See The Cover Art For DOC WILDE AND THE MAD SKULL!

WILDEmadskullCoverMockup

I am thrilled, at long last, to reveal to you oh so patient readers the cover design for Doc Wilde and The Mad Skull, the long-delayed second Wilde adventure novel. The art is, naturally, by the great Gary Chaloner. This is in grayscale, of course. The final version will be in glorious color.

In this book, my long-awaited follow-up to Doc Wilde and the Frogs of Doom (KIRKUS REVIEWS: “Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures…”) the Wildes face a sinister mystery and a truly bizarre villain in a battle that rages from New York City to a scorching wasteland and maybe into the realms of death itself…

The book is suitable for all ages. Publication planned for the Christmas season.

Also, those snakes? Fire snakes. As in snakes made of fire.

Get ready to Go Wilde again!

The Once & Future Wilde: GREAT News About The Doc Wilde Series!

Wilde Adventure!

Today, I get to share some huge news with you about the future of Doc Wilde.

As you may know, the first book in the series, Doc Wilde and The Frogs of Doom, was published by G.P. Putnam’s Sons in 2009. It was very well reviewed and sold well enough that Putnam contracted me for two more books toward building a regular series. The safe (and possibly sane) course of action would have been to stick with Putnam and all the benefits of publishing with a big house. My experience with Putnam was largely positive, and I’d beaten the odds by landing with them in the first place. But…

But I wasn’t satisfied with the book Putnam put out or their support of it. There were some editorial dictates I allowed myself to be persuaded to follow that I felt weakened the story, the book was pigeonholed by the publisher as a middle-grade work rather than a tale for all ages as I intended, and the publisher put very little effort or money into promotion (this is, alas, mostly par for the course these days).

Additionally, I was simply more ambitious about the Wildes than Putnam was, and had wanted the books to be fully illustrated. With this in mind, before I’d even finished writing the book I’d sought and found the perfect artist for it, a hellaciously talented Aussie named Gary Chaloner. Gary read what I’d written to that point and fell in love with the characters and agreed to join the Wilde team. While I finished the book, he put a lot of time and work into getting the characters just right, and I loved his take on my heros. A fellow pulp-fan, Gary understood the Wildes in his bones, and his images were dynamic and clever and made my story look good. The picture atop this post is one of his.

When they bought Frogs of Doom, Putnam disregarded all the work Gary had already done and my aspiration for nicely illustrated volumes. The book they put out replaced illustrations with goofy typographical effects in the text which made it look expressly aimed only at younger readers, and while the painted cover was nice, it did not capture my characters as I saw them and I never got so much as an email consultation with the artist.

Doc Wilde, 1st edition

Now, that’s not unusual, not many authors actually have much say in the covers that get stuck on their books. But since I’d been through months of collaborative effort with my artist of choice, who had labored meticulously to honor my vision, I was naturally even more dissatisfied by the outcome.

So, inspired by the independent publishing revolution, I decided to take matters into my own hands. I managed to work some loophole sorcery and not only wriggled out of the contract for the next two books but regained full rights to Doc Wilde and The Frogs of Doom. I brought Gary back on board and we set out to create the books I’d wanted all along. After lots of work and some delays, in 2013 we rereleased the first book in a gorgeous new edition that was not only packed with great Chaloner artwork but also featured my preferred, extended “Author’s Cut” of the story.

DOC WILDE AND THE FROGS OF DOOM

Working with Gary on this book was the most enjoyable creative collaboration I’ve ever had, and the resulting volume is a thing of beauty. Unfortunately, just after its publication, Gary was forced to resign from the series due to scheduling concerns. This was a crushing blow, but I rallied and hired a new artist, Tess Fowler, which was a terrible mistake. She took my money and dragged ass for months without producing anything but a few rough sketches then, as we approached the originally agreed upon release window, threw a neurotic fit and ceased all communications. She kept the cash. I later found out that I’m not the only victim of this sort of behavior on her part.

Being ripped off by Tess Fowler didn’t just cost me money, it cost me all the months she was allegedly working on the next book. And it triggered my depression, which I’ve battled for years, making further progress impossible for many months more. All the creative and logistical issues of creating these books were further exacerbated by the anxiety of my trust betrayed and depression’s leaden shroud. I entered a period of convalescence, realizing I needed to get a handle on my daily life again before I could even begin to think about getting back to work on the Wilde books.

Well, the time has come to get back on that buckin’ bronco. The Doc Wilde series is finally continuing. And the really big news is: Gary Chaloner is back as the official Wilde artist!

HURRAY!

Gary is still very busy, so we’re taking it at a slower pace than originally intended, but it’s worth it to do these books right. The new release schedule will be a new Doc Wilde book every year. This will allow him to fit Wilde work into his schedule without overwhelming him, and it will allow me to alternate Doc Wilde books with other writing projects.

We plan to release the second book, Doc Wilde and The Mad Skull, by Christmas 2016, with a yearly release around the same time each year thereafter. And we hope you’ll join us on all our adventures for years to come…

ADVENTURE!

GREED: The Fine Art of Sticking It To Your Readers

As a writer, there is nothing more sacred to me than the connection between the teller of tales and those he tells them to. I write because I want to be read, and read by as many people as possible. There is, of course, a practical aspect to all of this, because to make a living at this craft requires a lot of readers. But there are far easier jobs to do which are generally a lot more lucrative, and the sharing of stories and ideas is the primary currency I crave.

