An incredible short, hand-animated by Robb Pratt, full of supery goodness. I love it, particularly his take on Lois Lane.
And if you like that, and aren’t familiar with the classic Fleischer Bros. Superman cartoons from the ’40s, check this out:
Tag Archives: comics
Good Memories of 2010, Day 7: Kick-Ass
I loved the movie Kick-Ass.
What, you didn’t? That’s fine. Hear me out.
I’ll be the first to admit that it sets up a scenario as its foundation that it ultimately blithely abandons, the whole “what would it be like if someone tried, in real life, to be a costumed superhero?” thing. As an exploration of that theme, it’s mostly a failure, though it does sort of tell us that if someone did that they’d get the shit beat out of them a lot and possibly die. Which may be all we need to know.
By giving us those answers early in the film, though, it does add to the vulnerability of its hero, Dave Lizewski aka Kick-Ass, and we never doubt that he is all too mortal. The old rule in writing is “Mistreat your protagonist,” and Dave really gets his share.
In a review at Comic Book Resources, comic writer Steven Grant made some interesting commentary on the movie’s thematic shift:
[Kick-Ass] cheats right and left on its premise. Once donning his goofy costume, a mish-mash of scuba gear and ski mask, Kick-Ass quickly demonstrates why people are generally disinclined to wear costumes and fight crime in the real world. Once that point is made, though, the intro premise is thrown away so quickly it’s like watching a stage magician make a prop vanish, and to the same effect: it draws the audience further into the show…
If the film cheats on practically every level, that’s why it works. That’s where much of the humor comes from…When characters try to anticipate how “real world” superheroes will or should act, they resort to their only frame of reference – comic books – despite no natural law requiring people to behave like comic book characters when they put on comic book costumes. But we say “but of course” because it’s also our only frame of reference and in the logic of the film it makes sense: if you’re trying to emulate comic book characters, you emulate comic book characters, and when the film finally makes the notion explicit we’re already so deep into the magician’s act that our instinct is to play along.
Kick-Ass is both one of the best and purest superhero films yet and mostly not a superhero movie at all. Continue reading
This is Spider-Man?
A picture of the costume for the new Spider-Man reboot has made its way online.
It doesn’t make me giddy and optimistic.
Weeeeeeeeee!!!
Good Memories of 2010, Day 3: The Black Widow
Fifteen or more years back, some friends and I were talking and the question arose, “If you could write and direct a movie about any Marvel Comics character, who would it be?”
I didn’t even think about it. “The Black Widow.”
It wasn’t an answer I’d have predicted. I wasn’t an enormous Black Widow fan, and hadn’t really given her much consideration in any way when I wasn’t reading about her or admiring some George Perez portraiture. But when the question appeared, my mind was on the case, and the sultry sexiness, mystery, and espionage background of the heroine offered up exactly the sort of cool superheroic options I was in the mood for.
And there’s just never enough hot femme fatales in catsuits on the screen. Continue reading
Get DOC WILDE & THE FROGS OF DOOM For Cheap!
I’m not sure why, but Amazon currently has some marked down copies of my pulp adventure novel, Doc Wilde and The Frogs of Doom, selling for just $6.23.
Buy Now!
This is a first edition hardback (the paperback is due out next year), and the cover price is $15.99. Amazon is also offering it at a discounted $12.47.
Considering that the hardback usually runs $11 to $16, and the paperback when it finally comes out will likely be a minimum of $8, this is a great opportunity to get the book for cheap.
For the uninitiated, Doc Wilde is my modern take on the great old adventure tales featuring characters like Indiana Jones, The Shadow, the Spider, and most importantly Doc Savage, with strong currents of H.P. Lovecraft’s eldritch horror swirled in.
It is published as a book for young teen readers, but like something like Raiders of the Lost Ark or The Incredibles, is intended for both young and old.
Frogs of Doom is the first in a series; next will be Doc Wilde and The Mad Skull.
You can check out some reviews at http://www.docwilde.com/reviews/.
Doc Savage News
I reported a while back that my old friend Shane Black (writer of Lethal Weapon among other things) was scripting a Doc Savage movie. As many of the folks who’d care most about this sort of thing likely already know, it was recently confirmed that not only is Shane writing the screenplay (along with Anthony Bagarozzi and Chuck Mondry), he will be directing the film as well. Anyone who has seen Shane’s directorial debut, Kiss Kiss Bang Bang, will know how exciting this news really is.
