TESS FOWLER: Why She Is No Longer The Artist For Doc Wilde

I’d hoped this post would be very different.

I’d hoped to tell all of you that Tess Fowler had returned to work on Doc Wilde and The Mad Skull. That she and I had revisited the conflict between us and, like thoughtful, reasonable adults, had reconciled and gotten back to work.

Toward that end, I emailed and called her several times, with humility, ready to eat more than my fair share of crow in order to make peace, in order to allow her to make good on her promises. I did this not only because I’d paid her a great deal of money which was as good as flushed if she didn’t complete the job, but even more because I love her work and still think she might have produced a beautiful book. And that’s still my goal.

She simply ignored me.

Now, I already wrote a post about all this, a post full of anger and bile, and I’m sure some of you saw it. But I took it down soon after because that wasn’t how I wanted to be. I didn’t want to present myself that way.  I didn’t want to talk about Tess that way. She’s a fellow creator, and I don’t want to tear her down or hurt her.

But, because I wrote that post, I sort of feel the need to re-address the matter in a calmer, more objective way. I also feel a certain accountability to all the Kickstarter supporters who put their money toward the dream of these books, a lump of which I just lost. I’m deeply sorry this happened; it has set progress way back, but you will still get the books you were promised.

Below is a full account of Tess’s time on this job, and the unpleasantness that followed. It’s long, but I think it’s only fair to show our work relationship in detail to fully and accurately represent what happened. It is, at least, a good case study in how choosing the wrong person to work on a project can go very badly. For those unwilling to read the whole thing, here’s the short version:

I hired Tess Fowler in mid-May to do the cover, 20 pieces of interior art, and layout for a Doc Wilde book to be released by Christmas. She took a $1,000 advance from me.

I patiently worked around her scheduling needs, including an enforced break due to carpal tunnel syndrome. I repeatedly tried to get her to read the text and engage personally with the material, to find the things in it that excited her and contribute creatively rather than just drawing what I told her to. She refused. She did say, several times, she enjoyed working with me and liked that I gave her detailed notes on her work.

Tess did not devote much of her time to the project, working on it just a day or two per week, even after losing the weeks to her carpal tunnel injury. Most of her time went to other personal projects.

By late October, less than two months before the book’s release had been planned, Tess had produced just a handful of rough character sketches. She had also done a layout sketch for the cover that I liked a great deal, and had been trying to paint it, but it was turning out so badly that in a fit of frustration she literally ripped it to shreds without ever showing it to me.

She then accused me of being hard to please and denied the very terms she’d agreed to months earlier. She also insisted she was only supposed to do five illustrations, rather than twenty, and that she had never agreed to do layout “since that’s not even in my list of skills.” But the terms of the agreement are in the email I sent her, as very clear bullet points, and her agreement to those terms is just as clear (and enthusiastic) in her immediate reply.

While we were debating this, and our relationship was collapsing, she started trying to use my depression (which I’m very open about and have written of quite a bit on this blog) as a weapon against me, trying to portray me as irrational in order to make it appear our problems were all my fault.

Now, Tess Fowler has cut off all contact, despite my repeated efforts at reconciliation and to give her another chance, and refused to refund the advance, even though it is now past Christmas, the book is not out, and I have received not a single thing she’d agreed to provide for that money.

Now, the full story… Continue reading

Buy DOC WILDE In Paperback, Get The Ebook For 72% Off!!!

DOC WILDE AND THE FROGS OF DOOMFor intrepid adventure readers who straddle literary realms both past and present, traditional and technological, I am pleased to announce that I am participating in Amazon’s new MatchBook program (and will happily do the same with other vendors if and when they initiate similar programs; I’m not an Amazon partisan).

What this means is that folks who buy (or have bought) the paper version of Doc Wilde and The Frogs of Doom from Amazon can now also buy a digital copy for only $1.99 (that’s 72% off!).

So if you’d like a copy for your bookshelf but would also like to read on your tablet or phone or other gadget, you’re golden. Likewise, if you want to read it on your device and get a hard copy as a gift for someone, you’re all set.