Not everyone shares this philosophy. Samuel Johnson said “No man but a blockhead ever wrote except for money,” and to a degree that’s solid advice, especially in a time when so many folks try to wrangle writers into writing for free in order to get “exposure.” But if cash itself is a writer’s raison d’être, their muse is a whore and there’s a good chance they’re a hack.

As a reader, I’ve always despised publishing tricks that create scarcity in order to squeeze more money out of some readers while keeping material out of most readers’ hands. For example, an expensive “exclusive limited edition” of an author’s book which includes a story that’s not in the generally available edition and won’t be available anywhere else. It’s true that this rewards devoted fans willing to spring for something special, but it also punishes devoted fans who may not be able to afford the book. “If you love me and want to read everything I write, o wonderful reader, you will buy this exclusive collectible. Otherwise, screw you.”

To be clear, I have no problem with cool collectibles. I love beautiful limited editions, all autographed and bound-in-cloth (like a real goddamned hardback) and illustrated and such. It’s the exclusivity of content that I take issue with. That’s disrespectful to your fans, the most important people in the world to a writer, the people who most want to read your work. Why cheat them of the chance?

This applies to pricing, too. While “what the market will bear” is a fine principle for corporate mercenaries, it can be a harsh metric when applied to the dynamic between writer and reader. A writer I know is writing a series of adventure novels about a popular character that I would love to have on my shelf, and support this author’s work, but the publisher prices the paperbacks at $25 and the hardbacks at $40 and I just can’t afford them. Such pricing is unnecessary; Doc Wilde and The Frogs of Doom is fully illustrated and I published it at $12. Even allowing for licensing costs, the prices for my friend’s books err dramatically toward favoring the publisher over the reader.

The worst case of this sort of thing I have ever seen is a new book featuring a crowd of classic pulp heroes in a shared adventure, a League of Extraordinary Gentlemen kind of thing. As you all know, I love pulp and I’m innately interested in this sort of thing. The book looks to be huge and extravagant and loaded with illustrations, a gorgeous artifact for any library. But the lowest price for one of these volumes is $200. And the highest price?

$15,000.

How fucking ludicrous can you get?

I don’t begrudge the writer or publishers the extravagance of their book. If they want to sell an elite edition of it for fifteen grand, and someone wants to buy it, that’s awesome. And even the version at $200 may be worth the price for collectors if the book is beautifully (and expensively) made. But publishing it without a less expensive point of entry for the vast majority of possible readers, especially the very pulp fans this was presumably written for, is unfortunate. It also limits the potential size of the author’s fanbase to a small pool of folks willing and able to fork over a lot of cash.

When he wrote this book, did the writer do it because he loved the art of telling stories, and wanted to reach readers? Or did he just see an opportunity to squeeze money from the collectibles market? Because it really looks like the latter.

Me, I want to reach all the people I can. I want to treat my readers, and potential readers, with the sort of respect I hope to receive as a reader myself. I’d rather sell two thousand books at $12 each than a thousand at $25. I’d rather be read by a thousand people than a hundred. And I’d never participate in a stunt that kept my work from being accessible to most of the folks who might want to read it.

If your favorite book is a checkbook you may disagree.

In Which An Artist Discovers DOC WILDE AND THE FROGS OF DOOM

DOC WILDE AND THE FROGS OF DOOM

About a month ago, artist Giancarlo Fusco read my novel Doc Wilde and The Frogs of Doom and gave it sort of a micro-review on Facebook:

Just finished reading Doc Wilde and the Frogs of Doom… FUN book! If you’re a fan of Indiana Jones or the Incredibles, grab a copy by Tim Byrd. Felt the need to do a quick sketch of Doc Wilde himself… #drawing #illustration #3coffeeslater

Doc Wilde sketch

Giancarlo contacted me, asking for my permission to do a Wilde picture for his portfolio, which I, of course, gave. A few days ago, he produced the finished piece, and it’s pretty nice.

Wilde Adventure

You can find more of Giancarlo’s work here.

DOC WILDE: “The Best Doc Savage Book Since 1949!”

Wilde Adventure!

Most readers of this blog are aware of the fact that  my Doc Wilde books are, at least to some degree, a love letter to the old hero pulps of the thirties and forties, especially to Lester Dent’s great Doc Savage (who was also a primary influence on Superman, Batman, and many other characters as diverse as James Bond and the Fantastic Four). In recent times, a Doc Savage movie has been planned, to be directed by Shane Black (writer of Lethal Weapon, writer/director of the superlative Kiss Kiss Bang Bang and Iron Man 3).

Last week, my friend William Preston (himself an amazing author and Doc Savage fan) pointed me to a website whereon another fan of the Man of Bronze is tracking and commenting on developments related to the movie and to Doc Savage in general. Somewhere along the way, he read my novel Doc Wilde and The Frogs of Doom, and this was his reaction:

It’s obvious to me Tim Byrd is the most qualified person to write or consult on a new Doc Savage film. He gets Doc Savage. He’s modified and adapted the Doc Savage oeuvre for his young adult literature needs but what he takes and how he uses it is pretty darn awesome. His story constantly moves forward, stuff happens, thought and research are combined as if by Lester Dent magic, and great Doc Savage details large and small come into play…

Mr. Black, Shane, Dude, hire Tim Byrd to write your movie for you.

Further down the page, he posted this:

Best Doc Savage Book Since 1949!

This is very gratifying to me. While I consider Doc Wilde to be very much his own man, and in spite of his many similarities to Doc Savage he is also quite different, there is still that strong current of homage crackling through the stories. So having other fans of the old pulps respond to my work in this way tells me I’m doing the job I set out to do.

