operates on a more street-level scale than even Arkham City did, and does wondrous things with a full roster of Batman villains. And it has, by far, the best (and least video-gamey) boss fights in the series.

Most notable was the Joker. Now, for years Mark Hamill has owned this part both in animated and game forms. The fact that he wasn’t doing the vocals here was another point of trepidation. But let me tell you, Troy Baker is a phenomenal new Joker, playing the role with a similar manic energy but imbuing it with a subtle raspy cruelty that, I think, actually suits the character better. This Joker is genuinely creepy, and you get to play through Batman’s very first encounter with him. It’s really astonishing stuff. And if you play, just wait until you get to the Joker’s lair…it’s epic.

So, in celebration of Jokers past and present, I offer up this dark little number for song of the week.

“Cold Cold Heart” by The Joker (Troy Baker)

J

I’ll return next Wednesday with the letter K. I hope you’ll stop by. I’m a writer and I post about a wide variety of non-alphabet-specific topics. Feel free to comment under my posts. If you want to subscribe to the blog, there’s a button in the sidebar.

Also, feel free try to check out my adventure novel Doc Wilde and The Frogs of DoomIt’s been very well reviewed (KIRKUS REVIEWS: “Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures.”) and is great for action-adventure lovers of all ages.

DOC WILDE AND THE FROGS OF DOOM

For another fun ABC Wednesday post, visit the Carioca Witch here: Bringing Up Salamanders.

Find many more posts by others, and more info on ABC Wednesday, here: ABC Wednesday

I’m Batman (ABC Wednesday, 1/22/14)

I'm Batman

I’m Batman.

That may seem a cocky statement. I am not the world’s greatest detective. I am not the most accomplished hand-to-hand combatant on the planet. I am not a scientist/inventor with an unending inventory of cool gadgetry to rival that of Doc Savage. I don’t battle the forces of evil night after night wearing an incredibly cool batsuit.

But there’s a deeper truth here. It’s not that I’m projecting some Mary Sue wish onto this comic book character, or that I’m patterning my life in any way after the life of Bruce Wayne (though his money would certainly be welcome). Rather, there are a set of resonances in the character of Batman which, you might say, send me a signal. This has been so since I was a little kid, watching Adam West on television, even though I despised that show, just because nothing else was on. I wanted Batman like he was in the comics. Dark, agile, clever. Drawn by Neal Adams with no laugh track. Not cheesy as hell. And haunted…as I was haunted.

I didn’t consciously realize that last bit then, and not for many years. But Batman and I share something besides blue eyes and square jaws: loss. Terrible, heart-rupturing loss.

Everyone knows about Bruce Wayne’s loss: the gunshots in the alley, the clatter of falling pearls, the bodies on the ground. Fewer know the less operatic tale of my loss: a teenaged mother, riding home from her restaurant job to see her baby, her life crushed out in a high velocity encounter with a careless driver.

Loss drives us like a poisonous fuel.

For years, I thought I’d recovered from whatever trauma I’d suffered when my mother died. I had been so young, I couldn’t remember her. She was just an ancestor, if a recent one, no more a part of my life, of me, than a great grandmother I’d never known. But that was naive. Over the years, as depression kept me from the life I wanted, I realized that many of the traumas I brought into my life were refractions of the loss. Somewhere deep inside me was that small child, screaming over my mother’s body. Is it any wonder I found it easy to identify with Batman?

I had no Alfred in my life to raise me, to look after me. My father was a half-step away from cotton mill white trash, and a mean ass drunk. Over the years, he brought in two stepmothers, both cruel. He and they weren’t my family, they were my rogues gallery, the sideshow villains who plotted my destruction in nefariously neurotic ways. Batman’s villains are archetypal, each reflecting something within. The Joker is his mania, his enjoyment of the pain he brings to bear. The Riddler is his compulsion for mental challenge, Bane and Killer Croc his drive for physical dominance. The Scarecrow is his fear and despair. And Catwoman is his playfulness and his libido, trying to break into (or, rather, out of) the adamantine safe that is his heart.