The deal even applies for those of you who bought the book in hardback when it was first published by Putnam. The new version is a lot better, with my “Author’s Cut” expanded text as well as dozens of gorgeous interior illustrations by comics wizard Gary Chaloner. If you bought the original from Amazon, but would like to see the story in its full glory, you can check out the new version for only $1.99.

Also, and this is important, you don’t need a Kindle to read the digital copy (or any Kindle book, for that matter). There are free apps available for PCs, Macs, smartphones, and tablets, so if you have a device on which you can read at all, you can likely read this book. The apps can be found here.

I’m thrilled that Amazon has made this possible. As a reader myself, I jump back and forth between page and screen, and I’ve wanted to be able to do something like this since I was first published.

What Elmore Leonard Taught Us

Dutch

Elmore Leonard was one of those great pulp writers who helped create modern fiction and along the way taught many writers how to write. Like the best in any “genre,” he proved that genre doesn’t matter, only quality. Whether you’re writing about cowboys or bank robbers or astronauts or superheroes or ennui-laden academics fucking around on their wives and feeling really really uncertain and depressed while they wash the dishes, the content isn’t what’s important, it’s the skill and insight and art that the writer brings to the tale.

Rest easy, Dutch.

On Father’s Day, I Honor My Son

Son

It is Father’s Day, yet I do not honor my father.

My father was an abusive drunk who put me through years of hell and regularly did everything he could to crush my spirit. He did a hell of a lot of damage in that regard; I’ve struggled for years with chronic, enervating, soul-crushing depression that several shrinks have identified as deep post-traumatic shock pounded into my marrow and mind during my childhood.

So today, I honor my son.

Nathaniel is seventeen, intelligent, kind, thoughtful, socially adept and funny, loves his parents, loves being around his parents, and has never been a behavioral problem in any way. When people ask us how we discipline him, we always say we don’t. If there’s an issue, we talk it out, and it’s no longer an issue.

I attribute this mostly to his innate character, but also to the fact that from the day he was born, both his parents have treated him with respect and have never seen dealing with him as an innate conflict or power struggle. He is the way he is because we allowed him to be the way he is, not because we beat it into him or forced him to act certain ways or made him follow stringent rules. We always honored his right to be acknowledged, to be present, to be heard. We pointed out when he was in the wrong, but also stood up for him when he was in the right.

We gave him love and respect at every step along the way, and as a result, he has given us love and respect in return. He doesn’t have to rebel because we’re not holding him back from being who he is and living life on his terms, and because we trust him, which lets him know that he is worthy of our trust.

Because of who he is, and how he was raised, my son didn’t have to bother with being a surly teen. He went straight to being a man.

Does A GAME OF THRONES Hate Women?

The Women of Game of Thrones

I’m a fan of George R.R. Martin, and I’m a fan of A Game of Thrones, both in its original literary and its more recent filmic iterations. And not only do I consider Martin’s epic work to be some of the best fiction I’ve ever read, I’ve been on board longer than most because, through unlikely fortune, I got an early copy of the first book in hardback, signed, well before it went on sale…

signed copy

And yeah, I’m showing off my library…forgive me.

Of course, I’m not alone in my love for this series. But such love is far from universal, and some folks downright hate it. Some hate it because it’s brutal and dark and filled with not-happy endings. Some hate it because it’s loaded with sex and nakedness, and if you’re uncomfortable with the human body and the things people choose to do with it, that can be a turnoff. (If I seem dismissive of people’s discomfort with nudity and sex, that’s only because I am; there is plenty of entertainment available for more chaste tastes, and not everything needs to be appropriate for eleven year olds.) I will say this: the series should show more naked men, both because it would be more fair and because it would head off some of the arguments of misogyny.

Some people’s hatred of this series, though, is starkly political, pardon the pun. Continue reading

Crazy Restaurateurs And The Writing Life

Batshit Crazy

You’ve probably heard about, or seen, the batshit crazy Arizona couple who went on Gordon Ramsay’s show Kitchen Nightmares and were so relentlessly, hopelessly, stupidly terrible, both as restaurateurs and as human beings, that Ramsay, for the first time, wound up simply throwing in the towel and walking away. This was followed by an epic psychotic meltdown by the couple on Facebook.