Book Review: CRYPTOZOICA by Mark Ellis

Cryptozoica

“This whole thing sounds like the plot for a lot of B movies.”

Thus speaks one of the main characters in Mark Ellis’s dinosaur adventure, Cryptozoica, and the statement reflects what I expected going in with this novel. I had reservations based on a handful of factors. The cover was brightly colored and a tad cheesy. I knew that Mr. Ellis had been a writer for Harlequin’s Gold Eagle line of macho testosterone-and-explosions books, and frankly my limited exposure to Gold Eagle books over the years hadn’t impressed me (though I never read any of the ones written pseudonymously by Ellis). And from the blurb describing the book, this seemed squarely in the pulp tradition of lost worlds, dinosaurs, beautiful women, and heroes named Jack.

That formula isn’t necessarily a bad thing; I happen to love pulp, as anyone reading my own work knows. But I can’t stand bad writing, and a good bit of pulp, both original and modern, is pretty awful.

By the time I finished the prologue — which dramatically ties the novel’s background to Charles Darwin’s voyage on the HMS Beagle — any reservations I had were chased away and I knew I was in good hands. Ellis’s writing is strong and vivid, as any good adventure writer’s should be, and he has an adept sense of story.

To go into much detail would be to spoil some of the book’s many pleasures, but I will say that it is both pretty much what you’d expect from this sort of tale and a lot more. The characters are all interesting and layered, the setting vividly painted, and the action swift and smart and full of cliffhangers. There is science, both real and weird, and Ellis’s excellent research adds interesting detail throughout. There’s a Dragon Lady, Chinese gangsters, secret societies, shifting loyalties, the requisite cool (and hungry) dinosaurs, and a few ancient mysteries. There are also some ever-topical themes relating to science and faith that are very pertinent in our current culture.

The book is nicely illustrated by the cover artist, Jeff Slemons, but I read it on my iPad and the images all loaded at a resolution just low enough to be annoying. It would be nice to see them more clearly (and I know it’s possible, as we managed to do it with my own illustrated novel, Doc Wilde and The Frogs of Doom).

I enjoyed the hell out of this book. Get yourself to Cryptozoica for some good old fashioned adventure with modern smarts.

Imp Propriety (ABC Wednesday, 3/12/14)

imp

“Knock knock,” the imp said.

“Who’s there?” I responded.

“LET ME THE FUCK OUT OF HERE!” he screamed at me. His leathery wings spread wide as if to emphasize his words, or to make him seem larger in order to intimidate me. But he was only three inches tall, so it was going to take a great deal more to make him seem large enough to be a physical threat.

I poured another couple fingers of gin into my glass, tossed it all down my throat in a burning wash. I was already feeling wobbly and a bit too hot, but booze seemed appropriate.

“You know I’m not going to do that,” I told him.

He glared at me with eyes like shadows moving on glass. He looked ridiculous, tiny and naked and roughly scaled like a bearded lizard. Batwings of course, with curved talons at all the tips. He was what would be called anatomically correct if he were a doll, his outsized penis erect and bouncing with each step as he paced from point to point within the pentagram I’d painted on the table with my own blood.

“And how in all the sweet hells do you expect me to do your bidding and help your sorry ass out if I’m stuck in this thing?”

The old book had seemed pretty clear on all this, but once I’d done the ritual, and little boner imp appeared, I realized the specifics of getting my way hadn’t been covered sufficiently.

“Can’t you just grant me a wish? Then I’ll banish you and we’ll be done with each other.”

“I can’t grant wishes, bozo. That’s way stronger mojo than I’ve got. I can only help through direct action.” He stopped pacing and glared at me again. “And how do you intend to banish me? I know that mad Arab didn’t put detail like that in that book, ’cause I’ve read it.”

He was right. The ritual was all about getting him here. What to do with him hadn’t been covered at all, other than to say something about dominating the small fiend and using its power.

“Never mind that,” I said. “I’ll banish you, all right? That book isn’t the only source of info I have access to. And if it comes to it, I’ll get a priest in here to deal with you.”

Pssh. A priest. You don’t want to tell one of those guys you’ve been summoning demons; they’ll burn you at the stake.”

“They don’t do that any more.”

“Yeah, right. Buddy, they always do that. Maybe they’re just more subtle about it these days.”

“I don’t think so. They have enough scandals to deal with without getting caught burning people.”

“Never mind the fucking priests,” he snarled. “You need to let out of here so I can help you. If you don’t, you’re just gonna have this bloody star on your table and I’m going to be stuck in it from now on. You really want me living here with you, chatting up your friends? Not to mention I got no place to shit in here, and I feel a big one coming on.”

“What will you do if I let you out?”

“I’ll do all I can to get that bitch to take you back–“

“Don’t call her a bitch.”

He cocked his head at me. “Jesus twitchin’ on the cross, I get all the twits,” he muttered. “Look, moron, you didn’t expect a demon to act all proper didja? I can, mind you…but if I do, that’ll count as your ‘one desire’ I’m supposed to fulfill.”

“Okay, okay,” I said. “So I let you out, you help me get Cindy back, then you return to Hell or wherever it is you came from, right?”

“Damn straight.”

“And you won’t pull any tricks on me or hurt me or anything like that, right? Because I am your master.”

“Good grief. Right, right, right. Now let’s do this; the sooner I can get off this dismal plane, the happier I’m gonna be.”

