Doc Wilde Update: Running Late, Still Working On It…

WILDEmadskullCoverMockup

Advance cover mock-up by Gary Chaloner

Okay, the bad news first: Doc Wilde and The Mad Skull, which was targeted for release right about now, ain’t ready yet.

There have been delays at both ends, writer and artist. I’m not satisfied with the manuscript as it stands and have been trying to wrestle it into its proper form while also dealing with matters related to importing my lovely lass Nydia and her son from Brazil and installing them in my cave, getting married, and preparing all the paperwork for immigration in order to make Nyd legal so that Donald Trump doesn’t spaz out about it on Twitter and sic the DHS on us. Meanwhile, Gary Chaloner has had a lot on his plate that has slowed his progress on the art and book design.

But, we’re still at it, and other Wilde adventures are in the works. For one, I have a chunk of the third book, Doc Wilde and The Dance of the Werewolf, already written and Gary will be getting a jump on the cover design for that. For another, he is about to begin publishing a quarterly comic magazine, Adventure Illus., which will focus on his comic book work and characters but which will also feature serialized original Doc Wilde stories. More news on that as it happens.

Now, I’m gonna relax and enjoy my family the rest of the year, then really get cranking again in January to get all this Wilde goodness out to the folks raring to see it.

Happy Holidays to you all. Stay Wilde!

See The Cover Art For DOC WILDE AND THE MAD SKULL!

WILDEmadskullCoverMockup

I am thrilled, at long last, to reveal to you oh so patient readers the cover design for Doc Wilde and The Mad Skull, the long-delayed second Wilde adventure novel. The art is, naturally, by the great Gary Chaloner. This is in grayscale, of course. The final version will be in glorious color.

In this book, my long-awaited follow-up to Doc Wilde and the Frogs of Doom (KIRKUS REVIEWS: “Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures…”) the Wildes face a sinister mystery and a truly bizarre villain in a battle that rages from New York City to a scorching wasteland and maybe into the realms of death itself…

The book is suitable for all ages. Publication planned for the Christmas season.

Also, those snakes? Fire snakes. As in snakes made of fire.

Get ready to Go Wilde again!

The Once & Future Wilde: GREAT News About The Doc Wilde Series!

Wilde Adventure!

Today, I get to share some huge news with you about the future of Doc Wilde.

As you may know, the first book in the series, Doc Wilde and The Frogs of Doom, was published by G.P. Putnam’s Sons in 2009. It was very well reviewed and sold well enough that Putnam contracted me for two more books toward building a regular series. The safe (and possibly sane) course of action would have been to stick with Putnam and all the benefits of publishing with a big house. My experience with Putnam was largely positive, and I’d beaten the odds by landing with them in the first place. But…

But I wasn’t satisfied with the book Putnam put out or their support of it. There were some editorial dictates I allowed myself to be persuaded to follow that I felt weakened the story, the book was pigeonholed by the publisher as a middle-grade work rather than a tale for all ages as I intended, and the publisher put very little effort or money into promotion (this is, alas, mostly par for the course these days).

Additionally, I was simply more ambitious about the Wildes than Putnam was, and had wanted the books to be fully illustrated. With this in mind, before I’d even finished writing the book I’d sought and found the perfect artist for it, a hellaciously talented Aussie named Gary Chaloner. Gary read what I’d written to that point and fell in love with the characters and agreed to join the Wilde team. While I finished the book, he put a lot of time and work into getting the characters just right, and I loved his take on my heros. A fellow pulp-fan, Gary understood the Wildes in his bones, and his images were dynamic and clever and made my story look good. The picture atop this post is one of his.

When they bought Frogs of Doom, Putnam disregarded all the work Gary had already done and my aspiration for nicely illustrated volumes. The book they put out replaced illustrations with goofy typographical effects in the text which made it look expressly aimed only at younger readers, and while the painted cover was nice, it did not capture my characters as I saw them and I never got so much as an email consultation with the artist.

Doc Wilde, 1st edition

Now, that’s not unusual, not many authors actually have much say in the covers that get stuck on their books. But since I’d been through months of collaborative effort with my artist of choice, who had labored meticulously to honor my vision, I was naturally even more dissatisfied by the outcome.