Batman — Bruce Wayne — is the sort of man I strive to be: a successful man, a productive man, a noble man. A man who helps. A man who uses his anger and pain and loss not to hide or lash out at the world, but to fight the darkness (within and without) and keep it at bay. You may really love the Dark Knight, and thrill to his adventures, as millions do. But I’ve lived his dark night, I’ve fought its overwhelming darkness.

Because I’m Batman.

Mourning

B

I’ll return next Wednesday with the letter C. I hope you’ll stop by. I’m a writer and I post about a wide variety of non-alphabet-specific topics. Feel free to comment under my posts. If you want to subscribe to the blog, there’s a button in the sidebar.

For another fun ABC Wednesday post, visit the Carioca Witch here: Bringing Up Salamanders.

Find many more posts by others, and more info on ABC Wednesday, here: ABC Wednesday

“Batman: Arkham Origins” Looks Badass

Batman

Ladies and gentlemen, I am STOKED.

This series is not only some of the best Batman ever, it’s some of the greatest gaming ever. My love for it is already a matter of record.

And yet again a CGI game trailer shows that they really shouldn’t need to be waiting for Hollywood to get its head out of its ass to give us good flicks of Halo, God of War, or other great games, not to mention the possibilities for animated comic book fare.

CHASE ME (A Charming Animated Short)

Chase Me

This is for Nydia…

A lovely animated short from the creators of the classic Batman animated series, silent movie style, all elegant art and sleek action, with a great musical score.

Enjoy.

Cookie Monster Presents The Song Of The Week, 8/30/2012

It’s all about the cookies this week…

First, this isn’t a song, but it is the funniest damn thing I’ve seen in a couple or three weeks on the internet. I’ve probably watched it twenty or more times and I always laugh:

Our actual song this week I offer in honor of the Republican National Convention currently infesting Tampa, “God’s Away On Business” by Tom Waits, karaoked by Cookie Monster…

I’d sell your heart to the junkman baby
For a buck, for a buck…
If you’re looking for someone to pull you out of that ditch
You’re out of luck, you’re out of luck…

Thoughts on THE DARK KNIGHT RISES (No Spoilers)

Walking out of Reign of Fire in 2002, two years before casting for Batman Begins took place, I announced that Christian Bale should be Batman. When he was actually cast, I was naturally pleased, and have loved his performance as Bruce Wayne from the first frame.

Bale captures the surface of the character, the handsome, athletic leading man who can wear the costume well (and has a square enough jaw that he doesn’t need a prosthetic chin to look right in the mask, as Michael Keaton did). But he also masterfully portrays the complexity, and torment, of Bruce Wayne, and over the course of the films we see him struggle in very human ways with the life he has chosen. It’s not as simple as being tragic or sad or brooding, or dynamic and intense and implacable. Bale’s Batman is real.

In The Dark Knight Rises, Bale shows us something truly surprising for a big screen superhero movie: he shows us not only Bruce Wayne’s tragedy and pain, but his frailty. His Batman is a force of nature, but he is also a man who is scarred and beaten by his experiences and by his age. And that makes his battles, and his triumphs and defeats, resonate all the more. Continue reading

And Finally… CATWOMAN!

We finally get a really good look at Anne Hathaway as Catwoman in Christopher Nolan’s next Batman flick.

Gotta tell you, I like.

Of course, I always thought Hathaway was an awesome choice, and I tend to trust Nolan’s choices when it comes to these films. Aside from the ridiculous growly voice Batman used last time, the movies have been damn near perfect.

My one quibble with Catwoman when I saw her in earlier pics was the choice to have her in high heels. Not smart footwear for anyone engaging in active athletic activities, much less catburgling.

But looking closely at this image, I see that the heels are visually set off from the rest of the boots, which makes me think that they may well be detachable, allowing her to go flat-footed when functionality is called for. If that’s the case, that’s pretty damn cool. Nolan will have found a way to keep the over-the-top sexy of traditional Catwoman depictions while also embracing her more practical and realistic current incarnation.

I’m really looking forward to seeing her in action. In the meantime, I’ll be in my bunk…

For Your Batmanny Weekend Enjoyment…

I failed to post this week’s “Free Fiction Friday” post yesterday because I was so swamped with everything I needed to do for the Astonishing Adventures of Doc Wilde Kickstarter launch. For the untold millions who only bought a computer so they could get their weekly fix, I’m sorry.