“Okay…” I said. This still seemed a bad idea, but I was at a loss. And what he said seemed to be in accord with the rules implied in the book.

I reached toward the pentagram, paused with my fingers just above one of its bloody lines. “You promise, no tricks?”

He shook his head. “You really gonna trust a promise from me? I’m a demonic imp from the dark beyonds, I don’t make promises. But I do my goddamned job.”

“Okay.” I rubbed my fingers in the blood, breaking the line.

I

I’ll return next Wednesday with the letter J. I hope you’ll stop by. I’m a writer and I post about a wide variety of non-alphabet-specific topics. Feel free to comment under my posts. If you want to subscribe to the blog, there’s a button in the sidebar.

Also, feel free try to check out my adventure novel Doc Wilde and The Frogs of DoomIt’s been very well reviewed (KIRKUS REVIEWS: “Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures.”) and is great for action-adventure lovers of all ages.

DOC WILDE AND THE FROGS OF DOOM

For another fun ABC Wednesday post, visit the Carioca Witch here: Bringing Up Salamanders.

Find many more posts by others, and more info on ABC Wednesday, here: ABC Wednesday

I Love My Readers: Doc Wilde Now At A Lower Price! Buy It In Print, Get The Ebook Free!

DOC WILDE AND THE FROGS OF DOOM

I write to be read. And the more people who read my writing, the happier I am. (And, admittedly, the more solvent I am).

So I’m always looking for ways to make it easier for readers to get their hands on my stuff, and lately I’ve made some changes I hope will do just that.

First, I’ve dropped the price of my all-ages adventure novel Doc Wilde and The Frogs of Doom in paperback. This is a very well-reviewed, cliffhanger-packed tale (“Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures.” — Kirkus Reviews) in a gorgeous volume full of beautiful illustrations by Aussie comics whiz Gary Chaloner. Its original price was $13.99, for the foreseeable future it’s $11.99. I’ll be making less per copy, but I hope that the change will make it easier for more folks to decide to purchase (especially since vendors sometimes cut the price even further: at the moment, Amazon has it for $10.79).

The ebook drops from $6.99 to $5.99, and contains all the fantastic Chaloner artwork of the paperback.

Kindle MatchBook

Also, a while back I entered the book into Amazon’s Kindle MatchBook program. The way this works is, if you buy the print book (or have bought the print book  in the past), the author can allow you to get the ebook for a reduced price. I’d initially set the price at $1.99, but I ultimately decided that I wanted to be even nicer to my readers, so I’ve set the price to $0.00. Buy the print book, get the ebook free.

This works even if you bought the original Putnam hardback. If you bought it from Amazon, you can now read the expanded, improved text of the Outlaw Moon edition, and see all the Chaloner artwork, for free.

By the way, you don’t need a Kindle to read the Kindle format. Amazon has Kindle apps for just about any gadget you can read on — smartphones, Macs, PCs, tablets — and you can get them here.

FROGS OF DOOM! (ABC Wednesday, 2/19/14)

Frog of Doom

Lyonesse, Doc Wilde’s manor, was immense and imposing.

Its structure was an odd mix of gothic castle, log cabin, and Art Deco glass and steel, with an enormous white ash tree rising through its architectural core like Yggdrasil, the sacred World Tree of Norse myth. It sat on a high wooded hill eighteen miles outside the city limits of New York, a mighty guardian watching over the land.

Doctor Spartacus Wilde had designed Lyonesse, and oversaw its construction. He took its name from Arthurian legend: Lyonesse was the mystic island of Sir Tristan’s birth, a sunken land lost beneath the waves somewhere off the coast of Cornwall. Now, this modern Lyonesse was internationally renowned as the fantastic home and headquarters of the world’s greatest adventurer.

Half a mile from the hill on which the manor stood, a faint dirt track branched off the road into deep woods, ending at a well-camouflaged cave which penetrated deep into the bedrock beneath the rugged hillscape. This passage led to a spectacular underground bunker in which Doc Wilde stored his amazing assortment of vehicles.

As early evening twilight painted the hills above, an elegant jet-black automobile with three headlights zoomed from the bunker, eerily silent but for the crunch of tires on the gravelly cave floor. This muscular rocket of a car was a 1948 Tucker Torpedo. Only 51 of them had ever been made, and only 48 remained in existence. Some were in museums. Some were with wealthy collectors. They were virtually impossible to acquire.

Doc Wilde had three.

The Tucker accelerated swiftly. A titanium wall loomed in its path, but the vehicle did not slow. Seconds before impact, the wall snapped open, locking shut again after the car was through. Every hundred yards another such gate barred the way, but allowed the Tucker to pass. These indestructible gates were just one of the many security measures protecting Lyonesse.

The unusual automobile shot from the cave onto the dirt track through the forest.

Doc Wilde had made some modifications to the three Tucker Torpedoes so they would be truly adventure-worthy. Their steel bodies were reinforced with a spray-on armor coating, the windows were unbreakable glass, and the tires made of rupture-proof polymer gels. The old gasoline engines were replaced with solar/hydrogen engines of Doc’s own invention, eliminating all polluting emissions. And running boards had been added along the sides.

When the weather was nice (and sometimes when it wasn’t, if time was short), Doc liked to ride outside the car on the running board. In times of emergency, this served the additional purpose of making Doc visible to law enforcement officials, who knew that if Doc Wilde was breaking traffic laws, it had to be for very good reason, so they would try to clear the way and offer any assistance he might require.

