OK, about that Dollhouse episode…

I made myself watch it. Which was actually pretty easy to do. Easier than making myself finish it, anyway.

The storyline had Echo programmed to be a backup singer to a Beyonce-style pop singer who was being stalked by a homicidal fan. Eliza got to sing. Fox got to have a hot chick in Red Sonja clothes singing bad songs. And we got an After School Special look into the tormented life of the poor pop diva, who finds herself molded into what other people want her to be…hey! Just like Echo!

Yawn.

Great Toasted Jesus With Gravy, I hope it gets better than this. The entire middle third or more was just pure tedium. The final act picked up somewhat, as Echo went “off task” (because she’s been so reliably on task on every other job we’ve seen her on, right, she just never malfunctions) and got creative in solving the problems with her own take on her mission parameters. There was something genuinely cool in that, in the implication that she’d recognized Sierra, and in the little headshake she did back at the Dollhouse, after her Tabula had allegedly been Rasa-ed again.

The problem so far is that the Dollhouse itself, and its workings, and the effects of the personality implanting process on the Actives, is the most interesting stuff in the show, and the structure of the show shoves all that cool stuff into the background and focuses on stand-alone TV stories that could be from any mediocre TV action-drama. A smart hostage negotiator tries to help a kidnapped girl and faces the demons from her own past. A person finds herself hunted by another human for sport (and we’ll call the predator “Richard Connell” just to let you know this is homage, not just another tired retread of Connell’s story “The Most Dangerous Game.”) A pop diva is stalked by a dangerous fan…

Who the fuck cares?

I want to know all the cool stuff without having to suffer through the stuff that’s basically just a humdrum anthology show. I am genuinely interested in Echo, in what’s going on in her head, in her relationship with the other Actives and her handler, and in what the repercussions of her apparent re-growth as an individual of some sort may be. But damn, I hope the stories she finds herself thrust into are going to be way better than this, or we’ll never see much of that cool stuff because this show will die. And unlike Firefly, which Fox royally screwed, it’s going to deserve what it gets.

Oh. I have a new DOLLHOUSE to watch. How ’bout that.

Yesterday was all lack of sleep and divorce mediation and migraine, then a regenerative evening with my son. So I woke up this morning, saw him off to spend the rest of the weekend with his mom, and groggily looked at the ol’ Comcast DVR (still holding in there by the skin of its rotten teeth because I just haven’t gotten around to canceling service yet) to see what I might catch up on.

Hey. There was a new Battlestar Galactica last night. Cool. And there was a…Dollhouse. The third episode of the new series by Joss Whedon, who I consider a deity of storytelling and stuff. Cool…?

Huh. How about that. I watched last week and enjoyed that episode a lot more than I’d enjoyed the pilot, and even started to relate to some characters, got a kick out of the early signs of Echo’s coming individuation…felt more positively about the series ahead.

But now, here I was with Galactica and Dollhouse awaiting my attention, and I was psyched about only one of them, and it wasn’t the Whedon one. I wanted to watch it, sure, but the way I want to do the dishes that are cluttering up the kitchen counter at the moment. I ought to watch it, it’s Whedon, surely it has many pleasures ahead to offer…

But right now, it feels like a chore.

Sigh.

So I watched Galactica, and it was actually sort of ponderous and slow, though narratively interesting. The Dollhouse ep may prove more engaging when I get to it, and put the lie to my gut’s cynical response this morning. Here’s hoping.

On a brighter note, before he left this morning, my son and I watched the latest episode of Cartoon Network’s Batman: The Brave and the Bold. I’d avoided this show for a while because it looked way too campy for my tastes, I like Batman all dark and tormented and realistic. I finally gave in though, and we’ve been watching it and enjoying it fully. It’s silver age Batman through the filter of contemporary comics writing, which is to say, it is cheesy and over the top, but it’s smart as hell.

So of last night’s recordings, Batman scores an A-, Galactica a B-, and Dollhouse an Incomplete.

I’ll let you know what its final grade is when I get around to it. Because surely I’ll get around to it. Right?