The Doc Wilde relaunch is off to a great start; just over twenty hours in, we’re at 26% of our funding target (which is the minimum we need for the Kickstarter to succeed, not a maximum amount for the relaunch). If you haven’t already, I hope you’ll visit the link above to see what’s up.

As a special treat to make up for my Free Fiction lapse (which I shall endeavor to remedy later today), I offer you this incredibly endearing and goofy piece of Batmania that someone put a helluva lot of time and money and work into…and which kinda makes me think Bat-Mite is around somewhere… Continue reading

I’m Reading DC’s “New 52″ Comics (Part 2)

Thousands of readers haven’t battered me with messages asking what happened to my reviews of DC Comics’s “New 52” which I launched here. For those thousands, and the millions who also didn’t mention it, I figured an update was the least I could do.

Frankly, I burned out quickly. Writing even capsule reviews of all these comics proved a more tedious task than anticipated, especially as I started trying to read some of the bad ones. The first I read that I didn’t even remotely enjoy was Men of War, which was half a pound of machismo in a hundred pound box of don’t-know-what-manhood-is. It also tried to embrace the heroism of the military at the same time as it told us the best soldiers aren’t soldiers at all but bold individuals who ignore orders and thus always save the day. Crap.

But it wasn’t until I tried to read Legion Lost that I couldn’t even finish one of the comics. It wasn’t really bad, it was just there. Nothing about the thing, neither story nor art, was remotely compelling. It was basic, serviceable superhero fare, and I described it to a friend as “what people who have no respect for comics expect comics to be at their best.”

I lack the fortitude to force my way through all these books and bother saying anything about them. If you’re interested in reviews, though, the net is full of ’em. I’ve been enjoying Erik Mona’s thoughtful reviews which put my paltry earlier offerings to shame (even though he enjoyed the war comic). You can find them at his blog.

Now don’t get me wrong, the New 52 isn’t a failure, either creatively or financially (as a publicity stunt, it boosted DC’s sales a great deal). There are a lot of problems with it, from really shaky chronological consistency to some really egregious institutionalized misogyny. Also, Rob Liefeld.

But there are some good ideas too, and I particularly enjoyed the treatment of the big three, Superman, Batman and Wonder Woman. Each of their titles starts off strong, and I’ll be staying with those and a few others in the months ahead.

Laughing My Ass Off: A Hilarious Review of a WTF Batman Story

Whoever you are, whether you’re a Batman fan or not, whether you’re a comic book fan or not, if you like to laugh, you should read the review of Batman: Odyssey at Comics Alliance.

Today, Editor-in-Chief Laura Hudson and contributor David Wolkin sit down and attempt the nigh-impossible task of figuring out exactly what happens in Odyssey, a book that has both challenged and redefined our notions of Batman, comics, and our tenuous grasp on sanity…

Neal Adams is one of the all-time great comic book artists, the man who truly defined the cool modern Batman. For many years as a kid, I had a huge poster of this Adams image on my wall:

Unfortunately, as is sometimes the case in comic publishing, someone at DC thought, “Hey, the man can draw, I bet that means he can write too!” Because after all, writing is easy, right? And they gave Neal no telling how much money to do a twelve issue epic series about Batman. The result seems to be one of the most completely batshit crazy comic book stories in history.

You need to read the review. Honestly. I laughed till I couldn’t breathe while I read it. I had to take breaks so I wouldn’t asphyxiate myself. It’s comedy gold, and I say that as someone who hasn’t even seen the comic book in question.

Deconstructing the Complete and Utter Insanity of Batman: Odyssey

Good Memories of 2009, Day 1: Arkham Asylum

As I did a year ago, I’m going to list a few things that I truly enjoyed during the recently deposed year, in no particular order. This year, though, I’m going to serialize the list for a few days. Today’s entry is

Batman: Arkham Asylum

Click for more

One of the best damn games I’ve ever played. Written by the brilliant Paul Dini, one of the chief creatives on Batman: The Animated Series, it featured voice work by actors from that esteemed cartoon including Kevin Conroy as Batman, Arleen Sorkin as Harley Quinn, and Mark Hamil as the Joker. With incredible graphics and design, the game follows Batman through one very long night on the island whereon the titular criminal madhouse is located, after the Joker takes over and lets many other villains out.