The weather was nice now, and Doc was out on the driver’s side running board, the wind blasting through his hair, his mighty arms holding tight. He wore a white safari shirt with epaulets on the shoulders, khaki cargo pants, and leather boots. Over his shirt he wore his field vest, brown and full of pockets holding numerous useful tools and gizmos he always took with him on his travels.

Brian and Wren rode in the Tucker’s backseat, wearing clothes identical to their dad’s. The Wildes called these outfits their “danger clothes.”

Behind the wheel was Doc’s driver and pilot, an Irishman named Declan mac Coul. Declan’s hair and beard were shaggy red, and while he was just a few inches taller than 5 feet, he weighed as much as Doc. He was like a short bear and all muscle. There were many mysteries about Declan mac Coul, but one thing they knew for sure was that he could always be counted on completely.

Next to Declan sat Phineas Bartlett in a dapper suit and derby hat, holding a cane with an ornate eagle’s head handle of purest silver.

Spraying dust, the Tucker veered from the dirt track onto the main road into town. Bartlett scowled at Declan. “Slow down now, you misbegotten ape.”

“Funny you callin’ me an ape, all natty in that monkey suit,” Declan replied. But he did slow to the speed limit, as they were no longer on Doc’s private land.

When Declan and Bartlett addressed one another, the two men’s voices oozed disgust and dislike. But actually, they were the greatest of friends.

Wren interrupted their sparring. “Declan? Bartlett? Do either of you know what Ophrys means?”

Brian shot her a look. The little trickster hadn’t forgotten their squabble.

Bartlett chuckled. “You’ll need to wait till Declan learns English before you start tormenting him with Ancient Greek. But Ophrys means ‘eyebrow,’ if I recall correctly,” which he did. Phineas Bartlett recalled everything correctly; he had an eidetic memory (often called a “photographic memory”), and had total recall of everything he’d ever read.

Wren grinned at her big brother. “Gotcha.”

Declan snorted. “You would know that.”

Bartlett smiled. “The benefits of a high-brow education.”

Wren grinned at Brian even more. He scowled and tried to ignore her.

Bartlett gazed benignly at Declan. “Aristotle tells us ‘Educated men are as much superior to uneducated men as the living are to the dead.’”

Bartlett was familiar with lots of quotations.

“Well,” Declan said, “I reckon that means I’m superior to Aristotle, me bein’ alive and him bein’ dead. So why should I listen to him?”

Where’s Dad?!?” Wren suddenly cried. Startled, everyone glanced out the windows.

Doc Wilde was no longer on the running board. Continue reading

New FROGS OF DOOM Review: “Tim Byrd is one heckuva author!”

A wonderful new reader review of Doc Wilde and The Frogs of Doom is up on Amazon:

Kudos Are well deserved!, February 11, 2014 *****For the uninitiated, the book is a fast-paced, cliffhanger-packed, pulp-style adventure story suitable for all ages. It’s also on sale in honor of Valentine’s Day through Sunday for only $3.99 (usual price: $6.99).

Doc Wilde and The Frogs of Doom

Valentine’s Sale: DOC WILDE AND THE FROGS OF DOOM $3.99! (Three Bucks Off!)

DOC WILDE AND THE FROGS OF DOOMI love readers. I particularly love my readers, and I love getting more of them. So, in celebration of the upcoming Valentine’s holiday, a day dedicated to love, I am putting the digital version of my novel Doc Wilde and The Frogs of Doom on sale through Valentine’s weekend, ending February 16 at midnight Eastern Time.

The sale price is just $3.99. Usual price is $6.99.

The book is an old-fashioned pulp adventure told through a modern lens, written for all ages; I hear from kids as young as eight, and grown-ups up into their eighties. It is fully illustrated by Australian comics whiz Gary Chaloner, and when I say fully illustrated, I mean it. There are a lot of cool pictures in this book. It is a labor of love, a celebration of pulp fiction, families, literature, and battles against armies of man-frogs out to destroy the world.

A Frog of Doom

The sale price is in effect at Amazon (Kindle) and at DriveThru Fiction (epub, mobi, and PDF).

Please share this post as widely as you are willing to your friends on Facebook and Google+ and Twitter and Pinterest etc. And if you enjoy Frogs of Doom and really want to help out this dashing author who’s desperately trying to make ends meet, please consider writing up an honest review. It can be just a few lines, but all reviews are helpful, even the not-so-great ones. On your blog or Goodreads or B&N or anywhere is good, but the most helpful in reaching a lot of people is, at this point, Amazon.

Thanks for reading, and stay Wilde!

10(ish) Books

It’s one of those memes spreading across Facebook, but one that actually has some merit (to my mind) in that it is designed to engage folks in conversations about books they love:

Rules: In your status line, list 10 books that have stayed with you in some way. Don’t take more than a few minutes and don’t think too hard – they don’t have to be the “right” or “great” works, just the ones that have touched you.

I like that. I like that it specifies “books that have stayed with you in some way” rather than your all-time favorites. “Ones that have touched you.” I wouldn’t even start trying to list my favorite ten books of all time, but I’m happy to list a few favorites that moved me and now come to mind.

I also like the exercise well enough to share it here, for posterity, rather than as just a mote of data washing by in the social media stream. And I won’t simply list the books, I’ll tell you something about them, and about what they mean to me. (This also fits in with my recent pledge to get back to regularly reviewing books I read).

