Sometimes I’m amazed at what people think to do — and can do. Check this out:
That’s Buffy the Vampire Slayer, made out of paper. Somebody did that.
You can too, if you want. You can download the images, print ’em out, cut ’em out, and put ’em together for your very own. Just go here.
Me, I’m just going to watch in admiration.
Joss, showing yet again how freaking funny he is, as he accepts the Bradbury Award this year from the Science Fiction and Fantasy Writers of America.It’s heartening that the Story God was so inspired by Ray Bradbury. Bradbury was the guy who made me decide to be a writer.
Vodpod videos no longer available.
Danny Stack at his “Scriptwriting in the U.K.” blog offers up “Joss Whedon’s Anatomy of a Screenplay,” a short piece originally published in 4Talent magazine. As Joss is one of the living gods of Story Itself, I am always willing and eager to absorb any wisdom that trickles down from his pad on Olympus (or his Olympus typewriter, maybe, which would be a cool bit of godlike wisdom product placement, except he probably writes on a computer like the rest of us schlubs, so damn). (But then again, his pad on Olympus, that’s not bad, because it can be his domicile, but it can also be his writing pad, which is something he probably does still use, even in this digital age, so hey, that works, right…right? Damnit, I need coffee. Or something.).
The piece is basically Joss’s ten tips for screenwriters (with a slight emphasis on script-doctoring, which is hiring on to touch up someone else’s script). I love the fact that Step 1 is “Finish It,” and my favorite bit of advice is #9:
Having given the advice about listening, I have to give the opposite advice, because ultimately the best work comes when somebody’s fucked the system; done the unexpected and let their own personal voice into the machine that is moviemaking. Choose your battles. You wouldn’t get Paul Thomas Anderson, or Wes Anderson, or any of these guys if all moviemaking was completely cookie-cutter. But the process drives you in that direction; it’s a homogenising process, and you have to fight that a bit. There was a point while we were making Firefly when I asked the network not to pick it up: they’d started talking about a different show.
The fact that this is my favorite bit would probably come as no shock to my editor (though I listened to him waaaaay more than I didn’t, and the book is better for it).
Go here for the full piece: http://dannystack.blogspot.com/2009/01/joss-whedons-top-10-writing-tips.html
Alan Gratz (a really good writer, whose books you should read) has a blog post envisioning what a crossover betwixt Twilight and Buffy the Vampire Slayer might be like:
Following up on the tip from Oz’s werewolf contacts, Buffy climbs in the window of recent Sunnydale High transfer student BELLA SWAN to discover EDWARD CULLEN, a vampire, watching the girl as she sleeps. Edward, apparent-age 17, is impossibly beautiful, with angular features and marble-like skin that sparkles.
BUFFY: Whoa. Turn it down there, Tinkerbell.
EDWARD: Shhh! You’ll wake my darling Isabella!
BUFFY: Right. Sorry. It’s just you really ought to take the batteries out. Somebody might mistake you for a Christmas tree.
EDWARD: I’m sorry. It’s my vampire skin. It sparkles in the sun or the bright light of the moon.
It’s great fun, and can be read at http://gratzindustries.blogspot.com/2008/12/edward-vs-buffy.html