So, inspired by the independent publishing revolution, I decided to take matters into my own hands. I managed to work some loophole sorcery and not only wriggled out of the contract for the next two books but regained full rights to Doc Wilde and The Frogs of Doom. I brought Gary back on board and we set out to create the books I’d wanted all along. After lots of work and some delays, in 2013 we rereleased the first book in a gorgeous new edition that was not only packed with great Chaloner artwork but also featured my preferred, extended “Author’s Cut” of the story.

DOC WILDE AND THE FROGS OF DOOM

Working with Gary on this book was the most enjoyable creative collaboration I’ve ever had, and the resulting volume is a thing of beauty. Unfortunately, just after its publication, Gary was forced to resign from the series due to scheduling concerns. This was a crushing blow, but I rallied and hired a new artist, Tess Fowler, which was a terrible mistake. She took my money and dragged ass for months without producing anything but a few rough sketches then, as we approached the originally agreed upon release window, threw a neurotic fit and ceased all communications. She kept the cash. I later found out that I’m not the only victim of this sort of behavior on her part.

Being ripped off by Tess Fowler didn’t just cost me money, it cost me all the months she was allegedly working on the next book. And it triggered my depression, which I’ve battled for years, making further progress impossible for many months more. All the creative and logistical issues of creating these books were further exacerbated by the anxiety of my trust betrayed and depression’s leaden shroud. I entered a period of convalescence, realizing I needed to get a handle on my daily life again before I could even begin to think about getting back to work on the Wilde books.

Well, the time has come to get back on that buckin’ bronco. The Doc Wilde series is finally continuing. And the really big news is: Gary Chaloner is back as the official Wilde artist!

HURRAY!

Gary is still very busy, so we’re taking it at a slower pace than originally intended, but it’s worth it to do these books right. The new release schedule will be a new Doc Wilde book every year. This will allow him to fit Wilde work into his schedule without overwhelming him, and it will allow me to alternate Doc Wilde books with other writing projects.

We plan to release the second book, Doc Wilde and The Mad Skull, by Christmas 2016, with a yearly release around the same time each year thereafter. And we hope you’ll join us on all our adventures for years to come…

ADVENTURE!

DOC WILDE: “The Best Doc Savage Book Since 1949!”

Wilde Adventure!

Most readers of this blog are aware of the fact that  my Doc Wilde books are, at least to some degree, a love letter to the old hero pulps of the thirties and forties, especially to Lester Dent’s great Doc Savage (who was also a primary influence on Superman, Batman, and many other characters as diverse as James Bond and the Fantastic Four). In recent times, a Doc Savage movie has been planned, to be directed by Shane Black (writer of Lethal Weapon, writer/director of the superlative Kiss Kiss Bang Bang and Iron Man 3).

Last week, my friend William Preston (himself an amazing author and Doc Savage fan) pointed me to a website whereon another fan of the Man of Bronze is tracking and commenting on developments related to the movie and to Doc Savage in general. Somewhere along the way, he read my novel Doc Wilde and The Frogs of Doom, and this was his reaction:

It’s obvious to me Tim Byrd is the most qualified person to write or consult on a new Doc Savage film. He gets Doc Savage. He’s modified and adapted the Doc Savage oeuvre for his young adult literature needs but what he takes and how he uses it is pretty darn awesome. His story constantly moves forward, stuff happens, thought and research are combined as if by Lester Dent magic, and great Doc Savage details large and small come into play…

Mr. Black, Shane, Dude, hire Tim Byrd to write your movie for you.

Further down the page, he posted this:

Best Doc Savage Book Since 1949!

This is very gratifying to me. While I consider Doc Wilde to be very much his own man, and in spite of his many similarities to Doc Savage he is also quite different, there is still that strong current of homage crackling through the stories. So having other fans of the old pulps respond to my work in this way tells me I’m doing the job I set out to do.

I Love My Readers: Doc Wilde Now At A Lower Price! Buy It In Print, Get The Ebook Free!

DOC WILDE AND THE FROGS OF DOOM

I write to be read. And the more people who read my writing, the happier I am. (And, admittedly, the more solvent I am).

So I’m always looking for ways to make it easier for readers to get their hands on my stuff, and lately I’ve made some changes I hope will do just that.

First, I’ve dropped the price of my all-ages adventure novel Doc Wilde and The Frogs of Doom in paperback. This is a very well-reviewed, cliffhanger-packed tale (“Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures.” — Kirkus Reviews) in a gorgeous volume full of beautiful illustrations by Aussie comics whiz Gary Chaloner. Its original price was $13.99, for the foreseeable future it’s $11.99. I’ll be making less per copy, but I hope that the change will make it easier for more folks to decide to purchase (especially since vendors sometimes cut the price even further: at the moment, Amazon has it for $10.79).