And I’ll do it now. Here they are, in no particular order:

Something_wicked_this_way_comes

Something Wicked This Way Comes by Ray Bradbury This one would be on my list of all-time favorites if I ever made it. A tale of two small town boys, friends, born on opposite sides of midnight Halloween night, facing the surreal and terrifying threats of a dark circus that comes to town one chill night. This is a book about childhood and magic and dreams and libraries and laughter and books. Ray Bradbury was the writer who inspired me to officially decide I was going to be a writer, and this is his very best. It also makes me think of my best friend of many years, Rusty, the Will Halloway to my Jim Nightshade in the dyad of our youth.

WintersTale

Winter’s Tale by Mark Helprin Another wonderful book, an epic tale of fantasy and magic realism which explores New York City and life from all sorts of whimsical and tragic directions. I don’t know much about Mark Helprin as a person (I do know he supported and wrote speeches for Bob Dole, which deeply disappointed me at the time but seems a nearly insignificant fault in light of the monstrous Republicans who replaced Dole on the national scene), but he’s a brilliant writer. This book made me laugh out loud (there’s a brilliantly cartoonish gang of ne’er-do-wells in its pages), fall in love, and cry. It’s an overflowing treasure chest of literary wonder. (Apparently it’s now a movie, but I guarantee you should read the book before, or instead of, seeing it.)

LookingForRachelWallace

Looking For Rachel Wallace by Robert B. Parker Many of you will know the private detective Spenser from the old Robert Urich TV show Spenser: For Hire, which, as such adaptations go, was pretty good; Urich was personable, growing into the character over time, and his costar Avery Brooks was the definitive Hawk. I wanted to have a Spenser book here because Spenser — and his creator — have been great personal and professional influences on me for years. But there are a lot of Spenser novels, so the question was, which to feature? I decided to go with the very first I read, in which Spenser, manly man with a poet’s soul, is hired to bodyguard a rabidly feminist lesbian writer who most definitely doesn’t like having a seeming brute like him around. The interplay between the two as they intelligently argue sexual politics, along with Spenser’s relationship with his beloved Susan Silverman and the easy action of the tale, hooked me for life. Spenser is the thinking man’s gumshoe, big and brawny but just as quick with a Yeats quote as he is with his fists, and Parker rarely fails to deliver the goods. Continue reading

Action! Horror! Kung Fu! Intrigue! Gunslingers! Fantasy! -14 Books By Noted Writers, Choose Your Price, Support Charities

Choose your price! Support charities!

Choose your price! Support charities!

Allen Varney is a really smart man who has put together a cool system in which he sells “bundles” of books and games to folks at the price they choose to pay (with a small minimum price established for a smaller set of the books offered)), the proceeds going not only to the authors involved but to specified charities. You may have seen other such bundles, and they’re a great idea.  Last summer, I participated in one of his earlier fiction-oriented bundles and it was a great experience. Allen has since honed his system by running many more bundles, and more folks have gotten interested in them, so he is temporarily resurrecting some of the earlier ones to satisfy the requests of those who missed them. The one I was part of is one of them, but will only be available for a very short time (just 48 hours, and the countdown has already begun!).

The charities to benefit from this bundle are fighting for literacy and freedom of expression all over the planet:

PEN International and The Electronic Frontier Foundation

Just think, you can get my own very well-reviewed, fully-illustrated adventure for all ages, Doc Wilde and The Frogs of Doom, along with a bunch of other high quality genre tales for just $4.95 or a bit more (Frogs of Doom is retail price $6.99 all by itself), and you’ll be contributing to the literary well-being of all of human kind.

Wilde Adventure!

Below are the details from the Bundle of Holding site; grab this adventurous deal while you can (as I type this line, the countdown is at 1 DAY, 22 HOURS, 49 MINUTES, 56 SECONDS!) Continue reading

Counting The Clock That Tells The Time

Clockwise

When I do count the clock that tells the time,
And see the brave day sunk in hideous night…

As far as I’m concerned, that’s William Shakespeare describing my 2013. For me, the year was a dark shawl of despair, laced with tiny threads of joy.

On the bright side of the equation, Gary Chaloner and I finally managed to release our deluxe, expanded, fully-illustrated edition of my adventure novel Doc Wilde and The Frogs of DoomIf you’re new to our tale, I was originally contracted for three Doc Wilde books by Penguin/Putnam, with plans for the series to continue after those. They published Frogs in hardback in 2009, but I was disappointed  in various ways with the book and the publication process which produced it. During that time, I was watching the developments in self publishing with great interest, and I decided to regain the rights to my books and go indie. With the much appreciated help of a company of Kickstarter heroes, Gary and I started a process that was tougher and took more time than anticipated, but finally paid off with a gorgeous new book (written for all ages, available in both trade paperback and ebook; the hardback edition is still out there, mostly in used copies, but remember it’s nowhere near as nice a book as the new version).

Doc Wilde and The Frogs of Doom

Finally holding the deluxe Frogs of Doom was a relief and a delight. But dark times were coming for Doc Wilde, much more harrowing than any fight with world-threatening amphibians could ever be.

First, Gary Chaloner made the tough decision to resign as artist for the series. Working on Frogs had proved a hardship for him schedule-wise and he recognized that things were only going to get worse as he tried to balance his workload of other projects. To his incredible credit, and my even greater appreciation as both a fellow professional and a friend, he had finished the first book as he’d promised and, you might say, sort of spoiled me. As I hired a new artist for the second book, I expected a similar level of professionalism, and I paid what is for me some big bucks in advance to get it. Alas, I did not.

Hiring artist Tess Fowler was an enormous mistake. (The full craptastic tale can be read at this blog post).