000

I’ve never seen this show, as I usually ignore reality shows of any sort, but curiosity got the better of me today and I watched the segment on YouTube. And folks, this is some juicy viewing, I tell ya. Being around people like this in real life would be horrendous; I wouldn’t be surprised if you got ulcers inside of fifteen minutes. I can’t believe Ramsay put up with them as long as he did. But watching them on this show, knowing that they are completely ruining their own business once and for all and reaping what they sow, is schadenfreude of the most delicious sort.

So what does this have to do with the writing life? Two things.

First, if you want to be a writer (or artist of any sort, really), you need to be able to take criticism. It can be tough to put aside your ego and listen to someone saying nit-picky or even awful things about the wonderful work you struggled so hard to birth into the world out of your very essence…but if you can’t do that, you can’t grow, and likely you’ll start shitty and stay shitty. Even if you disagree with the person offering criticism, you should honor their opinion and take it with grace. And unless their points are completely, patently stupid, you owe it to yourself to actually consider them before disregarding them. Nobody is perfect, and armoring yourself in ego or defensiveness will stunt your growth as an artist and a human being, just as we see in the video above.

Second, this video is a perfect example of just one of the many reasons why it’s a bad idea for authors to agree to read unpublished material by folks they don’t know. I’ve written about this before, rather colorfully and more comprehensively, and these folks are just some bloody kitchen knives short of the worst case scenario for this sort of thing. People you don’t know may be good writers or bad writers (odds tilt dramatically toward the latter), but they may also be neurotic, obsessive, crazy, or even violent. You just don’t know. And, as I wrote in the blog post linked above, when a lot of folks ask for you to critique them, what they’re really doing is asking for your praise. They don’t want actual critique. And they may react badly if you give it to them.

That was exactly what happened with Gordon Ramsay and these assholes. They had already damaged their reputation and business, and they invited him not to let him help them fix their restaurant  but to come in and use his show to give them praise so that they could be vindicated by an authority on TV. Then, blindly evil fucks that they are, they reacted horribly to his critique and dug themselves even deeper.

Good for them. Nobody deserves such a fate more than they do, except perhaps current GOP leadership.

For more on this, please do read “Why I Will NOT Read Your Stuff“. I’m pretty pleased with that post, but I’m open to criticism on it.

Are You An Asshole? On Satire and Offense

Evil Jester

“If you’re seriously contending that you get a free pass to be an asshole by calling what you write ‘humor,’ or that humorists are under no obligation to have any manners, think again.”

This is a comment from a discussion going on on someone else’s Facebook wall. I’d reply there, but the woman whose wall it is isn’t someone I know and she has already spazzed out about people disagreeing with her public post, which was an attack on the Onion for its story “Heartbroken Chris Brown Always Thought Rihanna Was Woman He’d Beat To Death.”  Her stance — and that of the guy I quoted above — is that satire shouldn’t offend.

Fuck that. If you’re not offending somebody, you’re not doing satire correctly, you’re just being amusing. And you’re not making a point, you’re just making a joke. The last thing a satirist, or a comedian of any stripe, or any goddamned artist of any sort, should be worrying about is whether they’re offending someone with their material, unless being inoffensive is, indeed, one of their goals as a creator. Sure, there are boundaries that you probably shouldn’t cross if you want to be a decent person (publicly attacking a child, for instance), but for the most part, nothing is sacred.

As novelist Tad Williams, who was also involved in this discussion, wrote, “There is no edge. The edge is a movable feast. A good humorist has to go with the gut, and sometimes the audience is in a slightly different place than expected. You can’t have ‘safe’ satire, because that’s not satire, that’s officially sanctioned merriment.”

So yeah, to put it in terms the guy I quoted used, you get a free pass to be an asshole and you’re not under any obligation to have any manners. That may cost you a fan or a friend sometimes, it may cost you a job, it may make you unpopular if you really touch a nerve. That’s why satire, why art, is brave. That’s one of the things that makes it matter. That’s one of the things that makes it real. That’s one of the things that makes it truth.

Sacred cows make the tastiest burgers.

The Jekyll & Hyde Conundrum: Writers And The Public Self

Jekyll & Hyde

We’re all Jekyll and Hyde.

