Memory Lane

Back in 2004, I started the first iteration of this blog on LiveJournal, but it didn’t last long because I felt like I was talking to myself and was disheartened.

This version has gone much better, and more readers visit all the time, but that earlier stuff has been languishing over there, orphaned and sad.

Recently, LiveJournal has been having serious problems, and WordPress established a simple tool for LJ bloggers to import all their entries to blogs over here. I just used it, then went through and deleted all the posts I felt were uninteresting even in a historical context, posts with dead links, that sort of thing.

So, if you’re interested in knowing where my head was back in February and March 2004, now you can find out.

Pretty exciting, huh?

Savage Tales

red_sonja_by_nebezial

Back in the day, I worked in the roleplaying game industry.

I’m not talking rpg video games, like World of Warcraft or Oblivion (more’s the pity, because the money would have been way better). No, I’m talking good old fashioned face-to-face, throwin’ dice, drinkin’ root beer and eatin’ Doritos roleplaying games. I got into them when I was a young teen, starting with the original Dungeons & Dragons and moving on to many others like Champions, Traveller, and Daredevils. In my twenties, here and there I’d manage to get some short-lived game together, a little James Bond or Ghostbusters here, a little Paranoia or Justice Inc there.

Then I happened across White Wolf’s Werewolf: The Apocalypse one day (in which players assume the roles of lycanthropic ecoterrorists fighting demonic corporate forces to save the wilderness and the Earth itself). Werewolves have always been my favorite monster, I’m a devoted environmentalist, and the game is steeped in animistic spirituality which is my soul’s cup of tea…conceptually, it was a perfect storm for me. That led to scattered White Wolf gaming, which in time led to me actually working at the company. Which led to a bit of other rpg work, most notably for Feng Shui and its stillborn spinoff Pulp! (none of that work saw print, unfortunately, as Daedelus Games collapsed, though I did put some of it online…by the way, any Feng Shui players out there still have copies of my stuff? I lost it all in a hard drive crash).

These games get a bad rap from some people, and D & D is often cultural code for loser. But the fact of the matter is that many people who sneer at roleplayers spend their time watching crap like Desperate Housewives or American Idol, deadening their brains while the gamers hang out together and engage in an activity that has its roots in campfire storytelling and improv theater, an activity that’s inherently social and that exercises the mind.

But I digress. A few years ago, I managed to run a game for a group of friends who managed, more often than not, for a while, to actually get together regularly to play. The game was Shane Hensley’s great Savage Worlds. Ultimately, unfortunately, it’s really tough to keep a game going over time because people are, in groups, pretty unreliable, and entropy sets in till things just unravel.

One of the things I did, as things were unraveling, was to try to establish “pick up games” outside the continuing narrative of the main game, that we could play if someone in the group didn’t show up. That way, we’d still be playing something, the group would hold steady in its routine, and we could restart the main game “next” time…

For the pickup games, I decided to run short sword & sorcery adventures, focusing mainly on mood and action (as opposed to an involved narrative and character development), and in the spirit of Savage Worlds  I called them “Savage Tales.” And I wrote a short handbook describing the setting and telling the players how to design their characters for it.

Before the game evaporated for good, I think we actually played one such pickup game. Or maybe we just had an evening where we hung out and did the character creation. I can’t remember for sure. But I always liked the little handbook I put together, and the commentary within on the difference between epic fantasy (like Tolkien’s Lord of the Rings) and sword & sorcery (like Robert E. Howard’s Conan or Fritz Leiber’s Fafhrd and the Grey Mouser):

If everyone can’t make it, we go to Europia. There, things are gonna be less epic saga, more survival skirmish. Conan could become a king in Europia, but Tolkien’d have his pipe crushed under some furred boot and be set to work the rest of his short life digging stones from cold earth.

There are no hobbity folk in Europia because they were eaten by snake-men aeons ago. The elves are mysterious and dark, and if you see one, it usually changes your life forever. The dwarves may exist or not, but grandpa says they eat human flesh. And the closest thing to an orc you’ve ever seen is that big ugly fucker down the bar you saw sodomizing an unconscious guardsman the other night…

Here’s the booklet. You might get a kick out of it. If you’re a gamer, you might even find something useful in it. But here it is.

SAVAGE TALES

Read An Excerpt From DOC WILDE & THE FROGS OF DOOM At The New Doc Wilde Site!!!

docwilde

For a while, I’ve been using a subpage of this blog as the official site for Doc Wilde, but I’ve now launched a more respectable site that has much more to offer, including a free excerpt from my novel Doc Wilde and The Frogs of Doom.

Head over to www.DocWilde.com to join the adventure.

Two Baker’s Dozens of Things About Me, Minus One

Yes, I’m on Facebook. Yes, I’ve been tagged.

I started one of these “25 Random Things About Me” lists last week and in trying to think of things to share, ran about twenty-five things short.