The Sand Castle

Waaaayyyy back in years of yore, when I was about fifteen or so, I used to catch a ride with a man named Larry Something to meetings of the Atlanta Science Fiction Club. Those being the years before widespread availability of videotapes and DVDs and such, Larry would sometimes set up an actual film projector and show rented wonders to us, the assembled nerds. I recall really enjoying these, though I only remember two of them specifically. One was the great Star Wars spoof Hardware Wars (with Ham Salad, Augie Ben Doggie, and Chewchilla the Wookiee Monster, and findable on YouTube).

The other was a marvelous short called The Sand Castle, an evocative piece of stop-motion animation depicting an engaging group of sand-formed creatures cooperating to build the titular castle. I thought it wonderful, and looked for it here and there over the years, particularly once I became a dad, but without luck.

Well, I found it. Turns out it was a product of the National Film Board of Canada, which has now made tons of their stuff available online. And The Sand Castle seems to have been quite a collector of awards, including a Short Film Oscar.

It’s just as cool as I remembered. Check it out:

Click to go watch

Click to go watch

My Thoughts on Dollhouse

I didn’t love it. I hope to. Maybe I will in time.

I have always loved Joss Whedon’s work. I’ll watch, or read, or listen to, anything he does. He’s a smart man, a funny man, and a master storyteller man.

I also really like Eliza Dushku. Not only is she a hotty, she’s brainy, and she’s a very talented actress who’s been underused over the years.

But Dollhouse. To be bluntly honest about it, if last night’s episode were exactly the same but not a Joss Whedon creation, I can’t say for sure I’d watch again next week.

The setup — Dusku and others are “Actives,” agents for a secret organization whose personalities have been wiped and are replaced in full by other people’s personalities when sent out on various missions-for-hire — is intriguing. On the meta level, it’s an interesting metaphor for the life of an actor, who (if they’re actually a good actor) goes from personality to personality for different jobs. I can see where Joss thinks he can use the structure to explore issues of identity, what it means, how we interact, how we use each other…thematically, it has a lot of potential.

To me, its great weakness (aside from the fact that it’s on Fox, and their meddling in the show is already as obtrusively obvious as a bumper sticker stuck in the middle of the screen) is that the setup might lend itself overmuch to Dollhouse being an anthology show of a sort, each episode a different kind of story that’s disconnected from the greater story arc, and Echo and the other Actives carrying the series on the weight of ever-shifting personalities. How much, week to week, can Joss make us care about the Actives, who are rarely consistently anyone, and when they are, they’re pliable dullards wandering around a pretty room?

So far, I’m moderately interested in the characters, but I don’t care about them at all.

The first half hour was burdened with exposition, which is to be expected in a pilot, but it also reeked of Fox’s network style. The motorcycle chase was ludicrous and boring, the sexy dancing was obvious (if not, truthfully, unwelcome), and the storytelling was patchy. I suspect the original pilot Joss wrote was superior, and the Fox execs wanted him to “cut to the chase” and “add the sexy,” and forced him to build a Jenga tower with some pieces made of pudding. Unfortunately, the Fox execs aren’t going anywhere, they’ll still be making demands as the show develops, and most of the demands will likely be stupid.

Al the same, it is a Joss Whedon show, so I’m here for the duration, unless it turns really bad. I do think it’ll improve, and I hope that Joss’s intentions play out effectively. There’s potential for all sorts of action and emotion and exploration of human existence and relationships, and I’m sure Joss has lots of twisty ideas to surprise us with. Here’s hoping it all gets really good.

KISS vs. Michael Jackson

KISS, keeping the world safe since 1972…

Many, many thanks to Caeric ArcLight for showing me this.

North East West & South 2/5/2009

N.E.W.S. of the day…with smartassery.

Obama Needs To Listen To The GOP’s New Leader

The Republican National Committee has a new dude up top, named Michael Steele. As Sarah Palin was a “get on that bandwagon” choice to show that Republicans can do a Hilary too (which showed, instead, not so much), the choice of Steele (who is one of, what, one black guys in the party?) is their attempt to show they can have black folks too.