We all have our sunny side, our pat-the-kids-on-the-head-with-an-eternal-smile-of-warmth side, our non-controversial I-breathe-oxygen, how-’bout you? side. That’s our Jekyll, our potential human paragon, our angel.

But we all have our Hyde, too, our goddamnit-won’t-those-kids-shut-the-hell-up side, our you’re-a-fuckwit-because-you-don’t-agree-with-me side, our good-lord-I-want-to-fuck-that-stranger-straight-through-till-sunrise-in-all-the-least-photogenic-ways side.

We’re all the whole Magilla Gorilla, a churning stew of human potential and passion and instinct and mind and soul (whatever the hell that is). And that’s not a bad thing, nor are all the qualities we might shove into the Hyde box actually evilwickedbad in and of themselves. Trying to completely squelch Hyde makes you, at best, neurotic, at worst a slavering hypocrite enslaved by the desires you dare not show. How many anti-gay crusaders have gotten caught with somebody’s dick in their mouth at this point? Probably a small fraction of those who will be.

Still, we all like other folks to think well of us, so we at least refrain from mentioning a lot of the things Hyde says in our heads, and hopefully retain rational control over our impulses and emotions and actions.

Online, we get to fine-tune our public persona a bit. We have the time and distance to choose what we want to present, and how (though it’s all too easy to just hit SEND in an emotional moment and let your Hyde out for all to see; writer Hugh Howey had this happen to him recently and brought down a virtual enraged church picnic of self righteous wrath ‘pon his head). Some splash their personalities all over the internet like monkeys with paintbrushes, or even chimpanzees with machine guns. Some are naturally more guarded than others, and some have concerns beyond the simply personal when it comes to what they’re presenting.

Like writers.

I’ve pondered my own online Jekyll/Hyde mix for a few years now. Continue reading

Superman’s Rash Solution

The Bottled City of Kandor

Today, in honor of Superman’s 75th anniversary, I’d like to share a story…

Not many people are aware of the fact that the Bottled City of Kandor actually uses kryponite-run nuclear reactors for power, and there is a (relatively) huge mass of the element beneath the city. Naturally, mining the ore can be very dangerous for those of Kryptonian descent, and early on even the best protective measures proved insufficient, as miners continued to develop terrible rashes even when wearing highly shielded suits. Superman ultimately solved the problem, of course, by developing a special cream which completely eradicated the rash and even had a mild pleasant scent. This salve is now sold in pharmacies in Kandor under the name “Kal-El Mine Lotion.”

Thank you! Thank you! I’ll be here all week…

Falling Stars: Not Always So Whimsical… (with The Song of the Week, 2/16/2013)

Falling Star

Everyone is all abuzz about the asteroid flyby and the meteorite strike in Russia this week, and it was quite spectacular, and scary. Some of the video footage from Russia is amazing; watching the fireball appear in the sky through someone’s windshield, burning closer and closer, I couldn’t help but think what a pants-shitting moment that had to be.

It also made me remember my own close encounter with a meteor, many years ago. I survived, just as I survived the time I was struck by lightning, though the meteor was both a lot less dramatic and a lot cooler.

I was a teenager, visiting my maternal grandparents in a backward crack in the world called Valle Mines, Missouri. They lived in a farmhouse off a rural highway with a fair chunk of land, much of it thickly forested. The forest, of course, was the good part, especially to a kid who’d retreated to the woods most of his life as an escape from a horrible life at home. The bad part was the isolation from culture, and the lack of things to do. Nowadays, they probably have a big Teabagger dance or something to pass the time.

Anyway, late one dark country night, I was out back, and for some reason I was standing on my grandparents’ picnic table. The only light was from the windows of the house, and the sky was clear. Suddenly, I saw a thin streak of fire lancing toward me. It passed about ten feet over my head, sputtering into sparks as it fully disintegrated about twenty feet away, just short of the woods. A shard of space rock crumbling to fairy dust before my eyes.

Another cosmic encounter also comes to mind. Back in 1997, Comet Hale-Bopp streaked slowly cross earth’s skies, incredibly bright and visible to the naked eye for a record 18 months. Living in town, it was tough to see because of the light pollution, but I had a wonderful visit with it one cold spring night.