Arkham proves an ideal setting for adventure, coming to life in a way few locations in games ever do and never getting old. The game’s only weakness is in its boss fights, structured, alas, like video game boss fights, and are the only times the game’s contrivances remind you you’re in a game.

In this game, you really get to feel what it’s like to be Batman. Drop into a pack of thugs and efficiently take them down in seconds with acrobatic, bone-breaking martial arts. Steal through the night, lurking in the shadows above armed goons, swooping to take them out one by one without alerting their comrades. Use incredible gadgets to set traps, gather intelligence, and overcome obstacles. Investigate, using your tech and brilliant detective skills to solve mysteries and track your foes.

The character designs are amazing, managing to be original while remaining completely true to the characters’ histories. Killer Croc is dinosaurian and terrifying. The Scarecrow is creepier than ever. The Joker is manic and crazy-eyed. Poison Ivy is more inhumanly sexy than in any prior incarnation. And Batman is an armored engine of dark destruction, whose costume over the course of the game shows more and more damage, and who even gradually develops a five o’clock shadow on his square jaw. The attention to detail in the characters, and the world, is fantastic.

An utterly amazing game, and a sequel was just announced, which creates a flood of endorphins in my system when I think about it.

Batman Meets Doc Savage (and I review the result)

So I just finished reading DC’s Batman/Doc Savage Special, which I’ve been looking forward to for a while.

batdss-01-coverGreat cover by J.G. Jones. Inside…hmm.

As a prologue leading into the pulpy First Wave books DC will start publishing next year, it works fairly well in establishing the alternate universe in which these characters coexist. As a story, it kinda fails. Writer Brian Azzarello brings a noirish attitude to it, and gives an interesting take on the heroes, but narratively it just hangs limply and ends on a trite note.

It’s not helped by the artwork by Phil Noto, which lacks the visual dynamism that comic book storytelling really demands, and the book’s color palate (I assume colored by Noto himself, as no credit is given otherwise) is dreary in an obvious attempt at making it feel more noir. It just makes it seem unexciting.

And I really don’t like Noto’s take on Doc Savage, especially the coloring he’s given.

All that said, I’m still looking forward to seeing what they do with First Wave, though with more trepidation. It will feature art by Rags Morales, and the advance images that have been shown are great, a lot better than the art in the comic at hand.

Also, I have to say, in spite of the underwhelming story in this book, I’m intrigued by Azzarello’s comments and notes about the various heroes who will be operating in this pulp, non-superpowered world. He has clearly studied the original characters in depth and put a lot of thought into fleshing them out psychologically and making them somewhat more realistic than might usually be the case. I’ve seen a few comments by devoted pulp fans who detest this approach to the classic characters they love, but I like well-developed characters, and at least in principle I find Azzarello’s ideas pretty cool.

My main reservation along those lines is that, if this comic is any indication, he may have too much noir and not enough pulp adventure in his approach. This could work fine for Batman, but not for characters like Doc Savage, who really need to be somewhat over the top. More realistic I can enjoy. Mundane, not so much.

Doc Savage Meets Batman

Cool news for pulp fans…

docspiritA while back, DC Comics released the above image by Brian Stelfreeze, teasing a new series of comics set in an alternate dimension within the DC multiverse in which old pulp heroes rather than modern superheroes are active.

The series is called First Wave, and is being written by comics scribe Brian Azzarello with art by Rags Morales. More early info was provided by Morales in an interview with Newsarama:

It’s a world of heroism at its most innocent. We’re talking about, essentially, a universe where superpowers don’t exist. There are no people flying in from Krypton…there are no people swimming up from the ocean or from Paradise Island. We’re talking about the heart and soul of what it means to be heroic, where people are left more to their wits and their intestinal fortitude rather than any fierce other-worldly technology, or even inner-worldly technology…it’s not really accurate to call it a “modernization” because this is going to be enough of that original flavor to feel like it’s old-school, with fedoras and women in high heels and the cool things about what’s gangster and pulp, like Tommy guns. But it’s going to also be enough of an advancement to feel fresh. Tommy guns will exist in a world where computers exist. We’re going to be dealing with a world that is kind of like the Batman Adventures from The WB, where you have dirigibles next to jetplanes. That’s basically the visual interpretation of the atmosphere I’m dealing with…

That’s an approach I like, and is pretty much the approach I’m taking in the Doc Wilde books (for example, the police blimps in Doc Wilde and The Frogs of Doom).