But I have to admit, so far he has shown a grasp of certain matters that I think President Obama needs to heed. Steele says that bipartisanship is overrated, and I think he is absolutely correct. Bipartisanship to Democrats is “Let’s give the other side input and try to reason things out.” Bipartisanship to Republicans is “If we’re in power, fuck you guys; if you’re in power, you need to do what we want you to do.” It’s time Democrats learned that expecting any actual attempt at cooperation from the GOP is akin to teaching table manners to a hagfish. It never works.

It’s not like they have anything to bring to the table for reasonable discussion. Look at our country, and our planet, after eight years of their rule. The further we get from letting them have their way, about anything, the better. They do not want bipartisanship, they want to stand in the way till they can claw their way back to power. Obama, so far, is taking the high road too much, and may find it runs off a cliff. He wouldn’t be the first Democrat to find that out.

The stimulus plan passed in the House with how many Republican votes? None. There’s their reply to your attempts at bipartisanship, Barack. There’s their answer to your attempts at including them, honoring them, showing them respect.

Additionally, after Rush Limbaugh made comments about how he’s hoping for Obama to fail (at this time where so much is going wrong, and we’re still at war on two fronts), a large amount of Republicans have re-embraced him as the near-official mouth of their party. Partisanship is the Republican creed, and we need to put patriotism, to our country, our species, and our planet, first.

The GOP, as it stands, is in well-earned decline, and until it is replaced by something that at least makes an attempt at serving our county’s best interests, needs to be ignored as much as possible. It’s a rabid mutt in the yard, and needs to be chased off, not fed with the family dog.

Christian Fucking Bale

I haven’t watched the video of Christian Bale going apeshit on Director of Photography Shane Hurlbut, but references to it are all over the place. It’s painful to see, because I admire Bale a great deal as an actor, and you do want to believe in the folks you admire, but he did lose it in front of a camera, so that’s the chance you take. And while people think they know famous people, they really don’t, and for all I know, Bale is a monster of a man.

Or he may be a saint who was having a rotten day. I don’t know. I don’t actually care, as long as he’s not actually victimizing anyone and is doing a good job in the movies.

I am sympathetic to Bale in this matter, however, based on having read the backstory of the video. Bale is a very intense method actor, who puts himself deeply into character, and Hurlbut apparently kept doing things like tweaking light setups during the actual filming of scenes, which is a no-no. When a scene is being filmed, it’s crucial that no one is moving around in the actors’ sight-lines, much less doing something as distracting as moving the damned lights around. And Bale had politely asked him several times to stop doing this, and it hadn’t worked. Finally, he blew a scene for Bale, who was no doubt worked up within his character, and the actor lost it.

What Bale might have done was just pull rank and have the asshole fired, but he didn’t. He just vented loudly, since simply asking the guy to not do these things hadn’t worked, then let it go and said let’s get back to work, likely hoping the message would stick this time.

The bad guy here is director McG, who should never have let this become an issue on his set. But one gets the impression McG’s not exactly Scorsese anyway.

Another Buggy Release From Bill Gates

As reported on Yahoo:

Microsoft founder turned disease-battling philanthropist Bill Gates loosed mosquitoes at an elite Technology, Entertainment, Design (TED) Conference to make a point about the deadly sting of malaria. “Malaria is spread by mosquitoes,” Gates said while opening a jar onstage at a gathering known to attract technology kings, politicians, and Hollywood stars. “I brought some. Here I’ll let them roam around. There is no reason only poor people should be infected.” Gates waited a minute or so before assuring the audience the liberated insects were malaria-free.

Kudos to Bill Gates, who left Microsoft and started a charitable foundation with his wife that has been far more than just a philanthropic mask like those worn by many other wealthy people. Gates is actually trying to do something positive with his money, like helping millions of people worldwide in the fight against malaria.

“There is more money put into baldness drugs than into malaria,” Gates joked. “Now, baldness is a terrible thing and rich men are afflicted. That is why that priority has been set.”

Yeah, Gates is also known for many questionable business tactics over the years, but that doesn’t seem to be where his head’s at anymore. At a time we’re seeing the results of our nation’s coddling of greedy people, it’s awesome to see him out there giving back to the world that gave to him.