The ebook drops from $6.99 to $5.99, and contains all the fantastic Chaloner artwork of the paperback.

Kindle MatchBook

Also, a while back I entered the book into Amazon’s Kindle MatchBook program. The way this works is, if you buy the print book (or have bought the print book  in the past), the author can allow you to get the ebook for a reduced price. I’d initially set the price at $1.99, but I ultimately decided that I wanted to be even nicer to my readers, so I’ve set the price to $0.00. Buy the print book, get the ebook free.

This works even if you bought the original Putnam hardback. If you bought it from Amazon, you can now read the expanded, improved text of the Outlaw Moon edition, and see all the Chaloner artwork, for free.

By the way, you don’t need a Kindle to read the Kindle format. Amazon has Kindle apps for just about any gadget you can read on — smartphones, Macs, PCs, tablets — and you can get them here.

FROGS OF DOOM! (ABC Wednesday, 2/19/14)

Frog of Doom

Lyonesse, Doc Wilde’s manor, was immense and imposing.

Its structure was an odd mix of gothic castle, log cabin, and Art Deco glass and steel, with an enormous white ash tree rising through its architectural core like Yggdrasil, the sacred World Tree of Norse myth. It sat on a high wooded hill eighteen miles outside the city limits of New York, a mighty guardian watching over the land.

Doctor Spartacus Wilde had designed Lyonesse, and oversaw its construction. He took its name from Arthurian legend: Lyonesse was the mystic island of Sir Tristan’s birth, a sunken land lost beneath the waves somewhere off the coast of Cornwall. Now, this modern Lyonesse was internationally renowned as the fantastic home and headquarters of the world’s greatest adventurer.

Half a mile from the hill on which the manor stood, a faint dirt track branched off the road into deep woods, ending at a well-camouflaged cave which penetrated deep into the bedrock beneath the rugged hillscape. This passage led to a spectacular underground bunker in which Doc Wilde stored his amazing assortment of vehicles.

As early evening twilight painted the hills above, an elegant jet-black automobile with three headlights zoomed from the bunker, eerily silent but for the crunch of tires on the gravelly cave floor. This muscular rocket of a car was a 1948 Tucker Torpedo. Only 51 of them had ever been made, and only 48 remained in existence. Some were in museums. Some were with wealthy collectors. They were virtually impossible to acquire.

Doc Wilde had three.

The Tucker accelerated swiftly. A titanium wall loomed in its path, but the vehicle did not slow. Seconds before impact, the wall snapped open, locking shut again after the car was through. Every hundred yards another such gate barred the way, but allowed the Tucker to pass. These indestructible gates were just one of the many security measures protecting Lyonesse.

The unusual automobile shot from the cave onto the dirt track through the forest.

Doc Wilde had made some modifications to the three Tucker Torpedoes so they would be truly adventure-worthy. Their steel bodies were reinforced with a spray-on armor coating, the windows were unbreakable glass, and the tires made of rupture-proof polymer gels. The old gasoline engines were replaced with solar/hydrogen engines of Doc’s own invention, eliminating all polluting emissions. And running boards had been added along the sides.

When the weather was nice (and sometimes when it wasn’t, if time was short), Doc liked to ride outside the car on the running board. In times of emergency, this served the additional purpose of making Doc visible to law enforcement officials, who knew that if Doc Wilde was breaking traffic laws, it had to be for very good reason, so they would try to clear the way and offer any assistance he might require.

The weather was nice now, and Doc was out on the driver’s side running board, the wind blasting through his hair, his mighty arms holding tight. He wore a white safari shirt with epaulets on the shoulders, khaki cargo pants, and leather boots. Over his shirt he wore his field vest, brown and full of pockets holding numerous useful tools and gizmos he always took with him on his travels.

Brian and Wren rode in the Tucker’s backseat, wearing clothes identical to their dad’s. The Wildes called these outfits their “danger clothes.”

Behind the wheel was Doc’s driver and pilot, an Irishman named Declan mac Coul. Declan’s hair and beard were shaggy red, and while he was just a few inches taller than 5 feet, he weighed as much as Doc. He was like a short bear and all muscle. There were many mysteries about Declan mac Coul, but one thing they knew for sure was that he could always be counted on completely.

