
A charming, lovely bit of CGI. I’m particularly taken with the expressiveness of the little girl and the animator’s play with light.
Watch it at its highest resolution.

A charming, lovely bit of CGI. I’m particularly taken with the expressiveness of the little girl and the animator’s play with light.
Watch it at its highest resolution.
Kenneth Hite is a smart man.
He’s a writer of various things, particularly in the roleplaying game field. He’s a true polymath, carrying vast stores of knowledge about a vast array of topics around in his brain. He’s one of the few human beings I have ever met who makes me feel kind of dumb.
He’s also a scholar of pulp fiction, particularly the works of H.P. Lovecraft. So it thrills me to share with you his review of my first book, Doc Wilde and The Frogs of Doom, which is of course an homage to both the pulp heroes of the 1930s and ’40s and to H.P. Lovecraft’s unspeakable horror tales. It’s my first review by someone I’m not only sure gets everything I tried to do in the book, but who I suspect gets stuff I don’t even realize is in there.
Here’s a taste; the rest is here.
Despite our young heroes’ impressive abilities, the threat of the Frog God Frogon builds to a genuinely scary level by the end, with a properly Lovecraftian threat to the universe (and to one of Doc’s sidekicks, a burly Irishman named Declan mac Coul) waiting in the depths of a South American cave inhabited by the titular Frogs of Doom. Byrd plays with amphibian biology, and with plenty of other sciences from nanotech to aerodynamics, with the keen eye for the plausible impossibility shared by Dent, Lovecraft, and many of the pulp greats.
I suspect that readers out of middle school will appreciate Byrd’s tribute first and foremost as a tribute — spotting the references and shout-outs is our own little adventure mystery — but it will surprise you by engaging you with its youthful characters as well…the words themselves reel out at pulp speed, and tickle two kinds of nostalgia at once: nostalgia for reading Doc Savage, and for reading Doc Savage for the first time, when you were eleven and hadn’t yet talked yourself into being tired of heroes.
You can get the book here.
By the time the number nineteen crossed the Missouri state line the sun had crawled low in the sky and afternoon was fading into evening. The train had built up a wild head of steam over the last few miles. As Tennessee fell behind it began picking up speed, the wheels chanting and chuckling, the fields blurring into jaundice-yellow streaks by the track. A fresh gout of black smoke unfurled from the train’s crown and folded back to clutch the cars like a great black cloak.
I met Robert Jackson Bennett briefly at SIBA (Southern Independent Booksellers Alliance) in September 2009. When I did my signing for Doc Wilde and The Frogs of Doom, he was signing at the next table, and we chatted briefly (I recall telling him his title was cool) and exchanged inscribed copies of our books.
Here’s his inscription:

Know what? When I finally picked the book up months later, I did enjoy it. A hell of a lot. Continue reading

Fifteen or more years back, some friends and I were talking and the question arose, “If you could write and direct a movie about any Marvel Comics character, who would it be?”
I didn’t even think about it. “The Black Widow.”
It wasn’t an answer I’d have predicted. I wasn’t an enormous Black Widow fan, and hadn’t really given her much consideration in any way when I wasn’t reading about her or admiring some George Perez portraiture. But when the question appeared, my mind was on the case, and the sultry sexiness, mystery, and espionage background of the heroine offered up exactly the sort of cool superheroic options I was in the mood for.
And there’s just never enough hot femme fatales in catsuits on the screen. Continue reading
Ladies, if you want to capture my heart, this hat, a bed-table heavy with books, and a searingly carnal trickster spark in your eye will all definitely help…


‘Tis the season to remind folks of a holiday staple around the Byrdcave, the Santa books of Robert Devereaux. These incredible works of fantasy are both moving and filthy, sacred and profane, and guaranteed to awaken parts of your brain you might not even be aware of.
The first, Santa Steps Out, has been out of print lo these many years, but Devereaux recently regained the rights and has made it available as a Kindle download at Amazon. The second, Santa Claus Conquers the Homophobes, is available in paperback and Kindle format.
I reviewed both here, and you can read the entries at:
Santa Claus Conquers the Homophobes
An evil elf also recently told me there’s a third Santa book on the way, and a likely hardcopy set of all three by next Christmas.
One of the most thorough and thoughtful reviews of my book, Doc Wilde and The Frogs of Doom, came from writer/librarian Werner A. Lind, who posted it on Goodreads around the time the Pulp Magazine Authors and Literature Fans group discussed the book.
The review is below, but first a couple of points…
First, you may note there’s a discrepancy between the 4 star rating shown above the review and Werner’s statement grading it with three stars in the initial paragraph. Werner explained in a comment during the group discussion:
I hope you noticed that I later added a comment to say that honestly, on reflection, I’d give it four stars based on my own enjoyment of it, not just that of a hypothetical younger reader. (Sometimes it gets tiring to always have to wear the mantle of a sober academic critic. :-)) And I want you to know that once Doc Wilde and the Mad Skull is published, it’s definitely going on my to-read shelf!
The other thing is that he, like quite a few others I think, found the kids’ ability to use echolocation to navigate darkness a bit too over-the-top and unrealistic. The truth is, human echolocation is real, and it’s fascinating. Look it up on Wikipedia.
And now, take it away, Werner… Continue reading
Funny.