We took my son, Nathaniel, who was just under a year old, on his first camping trip, to Lake Conasauga, the highest lake in Georgia, on Grassy Mountain in the Chattahoochee Forest. It was chilly, but he enjoyed the woods and the lakeshore. Our late great akita, Travis, played with us, and charged through the woods like a white rocket. Towards dusk, we retreated to our tent and snuggled in, and Nathaniel was happy. Happy until night fell, that is, and with it, the temperature.

It was like a switch was thrown. The sun disappeared and suddenly it was below freezing. And Nathaniel started crying. We bundled him in several layers of clothing, including a pair of my thick wool socks and my Polartec jacket, and nestled together deep into the sleeping bags. The crying stopped, and he was content.

He fell asleep, as did his mom. I lay there, listening to the night sounds. We had planned to hike to the top of the mountain at night to see the comet, but it was so comfortable in the sleeping bags, and so damned cold outside them. But, knowing this was my best chance, I mustered the strength. I woke my son’s mom to give her the chance to do likewise, but that wasn’t happening. She, and Nathaniel, were too content where they were.

So I pulled on my cold boots and crawled out of the tent. I let Travis off his leash and the two of us headed up the trail.

When we reached the summit, the world was spectacular. Dark ridges of forest stretched away in every direction, and the sky above was utterly cloudless and perfectly black but for its trillions of bright stars, so many stars, up high, without city lights, without smog. Just that sky, alone, would have been reason enough to clamber up that trail that night.

Hale-Bopp burned out there, a streak of star fire, huge and otherworldly, stark against that dark sky, a titan among the glittering pinpricks that were the stars. I stood there staring at it, the cold forgotten, my dog pacing and hunting night critters, for a long cosmic moment.

Tim Fixes America: GUNS

Minute Man

I believe in the Second Amendment, and it is long past time we set up that “well-regulated militia.” Here is  my proposal:

If you want a gun, you become a citizen soldier. You undergo a full background check to enlist and a gun training course before getting your weapon. You are required to report on one day every three months for target practice and gun safety refreshers. Your weapon is kept, by law, under lock and key in a proper container, and all ammo is allotted and accounted for. Any misuse of your weapon, or lack of care in securing it, will be grounds for suspension from duty and confiscation of all weapons.

Possession of an unlicensed firearm is a crime with a mandatory one year sentence in prison, with escalating higher sentences for military grade weaponry. Convicted criminals in general receive an additional ten years in prison, on top of their sentence,  if firearms are involved in their crimes.

For your service, you are authorized one sidearm and/or one single action rifle, which you will buy with your own funds. Further weapon authorizations may be allowed for sporting or collecting purposes, though responsibility for gun and ammo security and accountability will be the same as for your primary weapons, and further training may be required. You are required to keep an established minimum amount of ammunition in your possession for preparedness purposes, with a maximum amount of ammunition allowed. You are responsible for providing your own ammunition, both for training and purposes of readiness.

In the event your service is needed for public safety, law enforcement backup, or domestic military purposes, you can be called up at any time by your militia superiors. Employers are required to honor your militia commitment just as they would were you serving in the National Guard. During training, and when called up, you will be paid a stipend based on the current minimum wage, with additional bonuses for hazardous duty.

The militia, being constitutionally mandated, will be a federal organization.

Long Distance Dedication

Dear Casey,

A couple of days ago, Barack Obama won his second term as President of the United States, bringing a welcome end to an interminable campaign season, allowing those of us who supported him to relax and breathe easy for a while.

I’m happy things turned out as they did, because overall Obama has been a good president. He might already be a great one had he not been constantly, stupidly obstructed by the most disloyal opposition in American history, had he aimed higher on the things he did manage like healthcare reform, and had he the spine and integrity to actually disavow the more fascistic tendencies of the Bush administration rather than embracing and exceeding them.

I hope now, with the need to worry about the next election out of the way, President Obama will step us his game and act boldly and decisively to make the changes we need as a country. I don’t doubt his ability to do so, only his resolve. He has greatness in him, now he must cultivate it.