Next to Declan sat Phineas Bartlett in a dapper suit and derby hat, holding a cane with an ornate eagle’s head handle of purest silver.

Spraying dust, the Tucker veered from the dirt track onto the main road into town. Bartlett scowled at Declan. “Slow down now, you misbegotten ape.”

“Funny you callin’ me an ape, all natty in that monkey suit,” Declan replied. But he did slow to the speed limit, as they were no longer on Doc’s private land.

When Declan and Bartlett addressed one another, the two men’s voices oozed disgust and dislike. But actually, they were the greatest of friends.

Wren interrupted their sparring. “Declan? Bartlett? Do either of you know what Ophrys means?”

Brian shot her a look. The little trickster hadn’t forgotten their squabble.

Bartlett chuckled. “You’ll need to wait till Declan learns English before you start tormenting him with Ancient Greek. But Ophrys means ‘eyebrow,’ if I recall correctly,” which he did. Phineas Bartlett recalled everything correctly; he had an eidetic memory (often called a “photographic memory”), and had total recall of everything he’d ever read.

Wren grinned at her big brother. “Gotcha.”

Declan snorted. “You would know that.”

Bartlett smiled. “The benefits of a high-brow education.”

Wren grinned at Brian even more. He scowled and tried to ignore her.

Bartlett gazed benignly at Declan. “Aristotle tells us ‘Educated men are as much superior to uneducated men as the living are to the dead.’”

Bartlett was familiar with lots of quotations.

“Well,” Declan said, “I reckon that means I’m superior to Aristotle, me bein’ alive and him bein’ dead. So why should I listen to him?”

Where’s Dad?!?” Wren suddenly cried. Startled, everyone glanced out the windows.

Doc Wilde was no longer on the running board. Continue reading

New FROGS OF DOOM Review: “Tim Byrd is one heckuva author!”

A wonderful new reader review of Doc Wilde and The Frogs of Doom is up on Amazon:

Kudos Are well deserved!, February 11, 2014 *****For the uninitiated, the book is a fast-paced, cliffhanger-packed, pulp-style adventure story suitable for all ages. It’s also on sale in honor of Valentine’s Day through Sunday for only $3.99 (usual price: $6.99).

Doc Wilde and The Frogs of Doom

Valentine’s Sale: DOC WILDE AND THE FROGS OF DOOM $3.99! (Three Bucks Off!)

DOC WILDE AND THE FROGS OF DOOMI love readers. I particularly love my readers, and I love getting more of them. So, in celebration of the upcoming Valentine’s holiday, a day dedicated to love, I am putting the digital version of my novel Doc Wilde and The Frogs of Doom on sale through Valentine’s weekend, ending February 16 at midnight Eastern Time.

The sale price is just $3.99. Usual price is $6.99.

The book is an old-fashioned pulp adventure told through a modern lens, written for all ages; I hear from kids as young as eight, and grown-ups up into their eighties. It is fully illustrated by Australian comics whiz Gary Chaloner, and when I say fully illustrated, I mean it. There are a lot of cool pictures in this book. It is a labor of love, a celebration of pulp fiction, families, literature, and battles against armies of man-frogs out to destroy the world.

A Frog of Doom

The sale price is in effect at Amazon (Kindle) and at DriveThru Fiction (epub, mobi, and PDF).

Please share this post as widely as you are willing to your friends on Facebook and Google+ and Twitter and Pinterest etc. And if you enjoy Frogs of Doom and really want to help out this dashing author who’s desperately trying to make ends meet, please consider writing up an honest review. It can be just a few lines, but all reviews are helpful, even the not-so-great ones. On your blog or Goodreads or B&N or anywhere is good, but the most helpful in reaching a lot of people is, at this point, Amazon.

Thanks for reading, and stay Wilde!

I’m Batman (ABC Wednesday, 1/22/14)

I'm Batman

I’m Batman.

That may seem a cocky statement. I am not the world’s greatest detective. I am not the most accomplished hand-to-hand combatant on the planet. I am not a scientist/inventor with an unending inventory of cool gadgetry to rival that of Doc Savage. I don’t battle the forces of evil night after night wearing an incredibly cool batsuit.