With Sam Raimi working on The Shadow, it’s looking very promising for pulp adventure in the near future. Now all we need is a Bruce Timm adaptation of Doc Wilde and the world will truly be on the right track.
In related news, DC Comics just released the first issue of their First Wave series, in which they establish an alternate world, outside the normal DC universe, in which pulp heroes operate, and no one has super-powers. The greatest of the heroes in this world is, of course, Doc Savage.
The First Wave series actually began last year with the one-shot Batman/Doc Savage special I reviewed in November. I was underwhelmed, but still hopeful that the actual series would be good.
Well, I just read First Wave #1, and it’s awesome pulp and awesome comics. Brian Azzarello’s writing and treatment of these classic characters honors their roots while at the same time deepening their emotional lives and rooting them realistically into the world. And artist Rags Morales brings the cast to vivid life with a style that’s both realistic and somewhat cartoony, befitting the pulp nature of the work. My only beef with the book is that Doc Savage’s hair color and complexion are still off, though not as badly as they were in the Batman team-up book.
Great stuff.
Wes Anderson’s Spider-Man
Inspired.
Good Memories of 2009, Day 1: Arkham Asylum
As I did a year ago, I’m going to list a few things that I truly enjoyed during the recently deposed year, in no particular order. This year, though, I’m going to serialize the list for a few days. Today’s entry is
Batman: Arkham Asylum
Click for more
One of the best damn games I’ve ever played. Written by the brilliant Paul Dini, one of the chief creatives on Batman: The Animated Series, it featured voice work by actors from that esteemed cartoon including Kevin Conroy as Batman, Arleen Sorkin as Harley Quinn, and Mark Hamil as the Joker. With incredible graphics and design, the game follows Batman through one very long night on the island whereon the titular criminal madhouse is located, after the Joker takes over and lets many other villains out.
Arkham proves an ideal setting for adventure, coming to life in a way few locations in games ever do and never getting old. The game’s only weakness is in its boss fights, structured, alas, like video game boss fights, and are the only times the game’s contrivances remind you you’re in a game.
In this game, you really get to feel what it’s like to be Batman. Drop into a pack of thugs and efficiently take them down in seconds with acrobatic, bone-breaking martial arts. Steal through the night, lurking in the shadows above armed goons, swooping to take them out one by one without alerting their comrades. Use incredible gadgets to set traps, gather intelligence, and overcome obstacles. Investigate, using your tech and brilliant detective skills to solve mysteries and track your foes.
The character designs are amazing, managing to be original while remaining completely true to the characters’ histories. Killer Croc is dinosaurian and terrifying. The Scarecrow is creepier than ever. The Joker is manic and crazy-eyed. Poison Ivy is more inhumanly sexy than in any prior incarnation. And Batman is an armored engine of dark destruction, whose costume over the course of the game shows more and more damage, and who even gradually develops a five o’clock shadow on his square jaw. The attention to detail in the characters, and the world, is fantastic.
An utterly amazing game, and a sequel was just announced, which creates a flood of endorphins in my system when I think about it.
Batman Meets Doc Savage (and I review the result)
So I just finished reading DC’s Batman/Doc Savage Special, which I’ve been looking forward to for a while.
Great cover by J.G. Jones. Inside…hmm.
As a prologue leading into the pulpy First Wave books DC will start publishing next year, it works fairly well in establishing the alternate universe in which these characters coexist. As a story, it kinda fails. Writer Brian Azzarello brings a noirish attitude to it, and gives an interesting take on the heroes, but narratively it just hangs limply and ends on a trite note.
It’s not helped by the artwork by Phil Noto, which lacks the visual dynamism that comic book storytelling really demands, and the book’s color palate (I assume colored by Noto himself, as no credit is given otherwise) is dreary in an obvious attempt at making it feel more noir. It just makes it seem unexciting.
And I really don’t like Noto’s take on Doc Savage, especially the coloring he’s given.