After winning like this, it’s easy to gloat. Schadenfreude is a wickedly tasty treat, especially when the other side has relentlessly attacked your freedoms, your patriotism, even your value as a human being. I have literally seen some folks turn on a dime, going from “You are a stupid, ungodly, un-American, traitorous abomination” to “It’s not classy to gloat like that.” So if my relief at winning over people like that is a bit high-handed at times, I can forgive myself.

But my thoughts turn to my many friends, and even my enemies, on the right. I’m glad they lost, certainly, but it’s not entirely for my own benefit. I’m glad they lost for their benefit as well, though they won’t agree, and many of them won’t even be able to see through their grotty filters well enough to understand that I wish them well and hope for the best for all of us. I care about them. I respect them, or at least those who haven’t thrown away any right to respect (like any of them who calls Barack Obama a nigger, for example). And I, and most of us progressives, actually want to work with them towards the common good. Obama wants to, and last time they turned his sincere desire to reach across the aisle into a tactical failing. I hope, after the message they were  just sent by the American people, the conservatives in congress accept a working relationship with the president this time instead of holding their breath until, as it turns out, the country turns blue.

So, Casey, could you please play “Land of Hope and Dreams” by Bruce Springsteen and the E Street Band for my friends on the right? I hope they’ll leave behind their sorrows, let this day be the last, tomorrow there’ll be sunshine, and all this darkness past…big wheels roll through fields, where sunlight streams, and we can all meet in a land of hope and dreams…

Sincerely,

Tim in Decatur

Tim, here’s your song. I hope your friends take this opportunity to reevaluate things, and that for the next four years and beyond, all of us can start actually working together toward solutions that help us all. And remember, we all need to keep our feet on the ground, but keep reaching for the stars…

Hush, Hush, Hush, Here Comes the Bogeyman… (Song of the Week, Halloween 2012)

I love Halloween.

Reflecting that, our song of the week is  “Hush, Hush, Hush, Here Comes the Bogeyman” from 1932, by Henry Hall’s Orchestra with vocals by Val Rosing. Enjoy.

Childish Things

Hearing this week’s song of the week today brought to mind a discussion I had with another writer on Facebook a few weeks ago. The release of World of Warcraft‘s latest expansion was nigh and, as many of you know, it was introducing the pandaren as a playable race. The pandaren are basically kung-fu pandas, mystical shaolin-style monks, and their homeland is based heavily in eastern cultural tropes. (They also predate the Kung-Fu Panda movies by several years).

Now, I haven’t played WoW in many years, but my son still does occasionally, and I’d watched him play some of this content during its beta testing. It was fun stuff. the pandaren had a lot of charm and character, their abilities were clever and different than the stock WoW fare, and the world-building for their lands was gorgeous and epic in its scope.

Anyway, this writer snorted derisively at any grown-ups out there who were actually looking forward to playing panda warriors. Why? Because pandas are cute, naturally, and only children could conceivably want to play such cute creatures. I challenged him on it, because not only do I see the pandaren as neither more nor less intrinsically ridiculous than elves, dwarves, gnomes, or any of the other fantasy races you can play in WoW and similar games, but I think a fantasist attacking other people’s fantasies rather unbecoming. This writer makes his living writing face-to-face roleplaying games in which the players pretend to be monsters (as indeed I used to when I was a writer for White Wolf Games). Quite a few people would consider that sort of thing childish.

I wrote:

I just have an innate negative reaction to arguments that denigrate the tastes of others in ways like calling them “childish,” when as far as I’m concerned pretending to be a kung-fu panda is no more ridiculous or childish than pretending to be a stalwart shaman cow. Or a magical mystical mummy, for that matter.

He wrote:

I *completely* accept that the pandaren might be considered cool by players of a given age range, those of commensurately immature taste, and those who engage them as part of spending time with their kids, and I hope you’re right that those folks enjoy playing the hell out of it. But it’s not for me, play-wise, nor for the adults with whom I game on the regular…Pretending to be a bouncing anime panda-person may not be more ridiculous than pretending to be a shambling mummy, but it *is* more childish, and there’s just no way around that.

