Since my Carioca witch Nydia and her son Lucas joined me here in the Byrdcave, we’ve been making the place nicer in multifarious ways ranging from adopting an insane new kitten, Castiel, to buying new sheets that actually fit my king-sized bed (and thereby don’t constantly come undone every damn night) to actually vacuuming sometimes. Life with a functional non-depressive is revelatory, let me tell you.
The latest addition are a couple of limited edition art prints I’d been drooling to buy for months. I missed my chance while they were for sale because they sold out quickly, but I did manage to ultimately find them for a reasonable price on eBay. The two are my favorite pieces in a gorgeous set of seven Universal monster pieces by artist Nicolas Delort, Frankenstein and The Creature From The Black Lagoon.
We framed them and hung them together in the living room, but they demanded special treatment so we added the decals around the edges you can see in the image up top. The effect is beautiful.
As we creep toward Halloween, get in the mood by visiting with the very first cinematic Frankenstein’s monster.
This short film from Edison Studios was made in 1910 by writer/director J. Searle Dawley. It stars Augustus Phillips as Dr. Victor Frankenstein, Charles Ogle as the Monster, and Mary Fuller as the doctor’s fiancée.
It ain’t Karloff, but it’s a fascinating piece of film history. There’s some creative use of a mirror, both in the mise-en-scène and in the storytelling, and the sequence depicting the birth of the monster is primitive but amazingly creepy.
You like movies that exist just so you can watch people be tortured, right?
Eh. Screw that crap. I like real horror movies, real monster movies, real thrillers. I have no problem with grue, but it has to be in context, and there has to be a goddamned story. Preferably a good story.
So, for those who might like to watch something scary and good, I figured I’d throw you a few bones. Collect ’em all and you can build a skeleton. Continue reading →