A few years ago, when the first Captain America film came out, I was visiting my friend Phil Rockstroh. Phil is “a poet, lyricist and philosopher bard living in New York City,” so leftist he makes me look like Ronald Reagan, and he watched the film with me. To him, of course, Steve Rogers was the very major model of a modern jingoistic character designed to arouse fascistic and nationalistic feelings in the weak-minded.
I tried pointing out that Cap had been created by a couple of Jewish kids trying to encourage Americans to stand against the Nazi threat in Europe before America was even in the war. I tried to delineate the progressive values Captain America has shown over the decades, and how at every point in the film, the creators subverted the potential jingoism that can, indeed, be a part of such a character. I predicted that in future films we would see a very strong anti-authoritarian theme at work in not just the Captain America films but in Marvel films in general. And I’m happy to say I was right.
Fifteen or more years back, some friends and I were talking and the question arose, “If you could write and direct a movie about any Marvel Comics character, who would it be?”
I didn’t even think about it. “The Black Widow.”
It wasn’t an answer I’d have predicted. I wasn’t an enormous Black Widow fan, and hadn’t really given her much consideration in any way when I wasn’t reading about her or admiring some George Perez portraiture. But when the question appeared, my mind was on the case, and the sultry sexiness, mystery, and espionage background of the heroine offered up exactly the sort of cool superheroic options I was in the mood for.
And there’s just never enough hot femme fatales in catsuits on the screen. Continue reading →