Trust me, I’m a psychopath!

jekyll

I’m phasing out Comcast Cable (crappy HD, shitty DVR that’s years behind Tivo in reliability and functionality, and execrable customer service), which is unfortunately the only TV option provided by my apartment management, and one of the services that is replacing it is a renewed subscription to Netflix, because of its new streaming features. For $10 a month I can have one disk out at a time (and that disk will be Blu-Ray if the flick is available in that format) and unlimited real-time streaming of the movies they have available, of which there’s a surprising abundance (I have over three hundred listings in my personal “Watch Instantly” queue).

It’s really great, as I can choose something on the spot to give a try, without worrying about it tying up my physical rental for a few days of mailing back and forth, and if that choice sucks, I just stop watching and move on to something else. It also has allowed me to find some really great stuff I hadn’t been aware of, the latest being the BBC miniseries Jekyll.

Jekyll is FUN. Continue reading

Land of the Lost Trailer

I really hope this turns out well. I loved the show as a kid (terrible as it was, it was mindbogglingly sophisticated as science fiction for kids), and Will Ferrell’s a god.

North, East, West, & South 1/28/09

There’s an apocryphal explanation for the term news that says it’s an acronym for the four points of the compass, N(orth)E(ast)W(est)S(outh), in other words, all the stuff happening in all directions. The truth is much more plebeian, with news simply being a plural of new, and meaning “new things,” but I’ve always liked the elegance of that apocrypha, so I’m gonna use it for a brand new feature under ye olde outlaw moon, North East West & South, which will appear at suspenseful intervals of no pre-determined schedule.

In this feature, I’ll share a few bits of the latest news of whatever sort I find interesting or amusing, and I may comment, perhaps in a snide, sarcastic, cruel, bemused, or ironic way. So, here we go…

Jessica Alba vs. Bill O’Reilly

alba

Kudos to the delectable Ms. Alba for publicly showing that she not only has some brains, but has more of them than right-wing nitwit Bill O’Reilly. In an interview just after Obama’s inauguration, Alba called O’Reilly “kind of an a-hole.” Later, a “reporter” from TMZ (a cheesy gossip site) tried to put her on the spot about it, and she playfully asked him what Barack Obama’s greatest characteristic was. The TMZ goon demurred, saying he was uncomfortable answering because he was a (ahem) journalist. Alba told him to “be neutral — be Sweden about it.”

Both O’Reilly and TMZ attacked Alba for her apparent idiocy, because any idiot knows that it’s Switzerland that stayed neutral during WWII, and she of course meant that. Except, no, she meant exactly what she’d said, and retaliated by writing this in her blog:

I find it depressing that, in the midst of perhaps the most salient time in our country’s history, individuals are taking it upon themselves to encourage negativity and stupidity. Last week, Mr. Bill O’Reilly and some really classy sites (i.e. TMZ) insinuated I was dumb by claiming Sweden was a neutral country. I appreciate the fact that he is a news anchor and that gossip sites are inundated with intelligent reporting, but seriously people… it’s so sad to me that you think the only neutral country during WWII was Switzerland. I appreciate the name calling and the accurate reporting. Keep it up!

And yeah, I could have put a picture of O’Reilly up there, instead of one of Alba, but it’s almost dinner-time.

Another Reason to Avoid High Fructose Corn Syrup

High fructose corn syrup is one of the chief supervillains in the fattening of the American populace. I’ve seen graphs which show how American weight started to spike steadily upward in the years since HFCS was introduced in the 1970s, and any good nutritionist can explain the reasons why (if you’re curious, go to this link, where it’s explained concisely and simply). Read over the ingredients of the food you buy very closely, and you’ll find HFCS in many surprising places. It ain’t good for you.

Now, it seems, it’s probably not just fattening, but toxic. As reported at Associated Content:

A recent report published in Environmental Health might make you rethink your next trip to the grocery store. Mercury was discovered in almost half of the samples taken from high fructose corn syrup used in commercial applications. Products by Smucker’s, Kraft, Hershey’s, and Quaker all tested positive for the toxic metal.