But there’s a deeper truth here. It’s not that I’m projecting some Mary Sue wish onto this comic book character, or that I’m patterning my life in any way after the life of Bruce Wayne (though his money would certainly be welcome). Rather, there are a set of resonances in the character of Batman which, you might say, send me a signal. This has been so since I was a little kid, watching Adam West on television, even though I despised that show, just because nothing else was on. I wanted Batman like he was in the comics. Dark, agile, clever. Drawn by Neal Adams with no laugh track. Not cheesy as hell. And haunted…as I was haunted.

I didn’t consciously realize that last bit then, and not for many years. But Batman and I share something besides blue eyes and square jaws: loss. Terrible, heart-rupturing loss.

Everyone knows about Bruce Wayne’s loss: the gunshots in the alley, the clatter of falling pearls, the bodies on the ground. Fewer know the less operatic tale of my loss: a teenaged mother, riding home from her restaurant job to see her baby, her life crushed out in a high velocity encounter with a careless driver.

Loss drives us like a poisonous fuel.

For years, I thought I’d recovered from whatever trauma I’d suffered when my mother died. I had been so young, I couldn’t remember her. She was just an ancestor, if a recent one, no more a part of my life, of me, than a great grandmother I’d never known. But that was naive. Over the years, as depression kept me from the life I wanted, I realized that many of the traumas I brought into my life were refractions of the loss. Somewhere deep inside me was that small child, screaming over my mother’s body. Is it any wonder I found it easy to identify with Batman?

I had no Alfred in my life to raise me, to look after me. My father was a half-step away from cotton mill white trash, and a mean ass drunk. Over the years, he brought in two stepmothers, both cruel. He and they weren’t my family, they were my rogues gallery, the sideshow villains who plotted my destruction in nefariously neurotic ways. Batman’s villains are archetypal, each reflecting something within. The Joker is his mania, his enjoyment of the pain he brings to bear. The Riddler is his compulsion for mental challenge, Bane and Killer Croc his drive for physical dominance. The Scarecrow is his fear and despair. And Catwoman is his playfulness and his libido, trying to break into (or, rather, out of) the adamantine safe that is his heart.

Batman — Bruce Wayne — is the sort of man I strive to be: a successful man, a productive man, a noble man. A man who helps. A man who uses his anger and pain and loss not to hide or lash out at the world, but to fight the darkness (within and without) and keep it at bay. You may really love the Dark Knight, and thrill to his adventures, as millions do. But I’ve lived his dark night, I’ve fought its overwhelming darkness.

Because I’m Batman.

Mourning

B

I’ll return next Wednesday with the letter C. I hope you’ll stop by. I’m a writer and I post about a wide variety of non-alphabet-specific topics. Feel free to comment under my posts. If you want to subscribe to the blog, there’s a button in the sidebar.

For another fun ABC Wednesday post, visit the Carioca Witch here: Bringing Up Salamanders.

Find many more posts by others, and more info on ABC Wednesday, here: ABC Wednesday

Buy DOC WILDE In Paperback, Get The Ebook For 72% Off!!!

DOC WILDE AND THE FROGS OF DOOMFor intrepid adventure readers who straddle literary realms both past and present, traditional and technological, I am pleased to announce that I am participating in Amazon’s new MatchBook program (and will happily do the same with other vendors if and when they initiate similar programs; I’m not an Amazon partisan).

What this means is that folks who buy (or have bought) the paper version of Doc Wilde and The Frogs of Doom from Amazon can now also buy a digital copy for only $1.99 (that’s 72% off!).

So if you’d like a copy for your bookshelf but would also like to read on your tablet or phone or other gadget, you’re golden. Likewise, if you want to read it on your device and get a hard copy as a gift for someone, you’re all set.

The deal even applies for those of you who bought the book in hardback when it was first published by Putnam. The new version is a lot better, with my “Author’s Cut” expanded text as well as dozens of gorgeous interior illustrations by comics wizard Gary Chaloner. If you bought the original from Amazon, but would like to see the story in its full glory, you can check out the new version for only $1.99.

Also, and this is important, you don’t need a Kindle to read the digital copy (or any Kindle book, for that matter). There are free apps available for PCs, Macs, smartphones, and tablets, so if you have a device on which you can read at all, you can likely read this book. The apps can be found here.

I’m thrilled that Amazon has made this possible. As a reader myself, I jump back and forth between page and screen, and I’ve wanted to be able to do something like this since I was first published.