Note the pointless zealotry, the refusal to accept that any mature adult might be able to enjoy playing these fantasy creatures, while playing other fantasy creatures is presumably quite adult. Pandaren might be enjoyed by players “of a given age range” or “commensurately immature taste” or those playing alongside their children. He couldn’t just take a reasonable step back and think, “Maybe an adult might enjoy this simply because it’s fun and they get a kick out of it.” He had to insist that an adult who liked this sort of thing was not the proper sort of adult at all.

I replied:

To personalize it, I think the pandaren are cool, and were I still playing WoW I’d be looking forward to playing one. To therefore say that only people of a certain age range or “commensurately immature taste” can find them cool is insulting. I seriously doubt my tastes are any less mature than yours, and in fact the tendency to argue the “maturity” of such things seems to me an immature one.

As C.S. Lewis put it, “When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”

But, to be agreeable, I’ll cede your point that making believe you’re a scary monster is much more grown up than making believe that you’re a panda-esque warrior. Because what the hell.

Don’t try too hard to be a grown-up, folks. It’s something that happens naturally in its course, and it has nothing to do with whether you can still have fun or not.

Here’s James McMurty with our song of the week…

Tim Gets Ready To Fix America… [Updated]

As we enter the final lap of the presidential race, my mind is even more on matters political than usual.

That’s saying something, because I think about politics year round, every year. It’s not that I enjoy politics, because I really don’t. It’s just that they’re important, especially when we have only two parties, with power fairly evenly split between them, and one of those parties is on a fairly constant warpath to ruin everything we’ve accomplished in the past couple of centuries. That party, if you are dense, corrupt, and/or uninformed, is the Republican party.

On the other hand, the Republican party has almost simplified the job of being an informed citizen in America. Once upon a time,  issues had to be parsed carefully, and details debated, and the calculus of conscience exercised.  But in the past couple of decades, the GOP has arguably made that sort of effort pointless. Now, you can plot a pretty accurate course by just looking at a candidate or an issue and asking “Are the Republicans for him/her/it?” If the answer is “Yes,” odds are you need to be against him/her/it. Unless, of course, you’re filthy rich and don’t care what happens to other people, or you’re a religious nut who cares way too much what other people are doing and thinking.

This isn’t to say the Democrats are anything near what they should be, but if voting for a Democrat is like inviting a friend into your house who doesn’t like your dog, voting for a Republican is like inviting a crazy hobo with a machete in who promises to kill it and steal all your stuff.

If you argue that both parties are the same, you’re either what they call a low-information voter, too lazy or apathetic to actually pay attention to anything beyond the most superficial available information (Romney was more talkative than Obama in that debate, that must mean he’s a better candidate!), or you’re so naive and/or cynical that you’ve removed yourself to the wilderness of inaction or protest voting. When I see someone cockily post that, in their most wise opinion, it won’t matter who wins, I’m not impressed by their lack of awareness or their world-weary individualism; it’s kind of like watching someone try to eat soup with their fingers.

There is no perfect candidate. There are astronomically different levels of imperfect candidates, though.

Anyway, I come not to praise Democrats, nor to bury Republicans. Rather, in my next post, I want to offer up some ideas I think would greatly improve how our esteemed republic functions, and possibly save it from itself.

Or, rather, from us.

UPDATE: Bit off more than I can chew at the moment, so I guess saving America will have to wait. Maybe after November, when I know whether we’re still moving at least somewhat forward with Obama, or just saying “Fuck it” with a Romney presidency…

The Nature of Apology

I’ve been thinking, of late, about apologies.

Saying “I’m sorry” is an act of humility, and of strength. But it can also just be a tool used, insincerely, to alleviate conflict and evade direct responsibility for one’s actions.

Interestingly, this week I had someone pull out an apology I had made to them months ago and try to use it as a bludgeon against me. She pointed to the fact that I had apologized to her, for whatever part I had in the collapse of our friendship, as proof that I was not only fully at fault but downright malicious. That’s right: by apologizing, I had apparently admitted to complete culpability and that culpability proves that I’m a vicious bastard.

Had I not apologized for anything, like her, I’d presumably have the high ground. I’d be free of all guilt. I’d be the victim.

For the record, if I sat down with you and tried to tell you what the hell happened, what I did that was worth throwing a friendship away for, I couldn’t do it. I’m as perplexed now as I was then. And ultimately it doesn’t matter, because clearly a friendship so cagey and fragile is no friendship at all, and its demise is to be celebrated, not mourned.