All that said, I’m still looking forward to seeing what they do with First Wave, though with more trepidation. It will feature art by Rags Morales, and the advance images that have been shown are great, a lot better than the art in the comic at hand.
Also, I have to say, in spite of the underwhelming story in this book, I’m intrigued by Azzarello’s comments and notes about the various heroes who will be operating in this pulp, non-superpowered world. He has clearly studied the original characters in depth and put a lot of thought into fleshing them out psychologically and making them somewhat more realistic than might usually be the case. I’ve seen a few comments by devoted pulp fans who detest this approach to the classic characters they love, but I like well-developed characters, and at least in principle I find Azzarello’s ideas pretty cool.
My main reservation along those lines is that, if this comic is any indication, he may have too much noir and not enough pulp adventure in his approach. This could work fine for Batman, but not for characters like Doc Savage, who really need to be somewhat over the top. More realistic I can enjoy. Mundane, not so much.
There’s A Hot Girl In The Comic Shop!
Doc Savage Meets Batman
Cool news for pulp fans…
A while back, DC Comics released the above image by Brian Stelfreeze, teasing a new series of comics set in an alternate dimension within the DC multiverse in which old pulp heroes rather than modern superheroes are active.
The series is called First Wave, and is being written by comics scribe Brian Azzarello with art by Rags Morales. More early info was provided by Morales in an interview with Newsarama:
It’s a world of heroism at its most innocent. We’re talking about, essentially, a universe where superpowers don’t exist. There are no people flying in from Krypton…there are no people swimming up from the ocean or from Paradise Island. We’re talking about the heart and soul of what it means to be heroic, where people are left more to their wits and their intestinal fortitude rather than any fierce other-worldly technology, or even inner-worldly technology…it’s not really accurate to call it a “modernization” because this is going to be enough of that original flavor to feel like it’s old-school, with fedoras and women in high heels and the cool things about what’s gangster and pulp, like Tommy guns. But it’s going to also be enough of an advancement to feel fresh. Tommy guns will exist in a world where computers exist. We’re going to be dealing with a world that is kind of like the Batman Adventures from The WB, where you have dirigibles next to jetplanes. That’s basically the visual interpretation of the atmosphere I’m dealing with…
That’s an approach I like, and is pretty much the approach I’m taking in the Doc Wilde books (for example, the police blimps in Doc Wilde and The Frogs of Doom).
Morales continued:
…we’ll have Doc Savage, the Spirit and The Avenger in there, and I’m working out how they’re going to look. Doc Savage won’t have that exaggerated widow’s peak, but I’m going with the classic looks on the characters with some updating. And in this world, Doc Savage is Superman. I mean, after all, Superman was derived from Doc Savage, along with Buck Rogers and Popeye and some others. But Doc Savage was the original guy with the Fortress of Solitude up in the arctic. He’s an inventor, and he’s got a very moral ethic. In a world of non-powered heroes, he’s going to be our focal point.
This week, the DC Universe blog told us how the pulp fun will begin:
This November, writer Brian Azzarello teams with artist Phil Noto for the BATMAN/DOC SAVAGE SPECIAL #1, which sets the stage for an entire new world for the Doc, along with a slew of characters that will pop up later, including the Blackhawks and Rima, the Jungle Girl. It all starts here, and I’m not exaggerating when I say you’re really in for a treat.
And two variant covers for the special were posted, the first by J.G. Jones:
Then one by Rags Morales:
Looks promising. Hopefully it’ll live up to its potential.
The Best SUPERMAN Comic There Has EVER Been
Go to this site and read THE BESTEST EVAR SUPERMAN COMIC IN THE WHOLE WIDE UNIVERSE.
It is, in a word, fuckingfunny. Here’s a taste:
Last Chance At Limited Edition Doc Wilde Stuff [Updated]
[UPDATE: The shop is now closed. It will probably reopen later with items featuring the actual cover art by Tim Gabor.]
A good while back, I opened a Cafe Press shop of Doc Wilde merchandise. It has largely gone unnoticed and unseen, though a handful of sagacious souls made their way to it and enriched their lives with the purchase of an item or two.
The items on the site showcase the original (unused) cover art by Australian master comic book artist Gary Chaloner:
As I’ve written before, this isn’t the artwork that will be on the actual book. But I have always loved it (I have one of the large posters framed in my living room, and this version of Doc still peeks from the Doc Wilde logo I use on the website) and wanted to let you get a chance at it before I take it offline.