The Food and Drug Administration (FDA) tested 20 samples of high fructose corn syrup in 2005. Nine of the 20 samples had detectable amounts of mercury in them. Even though the FDA knew about this mercury problem four years ago, consumers were not informed, and no additional testing was ordered. A different study conducted by IATP, the Institute for Agriculture and Trade Policy, found mercury in almost one-third of 55 different products containing high fructose corn syrup as one of the top two ingredients.

What? The FDA under the Bush Administration didn’t bother to let the American public know about this? But they were usually so forthcoming!

bush-dumb

And what does mercury do to us? The piece at Associated Content sums it up:

Mercury ingestion can harm people of all ages, but it can be especially harmful to children, infants, and developing fetuses. Mercury can affect a person’s memory, fine motor and spatial skills, cognitive thinking skills, and attention span. It can also impair a person’s hearing, speech, and ability to walk. It can cause muscle weakness and make one uncoordinated, and can cause a “pins and needles” sensation.

In short, stay the hell away from HFCS.

The Dark Knight Snubbed

Last years masterpiece of noir superhero cinema, The Dark Knight, was not nominated for the Academy Award for Best Picture. Christopher Nolan was not nominated for Best Director. But you know what?

It made a godzillion dollars (popular success), scored incredible reviews (critical success: 94% rating at Rotten Tomatoes, which averages all the reviews), and showed just how smart, topical, and arty a movie about superheroes can actually be.

Fuck Oscar. They haven’t been meaningful in any way except as a boost to advertising for movies in a long damn time.

Though I do hope Heath Ledger gets that posthumous trophy for his Joker, because he was awesome.

Appaloosa, A Book and Film Review

It was a long time ago, now, and there were many gunfights to follow, but I remember as well, perhaps, as I remember anything, the first time I saw Virgil Cole shoot. Time slowed down for him. He fought with an odd stateliness. Always steady and never fast, but always faster than the man he was fighting.

Last year I saw a trailer for Appaloosa, the cinematic adaptation of Robert B. Parker’s western novel, directed by Ed Harris, starring Harris and Viggo Mortensen. This trailer got me very excited, as I’ve been a huge fan of Parker’s for a very long time, I love westerns, and Ed Harris is not only a damn fine actor but a superior director as well (proven in 2000’s Pollock). And Viggo’s no slouch either, nor is Jeremy Irons, who’s also in the film.

But Appaloosa had actually sat unread on my shelf for a couple of years because Parker’s previous foray into the old West, Gunman’s Rhapsody (a novel about Wyatt Earp, one of my favorite historical figures), had been a disappointment. I’d intended to get to it (thus the fact it was on the shelf at all), but hadn’t yet. Since I generally prefer to read a book before seeing the movie it inspires, I immediately rescued Appaloosa from its lonely spot and dove in. Continue reading

Buffy Vs. Twilight

Alan Gratz (a really good writer, whose books you should read) has a blog post envisioning what a crossover betwixt Twilight and Buffy the Vampire Slayer might be like:

Following up on the tip from Oz’s werewolf contacts, Buffy climbs in the window of recent Sunnydale High transfer student BELLA SWAN to discover EDWARD CULLEN, a vampire, watching the girl as she sleeps. Edward, apparent-age 17, is impossibly beautiful, with angular features and marble-like skin that sparkles.

BUFFY: Whoa. Turn it down there, Tinkerbell.

EDWARD: Shhh! You’ll wake my darling Isabella!

BUFFY: Right. Sorry. It’s just you really ought to take the batteries out. Somebody might mistake you for a Christmas tree.

EDWARD: I’m sorry. It’s my vampire skin. It sparkles in the sun or the bright light of the moon.

BUFFY: Uh-huh.

It’s great fun, and can be read at http://gratzindustries.blogspot.com/2008/12/edward-vs-buffy.html

Cry Little Sister Revisited

Okay, after having sat through Lost Boys 2, I felt compelled to revisit the original to see if it still lives up to my memory of it. It does.

It’s one of those Joel Schumacher movies that’s actually not only worth viewing, but really truly works. It’s visually sweet, dynamically told, and full of witty touches (like Grandpa’s taxidermy). The cast is uniformly fun, especially Kiefer Sutherland (though Jason Patric’s performance is sort of a non-burning brood for most of the pic).