Waiting for art that was just delayed and delayed and delayed only contributed to the weight of the depression I suffer, which was already rolling in like a tsunami on a night without stars, and the ultimate conflict with Tess Fowler when she produced nothing for the money she’d taken as a professional artist deepened my despair. I made repeated attempts to allow Tess to get back to work and live up to her promises, and she ignored every one of them. Continue reading

Buy DOC WILDE In Paperback, Get The Ebook For 72% Off!!!

DOC WILDE AND THE FROGS OF DOOMFor intrepid adventure readers who straddle literary realms both past and present, traditional and technological, I am pleased to announce that I am participating in Amazon’s new MatchBook program (and will happily do the same with other vendors if and when they initiate similar programs; I’m not an Amazon partisan).

What this means is that folks who buy (or have bought) the paper version of Doc Wilde and The Frogs of Doom from Amazon can now also buy a digital copy for only $1.99 (that’s 72% off!).

So if you’d like a copy for your bookshelf but would also like to read on your tablet or phone or other gadget, you’re golden. Likewise, if you want to read it on your device and get a hard copy as a gift for someone, you’re all set.

The deal even applies for those of you who bought the book in hardback when it was first published by Putnam. The new version is a lot better, with my “Author’s Cut” expanded text as well as dozens of gorgeous interior illustrations by comics wizard Gary Chaloner. If you bought the original from Amazon, but would like to see the story in its full glory, you can check out the new version for only $1.99.

Also, and this is important, you don’t need a Kindle to read the digital copy (or any Kindle book, for that matter). There are free apps available for PCs, Macs, smartphones, and tablets, so if you have a device on which you can read at all, you can likely read this book. The apps can be found here.

I’m thrilled that Amazon has made this possible. As a reader myself, I jump back and forth between page and screen, and I’ve wanted to be able to do something like this since I was first published.

Celebrate All Hallow’s Read! Get “Dead Folks” for FREE!

Dead Folks

Back in 2010, Neil Gaiman, who doesn’t really need me to introduce him, but whose past glory includes the work-of-dark-genius Sandman for DC Comics, had a great idea. As he recounted on his blog, “I was on a flight home last night, and I thought, You know, there aren’t enough traditions that involve giving books…And then I thought, Hallowe’en’s next weekend…”

From that inspiration grew a wonderful new tradition Neil called “All Hallow’s Read.” As explained on its official website, the idea is simple: “All Hallow’s Read is a Hallowe’en tradition. It’s simply that in the week of Hallowe’en, or on the night itself, you give someone a scary book.” As a lifelong reader, and writer, of tales dark and fantastical (such as my novel Doc Wilde and The Frogs of Doom, now in a marvelous new expanded edition fully illustrated by ace comic book creator Gary Chaloner), I embraced this tradition immediately. In previous years, I gifted classics from folks like the brilliant Fritz Leiber, my late, great friend Karl Edward Wagner, and George R.R. Martin (who also doesn’t need much introduction these days, but whose short story “Sandkings” is one of the scariest things I’ve ever read). Last year, I treated my girlfriend in Brazil to a video of me reading Ray Bradbury’s “The Foghorn,” the story that made me decide to be a writer.

This year, I realized I was in the position to share the tradition with even more people. Now through Halloween, I am offering my semi-spooky tale “Dead Folks” as a free download on Amazon. The story is in Kindle format, but a Kindle is not required to read it; free Kindle reading apps for gadgets ranging from smartphones and tablets to PCs and Macs can be downloaded here.

This story is near and dear to my heart, as it was my first professional fiction sale years ago. In it, a small Appalachian town is mysteriously inundated with pesky corpses from various historical eras and a young man finds he must make some hard choices. One reviewer wrote, “‘Dead Folks’ ultimately reveals itself to be a clever genre admixture that is nodding toward Mark Twain, perhaps the most American of writers. Byrd puts it all at the service of a winning narrator, a well-delineated supporting cast of characters, and a transcendent love story. If Stephen King were given to whimsy, he might have produced ‘Dead Folks.'”

I hope you’ll accept my gift of this bit of weirdness in the spirit of the holiday, and that you enjoy it. Please spread the word, the more the merrier. If you like it, please consider leaving a short review of it on Amazon, as that sort of thing raises a story’s profile in searches and is incredibly helpful to starving authors like me. I also really enjoy reading what people think. And don’t forget to give someone else a story or a book, and tell everyone you know about All Hallow’s Read. Neil is absolutely right, we need more traditions based on gifting tales. What better time than Halloween, the season of scampering nightmare and sultry mystery?

GET “DEAD FOLKS” HERE

HAPPY HALLOWEEN!

HAPPY HALLOWEEN!

What Elmore Leonard Taught Us

Dutch

Elmore Leonard was one of those great pulp writers who helped create modern fiction and along the way taught many writers how to write. Like the best in any “genre,” he proved that genre doesn’t matter, only quality. Whether you’re writing about cowboys or bank robbers or astronauts or superheroes or ennui-laden academics fucking around on their wives and feeling really really uncertain and depressed while they wash the dishes, the content isn’t what’s important, it’s the skill and insight and art that the writer brings to the tale.

Rest easy, Dutch.

BARYON REVIEW: The Doc Wilde Series Cries For A Place On The Shelf Between Doc Savage And Tarzan!

DOC WILDE AND THE FROGS OF DOOM

The new edition of Doc Wilde and The Frogs of Doom has its first review at a professional site, and it’s from an old friend of the Wildes.