It’s April 1st as I write this. I’ll leave the shop open and Gary’s art available through Wednesday, April 8th.
So this is really limited edition merchandise. It won’t be available again, and I don’t actually expect many sales in the next week, so if you do get any of it, and Doc Wilde becomes popular, the items will probably be quite collectable (especially if you ever get me and/or Gary to sign yours).
If you visit the shop, make sure to read the item descriptions, I had a lot of fun writing them. Here are a couple:
Doc Wilde Preppy Shirt
Infiltrate a cult of power-mad evil golfers in this comfy shirt sporting the Wilde logo over your courageous heart.
Doc Wilde Trucker Hat
Use small words, spit tobaccy, and wear this ventilated cap sporting the Wilde logo next time you’re hunting a bad guy at a NASCAR event. (Hey, I’m from Georgia, I can say this stuff).
Remember, this is your last chance at this stuff, it comes down Wednesday, April 8th, 2009. The shop can be found here:
Marvel Comics Hilarity
This is funny as hell.
Vodpod videos no longer available.
more about “Marvel Comics Hilarity“, posted with vodpod
Catwoman Purrchance?
While looking around for images to go with my review of the latest Mummy flick, I came across a great shot of Rachel Weisz that got me thinking that she’d be a great Catwoman for the next Christopher Nolan Batman film:
Of course, countless actresses could fill out the catsuit well, and some of them could actually carry off the role (Angelina Jolie and Kate Beckinsale spring to mind). Weisz, though, has an earthy, playful carnality about her, and a sense of deep intelligence, that I think would be ideal.
Design-wise, I think a kevlar-ed up take on the Darwyn Cooke-designed costume Selina Kyle’s worn the past few years would be great:
Gotta have the goggles.
See Some Cool Doc Wilde Art!
I’ve written previously about comic book wizard Gary Chaloner’s early involvement in coming up with possible artwork for the Doc Wilde series. He worked up some great designs that ultimately weren’t used (if we’re lucky, maybe we’ll see them in comic book or animated form one of these days), but definitely need to be seen.
I just added a “Gallery” page to the revamped Doc Wilde site, and it’s loaded with Gary’s sketches. Check it out:
Oh. I have a new DOLLHOUSE to watch. How ’bout that.
Yesterday was all lack of sleep and divorce mediation and migraine, then a regenerative evening with my son. So I woke up this morning, saw him off to spend the rest of the weekend with his mom, and groggily looked at the ol’ Comcast DVR (still holding in there by the skin of its rotten teeth because I just haven’t gotten around to canceling service yet) to see what I might catch up on.
Hey. There was a new Battlestar Galactica last night. Cool. And there was a…Dollhouse. The third episode of the new series by Joss Whedon, who I consider a deity of storytelling and stuff. Cool…?
Huh. How about that. I watched last week and enjoyed that episode a lot more than I’d enjoyed the pilot, and even started to relate to some characters, got a kick out of the early signs of Echo’s coming individuation…felt more positively about the series ahead.
But now, here I was with Galactica and Dollhouse awaiting my attention, and I was psyched about only one of them, and it wasn’t the Whedon one. I wanted to watch it, sure, but the way I want to do the dishes that are cluttering up the kitchen counter at the moment. I ought to watch it, it’s Whedon, surely it has many pleasures ahead to offer…
But right now, it feels like a chore.
Sigh.
So I watched Galactica, and it was actually sort of ponderous and slow, though narratively interesting. The Dollhouse ep may prove more engaging when I get to it, and put the lie to my gut’s cynical response this morning. Here’s hoping.
On a brighter note, before he left this morning, my son and I watched the latest episode of Cartoon Network’s Batman: The Brave and the Bold. I’d avoided this show for a while because it looked way too campy for my tastes, I like Batman all dark and tormented and realistic. I finally gave in though, and we’ve been watching it and enjoying it fully. It’s silver age Batman through the filter of contemporary comics writing, which is to say, it is cheesy and over the top, but it’s smart as hell.
So of last night’s recordings, Batman scores an A-, Galactica a B-, and Dollhouse an Incomplete.