BARYON REVIEW: The Doc Wilde Series Cries For A Place On The Shelf Between Doc Savage And Tarzan!

DOC WILDE AND THE FROGS OF DOOM

The new edition of Doc Wilde and The Frogs of Doom has its first review at a professional site, and it’s from an old friend of the Wildes.

Author Barry Hunter originally reviewed the book at The Baryon Review when it was published by G.P. Putnam’s Sons back in 2009, and the review was so positive that a quote from it now features prominently on the cover of the Outlaw Moon edition:

A true delight…Tim Byrd has taken Doc Savage, added in a pinch of Robert E. Howard, a liberal dose of H. P. Lovecraft, and mixed it all together in a well done, enchanting pastiche of the pulps that will appeal to the adult audience as well as young adult readers.

He likes the new version even more:

[I] have even more enthusiasm for this new volume featuring the writer’s preferred version as well as magnificent illustrations by Gary Chaloner. Tim was able to obtain his rights back from Putnam, put together a Kickstarter project, and fulfill his dream of putting out his vision of his creation.

He has succeeded extremely well and together with Chaloner has created a volume that cries for a place on the shelf between Doc Savage and Tarzan…

There are a lot of folk doing the self-publishing routine, but Tim Byrd has found the right formula to do it in a magnificent way.

The full review can be found here.

News of the Wilde (An Update On The Doc Wilde Series)

Doc Wilde

There are several things for me to talk about today, including some very big news that affects the future of the Doc Wilde books…

First, we’re still in the process of fulfilling Kickstarter promises for Doc Wilde and The Frogs of Doom. Everyone has their ebooks who should have gotten them, and folks are starting to receive their printed copies. For those due autographs, we’re making bookplates that will print in Tasmania so that artist Gary Chaloner can sign them, then he’s sending them to me so that I can sign them and ship them out to the people who need them. The same goes for the posters of the book’s cover art and the handful of character sketches high level supporters are getting. This will take a bit more time, but rest assured we are on task.

The response to the book has been very gratifying. I’ve heard directly from quite a few people who love it, and there has been a great review posted at Goodreads and one at Amazon since the launch, and hopefully more to come. As a freelance writer and independent publisher, I don’t think I can overstate how important such word-of-mouth is: without it, the books will fail and I won’t be able to keep doing them. Or eat. So if you like the books please consider helping them gain visibility through such reviews.

As noted previously, the Kindle and EPUB versions of the book are on sale for $4.99 (reg. $6.99) at Amazon and Barnes & Noble through July 1st. The book is also available in trade paperback and is gradually making its way into distribution channels; it will ultimately be available for order by bookstores, it just takes a while.

Through Monday, the “Frogs of Doom Typo Challenge” is running. The full details are at that link, but the gist of it is that everyone who submits a valid typo or misspelling in the book before the deadline has a chance to win autographed copies of both the hardback first edition of Frogs originally published by Putnam and the new expanded and fully illustrated Outlaw Moon edition. So far, I’ve had a few entries that pointed out what the submitters thought were misspellings but weren’t (thinking that “gloam” was supposed to be “gloom” for instance), but there is only one entry from someone who has actually found an error. So not only is there at least one error to be found, if you find it and enter there’s a very good chance you might win.

And now, the big news…

Gary Chaloner has stepped down as artist for the Wildes.

In true pulp fashion, I’m going to leave that cliffhanger with you for the moment. More news soon, but rest assured that work continues on the books and the news isn’t as catastrophic as it might seem (though it did take me a bit of time to get my feet back under me after I found out).

Get DOC WILDE AND THE FROGS OF DOOM For $2 Off!

DOC WILDE AND THE FROGS OF DOOM

ON SALE UNTIL JULY 1, 2013!!!

“Really. Totally. Awesome.” ­‑‑Book Nut

“Doc Wilde swings in on a jungle vine to raise the flag high for adventure. Infused with pace, fun, and all the two-fisted action a reader could ask for…” –Zack Stentz, screenwriter, Thor, X-Men: First Class

To the world at large, Doc Wilde and his family are an amazing team of golden-skinned adventurers, born to daring escapades and globetrotting excitement. Join them as they crisscross the earth on a constant quest for new knowledge, incredible 21st-century thrills, and good old-fashioned adventure!