Haven’t seen Harry Potter and The Deathly Hallows yet, but have read all the books. But I had this short dialogue on Facebook with writer Alex Wells in which I shared some thoughts I’d had when I read Hallows:

I want to share with you an incredible poem by novelist/poet Francesca Lia Block, who I just met but think, somehow, I’ve always known.
In this poem, she builds a dark fairy story explicitly on the framework of Vladimir Propp’s folk tale morphology with powerful, exquisite results.
Here’s a taste, click here for the whole thing.
ABSENTATION: How could I have left them? The boy with his small, fierce body. The girl with lupine eyes. They stood weeping in the doorway between the light house and the night. Their warmth still lingered on my cold hands even after I was gone.
INTERDICTION: “Don’t go!” they wailed. “Don’t go with him.” They ran to the window and watched me get into the long black car. I saw their faces shining there, like little lights. Like stars reflected in the dark pool of the glass. He was hunched over the wheel and wore a ruffled shirt. His eyes were an interdiction, too but I did not recognize.
VIOLATION of INTERDICTION: He carried me away into the night. Trees bloomed in the fluorescence and strange electronic birds sang. He picked a flower and put it behind my ear and read me poetry. I swooned. It did not take much.
RECONNAISSANCE: We went to find my mother in a weird old restaurant that smelled of meat. She was sitting fragile in a huge red booth like a piece of garnish. She, too, was tricked by him. She took me aside and said, No other man has deserved you yet, my darling.
DELIVERY: Where is the cancer? he asked her. She told him and he laid his hands on her as if he were a healer. We gasped with gratitude and relief. How little we knew him…
I’m not sure why, but Amazon currently has some marked down copies of my pulp adventure novel, Doc Wilde and The Frogs of Doom, selling for just $6.23.
This is a first edition hardback (the paperback is due out next year), and the cover price is $15.99. Amazon is also offering it at a discounted $12.47.
Considering that the hardback usually runs $11 to $16, and the paperback when it finally comes out will likely be a minimum of $8, this is a great opportunity to get the book for cheap.
For the uninitiated, Doc Wilde is my modern take on the great old adventure tales featuring characters like Indiana Jones, The Shadow, the Spider, and most importantly Doc Savage, with strong currents of H.P. Lovecraft’s eldritch horror swirled in.
It is published as a book for young teen readers, but like something like Raiders of the Lost Ark or The Incredibles, is intended for both young and old.
Frogs of Doom is the first in a series; next will be Doc Wilde and The Mad Skull.
You can check out some reviews at http://www.docwilde.com/reviews/.
I reported a while back that my old friend Shane Black (writer of Lethal Weapon among other things) was scripting a Doc Savage movie. As many of the folks who’d care most about this sort of thing likely already know, it was recently confirmed that not only is Shane writing the screenplay (along with Anthony Bagarozzi and Chuck Mondry), he will be directing the film as well. Anyone who has seen Shane’s directorial debut, Kiss Kiss Bang Bang, will know how exciting this news really is.
With Sam Raimi working on The Shadow, it’s looking very promising for pulp adventure in the near future. Now all we need is a Bruce Timm adaptation of Doc Wilde and the world will truly be on the right track.
In related news, DC Comics just released the first issue of their First Wave series, in which they establish an alternate world, outside the normal DC universe, in which pulp heroes operate, and no one has super-powers. The greatest of the heroes in this world is, of course, Doc Savage.

The First Wave series actually began last year with the one-shot Batman/Doc Savage special I reviewed in November. I was underwhelmed, but still hopeful that the actual series would be good.
Well, I just read First Wave #1, and it’s awesome pulp and awesome comics. Brian Azzarello’s writing and treatment of these classic characters honors their roots while at the same time deepening their emotional lives and rooting them realistically into the world. And artist Rags Morales brings the cast to vivid life with a style that’s both realistic and somewhat cartoony, befitting the pulp nature of the work. My only beef with the book is that Doc Savage’s hair color and complexion are still off, though not as badly as they were in the Batman team-up book.
Great stuff.