It’s nice to revisit something you enjoyed in your youth and find it still maintains all its charms. We made our way through the Back to the Future trilogy recently, and it, too, has lost nothing over the years.

Cry Little Sister

Took a risk the other night and watched Lost Boys 2: The Tribe, the sequel to (you guessed it) Lost Boys.

I expected it to be utter crap, like most direct-to-DVD sequels, and it wasn’t, actually. It was fairly good, with an entertaining enough story and a game cast (including Angus Sutherland, younger half-brother of Kiefer, who of course starred in the original). As a B-flick, it worked nicely, except when Corey Feldman, reprising his role as Edgar Frog, was onscreen. Feldman was fun as a goofy teenage vampire hunter, but as a grown-up Corey trying to growl like Clint Eastwood, he’s terrible. Apparently, a Lost Boys 3 is in the works which will focus on Edgar Frog’s epic battles. Something to look forward to, I guess, unless you’re anybody but Corey Feldman.

[I originally referred to Corey as Corey Haim, but apparently I had my Coreys crossed, as Edgar is played by the Feldman Corey. I take some pride in the fact that I wasn’t familiar enough with the two of them to have their names straight.]

Among the highlights (or, well, the main highlights) were two mouth-wateringly hot vampire chicks (one of whom was the protagonist’s sister) and Aiden’s cover of the Gerard McMann song “Cry Little Sister,” offered below:

Good Memories of 2008

Some things I enjoyed last year, in no particular order…

The Dark Knight. I could say, with great conviction, that this was the best movie of 2008, but I actually didn’t see anywhere close to all the movies released, so that’d be pretty presumptuous of me. It was definitely the best new film I saw, and the Batman movie I’ve wanted to see since my age was in single digits. Batman Begins was damn near perfect (Katie Holmes notwithstanding), and The Dark Knight took everything that worked in Begins and improved upon it. It’s not just a great superhero movie, it’s a damn good film, a high caliber crime thriller, beautifully made, masterfully written, full of great performances, politically topical, just amazing. And the Joker’s bit with a pencil is the best bit of sleight of hand I’ve seen in years.

For the record, I also loved Iron Man and Hellboy 2, and Bolt was wonderful.

Barack Obama. Morning in America, Superman leading the Justice League to victory against the Injustice League, a black man taking the highest office in the land, an antidote to the small-minded, soulless corruption of the past decade in American life. Here’s hoping he lives up to his promise.

Mad Men. TV by and for smart people. This show is ridiculously entertaining, and operates on so many levels that it actually triggers synaptic action in the brain, a rarity on television.

Dr. Horrible’s Sing-Along Blog. Joss Whedon adds another classic to his resume, and becomes an internet pioneer at the same time. Songs good enough I get them stuck in my head for days and don’t mind. Hilarious wit laced with deep darkness and pathos. The lovely Felicia Day. And Bad Horse, of course, of course.

Doc Wilde. I received the galleys (advance reading copies) of my book, Doc Wilde and The Frogs of Doom, and after years of dragging my ass on my dream, it felt great to be able to hold a novel I wrote in my hands, flip through its pages seeing all these paragraphs I crafted, and stare at the cover and see the faces of my characters as they will meet their audience in bookstores. Not to mention reading over and over the great blurbs from Daniel Pinkwater and Quentin Dodd. They like me! They really like me!

Um…excuse my Sally Field moment there.

3o Rock. And Tina Fey in general. I’d never watched this show, though I was interested, because I try to keep my TV viewing down, and often avoid shows I suspect I’ll love. I finally broke down and watched the pilot episode, which resulted in days of binge-watching my way through seasons one and two and three. I’m caught up, and eagerly awaiting the show’s return. This show’s funny as hell, Tina Fey’s a marvel, Alec Baldwin gets to showcase his incredible comic skills, and Tracy Morgan’s a delirious delight.