Author Barry Hunter originally reviewed the book at The Baryon Review when it was published by G.P. Putnam’s Sons back in 2009, and the review was so positive that a quote from it now features prominently on the cover of the Outlaw Moon edition:

A true delight…Tim Byrd has taken Doc Savage, added in a pinch of Robert E. Howard, a liberal dose of H. P. Lovecraft, and mixed it all together in a well done, enchanting pastiche of the pulps that will appeal to the adult audience as well as young adult readers.

He likes the new version even more:

[I] have even more enthusiasm for this new volume featuring the writer’s preferred version as well as magnificent illustrations by Gary Chaloner. Tim was able to obtain his rights back from Putnam, put together a Kickstarter project, and fulfill his dream of putting out his vision of his creation.

He has succeeded extremely well and together with Chaloner has created a volume that cries for a place on the shelf between Doc Savage and Tarzan…

There are a lot of folk doing the self-publishing routine, but Tim Byrd has found the right formula to do it in a magnificent way.

The full review can be found here.

News of the Wilde (An Update On The Doc Wilde Series)

Doc Wilde

There are several things for me to talk about today, including some very big news that affects the future of the Doc Wilde books…

First, we’re still in the process of fulfilling Kickstarter promises for Doc Wilde and The Frogs of Doom. Everyone has their ebooks who should have gotten them, and folks are starting to receive their printed copies. For those due autographs, we’re making bookplates that will print in Tasmania so that artist Gary Chaloner can sign them, then he’s sending them to me so that I can sign them and ship them out to the people who need them. The same goes for the posters of the book’s cover art and the handful of character sketches high level supporters are getting. This will take a bit more time, but rest assured we are on task.

The response to the book has been very gratifying. I’ve heard directly from quite a few people who love it, and there has been a great review posted at Goodreads and one at Amazon since the launch, and hopefully more to come. As a freelance writer and independent publisher, I don’t think I can overstate how important such word-of-mouth is: without it, the books will fail and I won’t be able to keep doing them. Or eat. So if you like the books please consider helping them gain visibility through such reviews.

As noted previously, the Kindle and EPUB versions of the book are on sale for $4.99 (reg. $6.99) at Amazon and Barnes & Noble through July 1st. The book is also available in trade paperback and is gradually making its way into distribution channels; it will ultimately be available for order by bookstores, it just takes a while.

Through Monday, the “Frogs of Doom Typo Challenge” is running. The full details are at that link, but the gist of it is that everyone who submits a valid typo or misspelling in the book before the deadline has a chance to win autographed copies of both the hardback first edition of Frogs originally published by Putnam and the new expanded and fully illustrated Outlaw Moon edition. So far, I’ve had a few entries that pointed out what the submitters thought were misspellings but weren’t (thinking that “gloam” was supposed to be “gloom” for instance), but there is only one entry from someone who has actually found an error. So not only is there at least one error to be found, if you find it and enter there’s a very good chance you might win.

And now, the big news…

Gary Chaloner has stepped down as artist for the Wildes.

In true pulp fashion, I’m going to leave that cliffhanger with you for the moment. More news soon, but rest assured that work continues on the books and the news isn’t as catastrophic as it might seem (though it did take me a bit of time to get my feet back under me after I found out).

Get DOC WILDE AND THE FROGS OF DOOM For $2 Off!

DOC WILDE AND THE FROGS OF DOOM

ON SALE UNTIL JULY 1, 2013!!!

“Really. Totally. Awesome.” ­‑‑Book Nut

“Doc Wilde swings in on a jungle vine to raise the flag high for adventure. Infused with pace, fun, and all the two-fisted action a reader could ask for…” –Zack Stentz, screenwriter, Thor, X-Men: First Class

To the world at large, Doc Wilde and his family are an amazing team of golden-skinned adventurers, born to daring escapades and globetrotting excitement. Join them as they crisscross the earth on a constant quest for new knowledge, incredible 21st-century thrills, and good old-fashioned adventure!

Now, with adventurous Grandpa Wilde missing, the Wildes confront the deepest mysteries of Dark Matter, penetrate the tangled depths of uncharted jungles, and come face to face with the likely end of the world in the clammy clutches of an ancient amphibian threat…THE FROGS OF DOOM!

“Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures.” —Kirkus Reviews

The Astonishing Adventures of Doc Wilde are written by Tim Byrd, lavishly illustrated by Gary Chaloner, and published by Outlaw Moon Books.

Now in deluxe new editions, these novels recapture the magic of pulp cliffhangers for readers of all ages. Lost worlds, ancient ruins, cool gadgets, and evil villains and daring heroes, all brought into the 21st-century with contemporary themes, modern science fantasy, the wonders of family, and a deep appreciation of literature and of the thinking life itself.

 In the tradition of classic adventure stories, and modern tales like The Incredibles and Raiders of the Lost Ark, they’re great for kids and grown-ups alike.

To celebrate the return of Doc Wilde, Outlaw Moon Books is offering the ebook edition of Doc Wilde and The Frogs of Doom at a special low price of $4.99 (regular $6.99) until July 1, 2013. To get the book, visit the links below at Amazon (Kindle format) or Barnes & Noble (for EPUB format):

DOC WILDE AND THE FROGS OF DOOM AT AMAZON

DOC WILDE AND THE FROGS OF DOOM AT B&N

ALSO AVAILABLE IN TRADE PAPERBACK!

For more info, visit Doc Wilde Adventure Headquarters at www.DocWilde.com!