Morales continued:

…we’ll have Doc Savage, the Spirit and The Avenger in there, and I’m working out how they’re going to look. Doc Savage won’t have that exaggerated widow’s peak, but I’m going with the classic looks on the characters with some updating. And in this world, Doc Savage is Superman. I mean, after all, Superman was derived from Doc Savage, along with Buck Rogers and Popeye and some others. But Doc Savage was the original guy with the Fortress of Solitude up in the arctic. He’s an inventor, and he’s got a very moral ethic. In a world of non-powered heroes, he’s going to be our focal point.

This week, the DC Universe blog told us how the pulp fun will begin:

This November, writer Brian Azzarello teams with artist Phil Noto for the BATMAN/DOC SAVAGE SPECIAL #1, which sets the stage for an entire new world for the Doc, along with a slew of characters that will pop up later, including the Blackhawks and Rima, the Jungle Girl. It all starts here, and I’m not exaggerating when I say you’re really in for a treat.

And two variant covers for the special were posted, the first by J.G. Jones:

batdss-01-coverThen one by Rags Morales:

doc-savage-spec-cv1

Looks promising. Hopefully it’ll live up to its potential.

Catwoman Purrchance?

While looking around for images to go with my review of the latest Mummy flick, I came across a great shot of Rachel Weisz that got me thinking that she’d be a great Catwoman for the next Christopher Nolan Batman film:

rachel59catwoman

Of course, countless actresses could fill out the catsuit well, and some of them could actually carry off the role (Angelina Jolie and Kate Beckinsale spring to mind). Weisz, though, has an earthy, playful carnality about her, and a sense of deep intelligence, that I think would be ideal.

Design-wise, I think a kevlar-ed up take on the Darwyn Cooke-designed costume Selina Kyle’s worn the past few years would be great:

catwoman2

Gotta have the goggles.

catwoman-blk-wht-1

Oh. I have a new DOLLHOUSE to watch. How ’bout that.

Yesterday was all lack of sleep and divorce mediation and migraine, then a regenerative evening with my son. So I woke up this morning, saw him off to spend the rest of the weekend with his mom, and groggily looked at the ol’ Comcast DVR (still holding in there by the skin of its rotten teeth because I just haven’t gotten around to canceling service yet) to see what I might catch up on.

Hey. There was a new Battlestar Galactica last night. Cool. And there was a…Dollhouse. The third episode of the new series by Joss Whedon, who I consider a deity of storytelling and stuff. Cool…?

Huh. How about that. I watched last week and enjoyed that episode a lot more than I’d enjoyed the pilot, and even started to relate to some characters, got a kick out of the early signs of Echo’s coming individuation…felt more positively about the series ahead.

But now, here I was with Galactica and Dollhouse awaiting my attention, and I was psyched about only one of them, and it wasn’t the Whedon one. I wanted to watch it, sure, but the way I want to do the dishes that are cluttering up the kitchen counter at the moment. I ought to watch it, it’s Whedon, surely it has many pleasures ahead to offer…

But right now, it feels like a chore.

Sigh.

So I watched Galactica, and it was actually sort of ponderous and slow, though narratively interesting. The Dollhouse ep may prove more engaging when I get to it, and put the lie to my gut’s cynical response this morning. Here’s hoping.

On a brighter note, before he left this morning, my son and I watched the latest episode of Cartoon Network’s Batman: The Brave and the Bold. I’d avoided this show for a while because it looked way too campy for my tastes, I like Batman all dark and tormented and realistic. I finally gave in though, and we’ve been watching it and enjoying it fully. It’s silver age Batman through the filter of contemporary comics writing, which is to say, it is cheesy and over the top, but it’s smart as hell.

So of last night’s recordings, Batman scores an A-, Galactica a B-, and Dollhouse an Incomplete.

I’ll let you know what its final grade is when I get around to it. Because surely I’ll get around to it. Right?