Now, with adventurous Grandpa Wilde missing, the Wildes confront the deepest mysteries of Dark Matter, penetrate the tangled depths of uncharted jungles, and come face to face with the likely end of the world in the clammy clutches of an ancient amphibian threat…THE FROGS OF DOOM!

“Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures.” —Kirkus Reviews

The Astonishing Adventures of Doc Wilde are written by Tim Byrd, lavishly illustrated by Gary Chaloner, and published by Outlaw Moon Books.

Now in deluxe new editions, these novels recapture the magic of pulp cliffhangers for readers of all ages. Lost worlds, ancient ruins, cool gadgets, and evil villains and daring heroes, all brought into the 21st-century with contemporary themes, modern science fantasy, the wonders of family, and a deep appreciation of literature and of the thinking life itself.

 In the tradition of classic adventure stories, and modern tales like The Incredibles and Raiders of the Lost Ark, they’re great for kids and grown-ups alike.

To celebrate the return of Doc Wilde, Outlaw Moon Books is offering the ebook edition of Doc Wilde and The Frogs of Doom at a special low price of $4.99 (regular $6.99) until July 1, 2013. To get the book, visit the links below at Amazon (Kindle format) or Barnes & Noble (for EPUB format):

DOC WILDE AND THE FROGS OF DOOM AT AMAZON

DOC WILDE AND THE FROGS OF DOOM AT B&N

ALSO AVAILABLE IN TRADE PAPERBACK!

For more info, visit Doc Wilde Adventure Headquarters at www.DocWilde.com!

CRY “HAVOC!” AND LET SLIP THE FROGS OF DOOM!!! [UPDATED]

Doc Wilde and The Frogs of Doom is DONE, the epic battle raging across the world in both digital and print form. Read the news in the latest post of the official Doc Wilde blog:

CRY “HAVOC!” AND LET SLIP THE FROGS OF DOOM!!! 

UPDATE: Just to be clear, the book is not quite out yet, as we’re still jumping through the hoops to place it on sale through the various major venues. The actual details on this, and other stuff, is in the post at the link.

DOC WILDE AND THE MAD SKULL Cover Reveal!!!

Doc Wilde

Okay, the work is done and Doc Wilde and The Frogs of Doom is on the verge of its rebirth as a much improved, fully illustrated edition. We even have the bar code.

One of the final delays was that we wanted to include an excerpt and the cover from the second book, Doc Wilde and The Mad Skull, in the back of Frogs, so Gary Chaloner actually had to paint the thing. Seems like that takes time. Who knew?

Anyway, though it will get some tweaking between now and its actual  publication, it is effectively done, ready for your eyes…

UPDATE: Getting this book out took longer than expected, and we opted to go with another cover design. You can see it here.

Doc Wilde and The Mad Skull Cover Art

Doc Wilde: The Final Update Before Publication!

A World of Adventure

I’ve been keeping quiet, mostly, since my return from Brazil, and since announcing the “imminent” release of Doc Wilde and The Frogs of Doom at the end of January. This is because I’ve been very busy working, but also because even I’m weary of my pattern of optimistic-announcements-followed-by-some-more-interminable-waiting. That said…

The release of Doc Wilde and The Frogs of Doom is imminent.

I just finished a complete overhaul of the Doc Wilde website, and you can read the details in this blog post there. I’ll be shifting a good share of Doc Wilde-related posts to the official blog in the future, as well as availing myself of the newsletter, which you can sign up for to make sure you get the latest news. Don’t fret, I’m not going to spam you with lots of emails; anyone who follows this blog knows how sporadic I can be. For the moment, the newsletter will be used just for practical updates on the books, but over time I plan to do some fun things with it (though still on a non-spammy basis).

While we’re talking about subscriptions, I may as well point out that you can also subscribe to this blog via the button in the sidebar. This is my personal space, and I’ll continue to talk not only about my writing and publishing adventures, but all the weird and wise and sometimes inappropriate things that occur to me.

Back on the subject of the Doc Wilde site, I’m very pleased with it. Swing by and take a look, check out the gallery of Gary Chaloner’s awesome artwork, read the reviews Frogs of Doom received when it was first published by Putnam, sign the guestbook. Go Wilde…

DOC WILDE ADVENTURE HEADQUARTERS

The Imminent Return of Doc Wilde

DOC WILDE AND THE FROGS OF DOOM

Whew. Finally.