Years and years ago, when I had a bit more spring in my step and fewer callouses on my heart, I got out of a misguided stint in the U.S. Army and plopped down at a cheap portable typewriter to begin living the life I always intended to live, that of a dashing and prolific novelist.
I was living on savings, shacking up in Kassel, West Germany (there was still an East Germany then) with a wonderful girlfriend named Rike (whom I’d met the very day I’d arrived at my Army post), who was deep in her own university studies while I took the time to write.
It was a happy year. It was the most productive year of my life, too.
First, I wrote a short fantasy adventure novel called The Road to Adventure. It was sort of stock fantasy — knights and elves and hot pagan priestesses — mixed with sheer swashbuckling and quite a bit of eldritch horror. Took me just over a month to write, and I got it in the mail and started the next project.
The Road to Adventure damn near got published too. A senior editor at one of the big science fiction/fantasy publishers took a liking to it and went to bat for it with the editorial board. See, getting a book published isn’t just a matter of getting a “yes,” it’s a matter of getting a series of “yeses,” and if you get a “no” in that series, you’re screwed. According to the editor, I had the majority of folks wanting the book, but got two key noes; I was screwed. But hey, pretty good for the first shot.
Of course, that resolution took a while, during which I wrote my second book. This took a lot longer than a month. Whereas I’d written Road with a detailed outline, I started this one with a setting, a couple of character ideas, and the notion that I was gonna write a “hardboiled fantasy,” mixing standard sword and sorcery tropes with gritty crime fiction. And I had the title:
Skullduggery. A Tale of Thieves. Continue reading
This was a year in which I got to enjoy two creations called “Avatar,” and how often does that happen? Perhaps it’s a sign.
The first was the Nickelodeon cartoon Avatar: The Last Airbender…
The second, of course, was James Cameron’s science fiction epic Avatar, in theaters now earning a billion plus dollars.
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Let’s talk the Cameron film first, saving the best for last. Continue reading
In May, my first book finally came out to great reviews and sales good enough to get Putnam to contract me for the next two books in the series. An adventure inspired by the pulps of the 1930s, I intended it for both kids and adult readers. Gratifyingly, it has done quite well with both.
For those uninitiated in the adventures of the family Wilde, you can find loads of info (and an excerpt) at www.DocWilde.com.
Elizabeth Bird is one of the most respected reviewers associated with Publishers Weekly, and was one of the critics I went out of my way to try to get to review my book, Doc Wilde and The Frogs of Doom. I read her blog regularly and enjoy her insights, and looked forward to seeing what she had to say about my fledgling effort.
Well, months passed, and the magazine seemed unaware of the book, and it didn’t appear on her blog. I’d pretty much given up on ever seeing anything from her, or PW, but then she posted an entry in which she gave tiny reviews of a bunch of books she’d read last year but hadn’t gotten around to reviewing.
This is what she said about my book:
Doc Wilde and the Frogs of Doom by Tim Byrd – I appreciated how the book just leapt headfirst into the action, catching readers up after the fact, and also how I can now hand kids something when they come asking me for books “Just like Indiana Jones” (which really does happen).
A review of Doc Wilde and The Frogs of Doom over at Curled Up With a Good Kid’s Book:
A true tale of adventure, this book takes off at break-neck speed and never slows down. Doc Wilde is a golden hero, of the type we haven’t seen since Flash Gordon (in the Buster Crabbe version) faced off with Ming the Merciless. Brian and Wren, young though they are, use their wits and their innate sense of justice to stand beside their father all the way. They’re the kind of sidekicks that comic book superheroes can only dream of finding, and they are certainly a credit to the Wilde family with its history of outlandish exploits and fair-minded pursuits.
The rest is here.
Keith “Kez” Wilson is a master of the mashup, taking artwork and cover designs from Bantam’s Doc Savage paperbacks 0f the 1960s-80s and combining them with imagery from genre films to incredible effect.
Here’s the haunting tale of Doc’s encounter with an angry amphibious atavist…

(Hmmm…perhaps a cousin of the Frogs of Doom…?)
And here, his dread meeting with a golem fashioned from corpse parts…

The latest is a very special Christmas adventure involving the most famous supernaturally illuminating ruminant of all…

I’d read these books. Kez has a bunch of ’em, all cool. You can check them out at his site.