Facebook. I wasn’t interested in Facebook. I was very cynical about it, saw no use for it. But wiser folks encouraged me to use it at the very least as a tool to make myself available to people interested in my writing, so I signed on. That wasn’t that long ago, but I’m already in steady contact with people I lost over the years, people in the writing and publishing community to learn from, new friends, old enemies (amazing how time and a viable net interface can make old grudges seem beneath notice), and people with similar interests with whom to share ideas and discoveries…

Pulp fiction. I’ve been reading a lot of classic pulp, and thoroughly enjoying it. I have enough to say about this that I’ll be tackling it in another post.

Joss Whedon. In retrospect, I should have just put Dr Horrible here. Leave it to Joss to earn a category all his own on my list of joy. In addition to the musical magic of the Sing-Along Blog, Joss gave the world season 8 of Buffy the Vampire Slayer in comic book form, continuing Buffy’s adventures with panache and wit and emotional depth (the issues are collected in paperback, starting with The Long Way Home).

Also in comics, Joss wrote 25 issues of Astonishing X-Men, with amazing art by John Cassaday, which have also been collected. I got the second hardback collection recently and literally had tears in my eyes when I finished.

And, of course, Joss’s earlier work continues to provide enjoyment. I got to watch both Buffy and Angel from start to finish with my son this year, which I’d looked forward to doing for years, and it was awesome. Which brings me to:

My son. Nathaniel has adapted to the sundering of his family and the resulting radical changes in his life with great cheer and flexibility, and I admire and respect him for that. He remains, as always, the brightest star in my firmament, the only unceasing source of joy and meaning in my life.

5 New Classic Horror Flicks You Might Have Missed

Okay, my last post listed 5 classic horror movies for those interested in such things.

This time, I’m gonna briefly list some more contemporary works that many people haven’t seen, and everybody who loves a good scare needs to. Continue reading

5 Classic Horror Flicks to Goose Your Bumps

Hey, everybody! There’s a new “Saw” movie out!

You like movies that exist just so you can watch people be tortured, right?

Eh. Screw that crap. I like real horror movies, real monster movies, real thrillers. I have no problem with grue, but it has to be in context, and there has to be a goddamned story. Preferably a good story.

So, for those who might like to watch something scary and good, I figured I’d throw you a few bones. Collect ’em all and you can build a skeleton. Continue reading

Who Pees On The Peanuts…?

Just saw this great Watchmen ala Peanuts image on the Kotaku gaming site, and just had to share:

Love Rorshach Snoopy.

Falling for the wonder of WONDERFALLS

Okay, watched Wonderfalls, the new Tim Minear-(exec)produced show on Fox. Turned out, it wasn’t what I thought it was gonna be.

dhavernas

The basic notion is that this young lady is talked at by inanimate objects which guide her to help others or somesuch. The advance preview I saw looked like it was going to be a visual treat (and not just because of the lead, though she certainly contributes greatly). I thought we were in Amelie-land, some Northern Exposure, sweet whimsy and magic realism…

I was wrong. That’s exactly what it is. And more.

It’s sweet and whimsical and magical realist and a visual treat and it’s also one of the most smart-ass shows to come along in a while. It’s genuinely (and hysterically) snarky. This show would give Touched By An Angel the fiercest possible wedgie.

The Los Angeles Times on Wonderfalls:

“…the writing is smart, not merely clever…TV is, almost by nature, a medium of constant disappointment: of good performance flattened by bad lighting, decent scripts killed by bad acting, high production values made to look shallow by ridiculous scripts. We are accustomed to these things from television, which because of its short production schedules and budgetary constraints and the need to sell soap is defined by compromise. But everything clicks here…Dhavernas makes the show work so well, you can’t imagine it working without her; she can throw a little boy up against a wall in rage and not lose your affection. “

The SF Chronicle:

it should be noted that the writing on “Wonderfalls” is superb and reaffirms one’s belief that smart people can actually get work produced in Hollywood. Created by Bryan Fuller (“Star Trek: Deep Space Nine/Voyager,” Showtime’s witty “Dead Like Me”) and Todd Holland (“Malcolm in the Middle”), “Wonderfalls” will instead be best known for the talking trinkets. And that’s fine, too, because they say and do funny things and, truth be told, just seem more authentically interesting than God does in “Joan of Arcadia.”