I’ll let you know what its final grade is when I get around to it. Because surely I’ll get around to it. Right?
Good Memories of 2008
Some things I enjoyed last year, in no particular order…
The Dark Knight. I could say, with great conviction, that this was the best movie of 2008, but I actually didn’t see anywhere close to all the movies released, so that’d be pretty presumptuous of me. It was definitely the best new film I saw, and the Batman movie I’ve wanted to see since my age was in single digits. Batman Begins was damn near perfect (Katie Holmes notwithstanding), and The Dark Knight took everything that worked in Begins and improved upon it. It’s not just a great superhero movie, it’s a damn good film, a high caliber crime thriller, beautifully made, masterfully written, full of great performances, politically topical, just amazing. And the Joker’s bit with a pencil is the best bit of sleight of hand I’ve seen in years.
For the record, I also loved Iron Man and Hellboy 2, and Bolt was wonderful.
Barack Obama. Morning in America, Superman leading the Justice League to victory against the Injustice League, a black man taking the highest office in the land, an antidote to the small-minded, soulless corruption of the past decade in American life. Here’s hoping he lives up to his promise.
Mad Men. TV by and for smart people. This show is ridiculously entertaining, and operates on so many levels that it actually triggers synaptic action in the brain, a rarity on television.
Dr. Horrible’s Sing-Along Blog. Joss Whedon adds another classic to his resume, and becomes an internet pioneer at the same time. Songs good enough I get them stuck in my head for days and don’t mind. Hilarious wit laced with deep darkness and pathos. The lovely Felicia Day. And Bad Horse, of course, of course.
Doc Wilde. I received the galleys (advance reading copies) of my book, Doc Wilde and The Frogs of Doom, and after years of dragging my ass on my dream, it felt great to be able to hold a novel I wrote in my hands, flip through its pages seeing all these paragraphs I crafted, and stare at the cover and see the faces of my characters as they will meet their audience in bookstores. Not to mention reading over and over the great blurbs from Daniel Pinkwater and Quentin Dodd. They like me! They really like me!
Um…excuse my Sally Field moment there.
3o Rock. And Tina Fey in general. I’d never watched this show, though I was interested, because I try to keep my TV viewing down, and often avoid shows I suspect I’ll love. I finally broke down and watched the pilot episode, which resulted in days of binge-watching my way through seasons one and two and three. I’m caught up, and eagerly awaiting the show’s return. This show’s funny as hell, Tina Fey’s a marvel, Alec Baldwin gets to showcase his incredible comic skills, and Tracy Morgan’s a delirious delight.
Facebook. I wasn’t interested in Facebook. I was very cynical about it, saw no use for it. But wiser folks encouraged me to use it at the very least as a tool to make myself available to people interested in my writing, so I signed on. That wasn’t that long ago, but I’m already in steady contact with people I lost over the years, people in the writing and publishing community to learn from, new friends, old enemies (amazing how time and a viable net interface can make old grudges seem beneath notice), and people with similar interests with whom to share ideas and discoveries…
Pulp fiction. I’ve been reading a lot of classic pulp, and thoroughly enjoying it. I have enough to say about this that I’ll be tackling it in another post.
Joss Whedon. In retrospect, I should have just put Dr Horrible here. Leave it to Joss to earn a category all his own on my list of joy. In addition to the musical magic of the Sing-Along Blog, Joss gave the world season 8 of Buffy the Vampire Slayer in comic book form, continuing Buffy’s adventures with panache and wit and emotional depth (the issues are collected in paperback, starting with The Long Way Home).
Also in comics, Joss wrote 25 issues of Astonishing X-Men, with amazing art by John Cassaday, which have also been collected. I got the second hardback collection recently and literally had tears in my eyes when I finished.
And, of course, Joss’s earlier work continues to provide enjoyment. I got to watch both Buffy and Angel from start to finish with my son this year, which I’d looked forward to doing for years, and it was awesome. Which brings me to:
My son. Nathaniel has adapted to the sundering of his family and the resulting radical changes in his life with great cheer and flexibility, and I admire and respect him for that. He remains, as always, the brightest star in my firmament, the only unceasing source of joy and meaning in my life.
Under An Outlaw Moon 