Months later than originally announced, artist Gary Chaloner and I are almost ready to release the new improved edition of Doc Wilde and The Frogs of Doom under the banner of Outlaw Moon Books. The book layout and design are done, most of the art is ready, and the remaining art is done and inked with just a bit of toning to finish it up. And it all looks beautiful. Gary has really knocked it out of the park, and I can’t wait to see what he does on the next book. (I’ve shared some of the art, in various stages of completion, in this album on Facebook, but there’s still a lot that no one has seen yet).

For those new to our saga, this novel is the first in an all-ages series of high adventure novels which I initially published with Penguin/Putnam. They contracted me for the first three, with more to follow, and published Frogs of Doom back in 2009. For various reasons I’ve covered at length on this blog, I then opted to negotiate my way out of my contracts, pulling Frogs from print and regaining full rights to all the books, in order to take advantage of the new self-publishing ecosystem to release the books in a nicer format, fully illustrated by Gary, with full creative control.

This new edition of Doc Wilde and The Frogs of Doom is not only gorgeously illustrated by an incredible artist, it contains my “Author’s Cut,” preferred (and expanded) version of the text. It is in every way superior to the first edition, and I’m excited to be able to share the book in the form I originally intended.

I have been helped along the way by a sizable group of angels who supported my Kickstarter nearly a year ago, providing funds to aid us in producing books of a quality not just matching the job Putnam did with the Wildes, but radically improving on it. They have cheerfully and stalwartly remained positive through months of delay and setback, and I’m humbled and grateful and thrilled to finally be able to give them something back.

So, when is the book due? ETA: any time now. And this time, it’s for reals.

HURRAY!

Doc Savage Vs. King Kong!

Doc Savage vs King Kong

I have returned from the jungled mountains of Brazil, renewed, a silly smile on my face, and ready to get back to work on the Doc Wilde adventures. I have a lot to write about, and will get to it as I can, but I wanted to share this cool news from friend of the Wildes and fellow pulpster Will Murray:

Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventure and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.

While that first issue of Doc Savage was fresh on Depression newsstands,  Universal Studios released one of the most important fantasy films of all time. Everyone  knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest  skyscraper, the Empire State Building.

As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell? Continue reading

Where, Oh Where, Is Doc Wilde?

Doc Wilde and The Frogs of Doom

Time for what will hopefully be the last update before we start getting Doc Wilde books into precious readers’ hands…

Artist extraordinaire Gary Chaloner is polishing up the last bits of art for the long-awaited rerelease of Doc Wilde and The Frogs of Doom, and it has been worth the wait. The cover above is nicely representative of his work, and if you glance to the image of the previous iteration in the sidebar on the right, you’ll notice he’s made it even better (though it still needs a bit of fine-tuning).

I’m doing a few final alterations to the text and end matter (the acknowledgements and author’s notes, that sort of thing), then that goes to Gary and he will polish the whole thing into a shiny, shiny book.

I hope to at least have ebooks into folks’ gadgets (and hopefully for sale) by Christmas. No guarantees, but I hope that. The proofing process for the paperback will likely take more time, as will Kickstarter special bits like posters. But we’re on the job, and as we finalize this book, we’re already getting a start on putting together a great edition of book 2, Doc Wilde and The Mad Skull.

This has been a major learning process for us, but that was to be expected. I’m disappointed we’ve had the delays and obstacles, but I’m more sanguine about it all now that we’re about to actually have the first book rereleased into the wild where it belongs. In the future, I’ll scale my expectations back somewhat when announcing release schedules, because “they” are right: it always takes longer and costs more.

But the final result is going to be something to be proud of.

I want to once again thank all of our friends who’ve supported us in this project. Your patience has been humbling. Your help has been crucial in allowing us to take the time to do things properly, in order to release the books to a high standard of quality. You’re all a part of the Wilde family and I hope you’ll join us on many more adventures for years to come.

The Wildes

The Spider Is Dead! Long Live The Spider!

For the past few years, I’ve subscribed to Girasol Collectables’ “Spider Pulp Doubles” series reprinting the classic adventures of one of pulp’s greatest heroes, The Spider. Four times a  year, I’d receive a nicely produced magazine-sized trade paperback containing two of these apocalyptic wonders which were originally published back in the thirties, and I’ve enjoyed reading them and watching my shelves sag with my growing pulp collection.

The latest, pictured above, arrived today, but with it came a dire note: Continue reading