She was the one who turned hostile. She was the one who literally refused to discuss whatever was happening. She was the one who responded to my apology by blocking me on Facebook. She was the one who then wrote a lengthy blog post that wasn’t about me, but in which she defined herself by listing things she doesn’t like, which happened to be things I like (pulp fiction, comics, Bruce Springsteen) which she had apparently been pretending interest in to get close to me for months.

So, if I say I’m not sure what I did to enrage her so much, and that she acted with such unreasoning hostility, why did I apologize in the first place? Continue reading

Fear of a Writing Planet: On John Green, Self-Publishing, and Amazon

A thoughtful post by novelist John Green is making the rounds today regarding self-publishing and Amazon:

I wanted to criticize Jeff Bezos, the CEO of Amazon, because I felt that in his introduction of the new kindles, Bezos repeatedly peddled the lie that a book is created by one person, and that therefore a book’s author should be the sole entity to profit from the sale of the book. (Aside, of course, from Amazon itself.)

Bezos and Amazon are consistent in their promotion of this lie, because it encourages the idea that the publishing landscape today is bloated and inefficient and that there is a better, cheaper way to do it—a way where all books can cost $1.99 with most of that $1.99 going to the author. Readers and writers both win then, right?

Well, no. Because the truth is, most good books are NOT created solely by one person: Editors and publishers play a tremendously important role not just in the distribution of books, but in the creation of them…Without copyeditors and proofreaders, my books would be riddled with factual and grammatical errors that would pull you out of the story and give you a less immersive reading experience. Publishers add value, and lots of it, and without them the overall quality and diversity of books will suffer.

Unfortunately, as fair-minded as Green obviously tries to be, at least toward self-publishing in general if not toward Amazon, he falls into the same trap a lot of defenders of traditional publishing fall into. He assumes that the current publishing infrastructure isn’t replicable within a self-publishing paradigm. This is flatly untrue. Continue reading

Are Self-Published Books Crap?

I really do wish this self-publishing ebook market would implode. It’s loaded to the gills with idiots, fools, and just by-Jove lousy writing. The purveyors of this monstrosity are, quite frankly, a bunch of jerks. I hope they all get ass-cancer and die horrible, painful deaths.

Thus spake writer James Robert Smith on his blog a while back. There are quite a few folks out there who share his view, and Smith often posts this sort of thoughtful musing about self published books and the presumably malignant souls who write them. Because what could be more malignant than putting out a book that inspires some good man to wish you get ass cancer and die an agonizing death?

To be fair, there is a great deal of utter crap being self-published, and unless you act as a rational consumer you can drown in it. But if you exercise roughly the same amount of care it takes in a bookstore to find something worth reading among the stacks of largely mediocre books, you can largely avoid buying shitty books.

Look at the cover; if it looks crappy, the author didn’t bother with doing better, and odds are the same holds for the writing. Read the reviews; yes, there are some slimy writers out there gaming the review system, but overall it’s still useful. Finally, before committing to buy, make sure you download the free reading sample offered by online vendors; if the writer can’t write, you’re gonna know that very quickly. Then, please, whatever your opinion of the book, review it on the site, even if you only write a few lines. A good review will help a writer who entertained you; a bad review will help warn others away.

It’s a time of great change in publishing, and self-publishing is the wild west. But it’s actually great for writers, and for readers, as I’ve written about on this blog (check the “Publishing” category in the sidebar), most notably here.

Here’s a thought experiment for you: Continue reading

Cookie Monster Presents The Song Of The Week, 8/30/2012

It’s all about the cookies this week…

First, this isn’t a song, but it is the funniest damn thing I’ve seen in a couple or three weeks on the internet. I’ve probably watched it twenty or more times and I always laugh:

Our actual song this week I offer in honor of the Republican National Convention currently infesting Tampa, “God’s Away On Business” by Tom Waits, karaoked by Cookie Monster…

I’d sell your heart to the junkman baby
For a buck, for a buck…
If you’re looking for someone to pull you out of that ditch
You’re out of luck, you’re out of luck…