There is a mood in “Wonderfalls” that evokes the best of multilayered television series, from “Northern Exposure” to the good years of “Ally McBeal, ” straight through, naturally, to “Malcolm in the Middle.” But despite being peopled with well-drawn characters and smart, audaciously careening scripts that induce bursts of laughter, “Wonderfalls” gives us television’s — at least network television’s — coolest female.

Yeah, there are some tough cops and sassy wives, there are hip ensemble players and the two funniest and most dangerous moms ever — Jane Kaczmarek on “Malcolm” and Jessica Walter on “Arrested Development” — but Dhavernas (pronounced “da-verna”), imbibes slacker-coolness like nobody else. She may be developing a young crush on Mr. Nice Bartender, but she’s independent and, as much as she can love anything, loving that freedom. Freedom to sulk, mostly. But at least she doesn’t suffer fools kindly, or flirtatiously, like most female characters on TV. She’s dropped out of society. She’s doing retail — and not very well. She’s living in a trailer. She knocks back more drinks than anyone else in prime time, and she’s not going to apologize for the fact that she’s bored with life.

If that’s not a brazenly drawn bit of prime-time heroine, what is? In a Buffy-less world (hell, even a Carrie-less world), Jaye is a godsend. And yes, there is the distinct possibility that the best freshman drama of the year may suffer the similar fate of past Fox series that also fell under that moniker – – cancellation.

But this is the risk that savvy viewers always run with Fox series. The fate of “Arrested Development” is still up in the air, having failed in its underhanded, documentary-styled genius to woo much of the country. That doesn’t mean it’s any less stupendous, now, does it?

Same with “Wonderfalls.” Maybe the country won’t swoon over the whimsical, endearing travails of Jaye, sent scurrying on missions of kindness she doesn’t really want to undertake by inanimate animals that talk to her, making her feel deeply insane. Maybe the country will miss, then, Jaye’s inherent sweetness and other valuable traits of her humanity, focusing instead on her rolling eyes and searingly obvious distaste for tourists, and, perhaps, the rest of the human race. That’s their problem.

Quoting Jaye — whatever. Yes, maybe the underlying intellectual vibes of “Wonderfalls” will go unfelt, or an appreciation for a snappy 45 minutes of televised illuminism will be lost on some people. But not on you, right? You suffered through September, October, November, December, January and February. This is your time to love TV.

I like it. You might too.

Wonderfalls

This Friday at 9 pm, we get the debut of the new show Wonderfalls on Fox. This is what Matt Roush at TV Guide has to say about it:

check out Jaye of Niagara Falls, the snarky slacker heroine of Fox’s Wonderfalls (Fridays, 9 pm/ET), a delightful comedy-fantasy series about a young woman with too much education (a philosophy degree) and too little ambition (a job in a souvenir shop). Played with sarcastic bite by Caroline Dhavernas, Jaye learns to “Surrender to Destiny” — the watchword of a local mystical legend — when inanimate objects like wax lions, brass monkeys and stuffed bears begin talking to her, urging her to help others and ultimately herself. She fears she’s crazy. I think she’s great. Ironic and romantic, Wonderfalls is a true original. Surrender to its charms.

Sounds promising, huh? Add to that the fact its Executive Producer is none other than Tim Minear, right hand man to Joss Whedon, steady worker on Buffy, writer of the absolute best Angel eps ever, and co-God on Firefly, and it sounds really promising.

Give it a watch. Hey, if it’s all that, you’ll either be with it from the start, or you’ll have the chance to enjoy its wonders till Fox cancels it out of the dumb-fuckedness of its executive head (see also: Firefly).

One More Stake in the Heart

Oh well. UPN has opted to pass on possibly picking Angel up after its premature cancelation by the shit-heels at WB. There are still some options on the table — like TNT, I believe — but it’s really looking like next year will be the first year in nine years that we won’t have a Joss Whedon show on the air.

I say again: fuckers.

Well, at least Firefly lives on, on the big screen with the big bucks no less.

And hey, I’ll have more time to read, always a good thing.