Then I decided to be a witty prick about it, and make a list of things like this:

1. I am a biped.
2. I can count on my fingers and toes, but only so high.
3. I’m carbon-based, biologically speaking.
4. I absorb sustenance from food I take in at the mouth…

Then, for those who’d suffered through, I’d throw in a zinger:

25. I’m hung like a horse.

But sometimes the effort to be a witty prick is more than it’s worth. And I found myself enjoying some of my friends’ lists, those who made an effort and actually shared some interesting things.

Then, in re-connecting with someone I’d lost long ago, I discovered I remembered far more of what we’d gone through together, and meant to each other, than she did. And she, with the logical precision of one who has spent most of her adult life in the financial sector, actually tallied up the things she “felt she really knew” about me, a list of three things, and decided that we were acquaintances, not friends.

It was all very silly, and I realized immediately I don’t really need friends in my life who track relationships on a spreadsheet. But I did have the witty prick thought that, “Maybe if I’d done one of those lists, and you knew twenty-five things about me, then I could be your friend.”

But sometimes the effort to befriend someone is more than it’s worth. All the same, I decided to make another sincere attempt at my list of 25 things, because I do have friends out there I know will appreciate the effort. So here goes: Continue reading

Timformation

Tim Byrd

Tim Byrd

There are several ways to get all the Timformation you need. This site, www.tim-byrd.com, home of my blog Under An Outlaw Moon, is of course one of them.

Here are some others, and more will likely follow:

Tim on Facebook

Tim on MySpace

Tim on Twitter

Tim on Goodreads

Tim on Amazon

Feel free to contact me through any of these sites, or through a comment on the blog. I’m friendly and rarely bite, though I am very busy being a dad and a writer and may not always be as prompt in replying as I’d like.

Also, no, I won’t read your story, novel, idea, diary, outline, fortune, pie chart, autobiography, recipe, or the bumps on your head. I’m bogged down in research, way behind on personal reading, generally even more behind in my daily life, and have been strongly advised not to look at other’s unpublished work for several solid legal reasons.

I am going to try to share any and all wisdom I may gain as a professional writer through this site, though that wisdom is rather slim so far. The main advice I can give is this:

“Write it. Then send it out till someone buys it. Till they do, write something else and send it out. Repeat.”

It’s as easy as that. And as difficult.

[NOTE: This info is replicated for permament reference on its own page, accessible through the menu bar down the right side of this page.]

Read About The “Dead Folks”

deadfolks

This story was my first professional sale, and it has a weird history.

It was accepted twice, but never published until now. First Ed Hall, then the editor of a visionary magazine-on-tape called Verb, wanted it to be in Verb’s first issue. We even did some studio time, recording me reading the story, which was thirsty work.

Then I got word that my favorite magazine, Pulphouse, wanted the story. To put things in context, Pulphouse was very well known in genre circles, and very respected. It’s the only magazine I’ve ever read that I liked nearly every story they published. Not only that, but they wanted to put my story in a special Harlan Ellison issue, and the idea of sharing pages with Harlan was intoxicating.

So, with Ed’s cheerful understanding, I pulled the story from Verb. They went on to have Ha Jin, Robert Olen Butler, and James Dickey in their first issue. They got coverage on All Things Considered on NPR.

Meanwhile, Pulphouse folded just before the issue that was supposed to feature my story.

The most public exposure the story ever got was thanks to children’s author and master storyteller Carmen Deedy, who loved it enough to read it out loud at a gathering or two. Oh, and Anne Rivers Siddons read and adored it, and gave me lots of encouragement.

I always planned to look for a new home for the tale, but never got around to it. Now, for the recession-appropriate price of 99¢, you can download it to your magical computing box and read it to your heart’s content.

I’ve polished it very slightly,  mainly updating some cultural references, but it remains very much a product of the early eighties and a much younger writer. There’s some stuff in it about racists that seems kind of cartoonish these days (and I address that a bit in a new author’s note before the story). But mainly, it’s an odd bit of Southern magic realism owing more than a bit to Mark Twain and Stephen King.

Come on in, sit a while, and visit with the dead folks.

[UPDATE: As of March 30, 2011, “Dead Folks” is available at Amazon in Kindle format for 99¢ , and will soon be available at Barnes & Noble and other online vendors in other ebook formats.]

Order Doc Wilde Now!

One of various “Big Days” in the life of a first time author has arrived. Doc Wilde and The Frogs of Doom can now be pre-ordered at Amazon.

If you plan to order, and have yet to do so, please order through this link:

http://www.amazon.com/gp/product/0399247831?ie=UTF8&tag=docwilonl-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0399247831

This is the same link that I now have on the http://www.DocWilde.com site (which the link in the right column goes to), so you can always get to it there if need be.

The reason for this is that I am now what you call an “Amazon Associate,” which means I get a bit of extra cash off any sales I refer their way through that link. Extra cash means more possibility of food and caffeine, which means a higher probability of future Doc Wilde books you can enjoy. ;)

“U-Turn”

I wrote my first book when I was about four or five. It was called The Blue Stallion (there was a black stallion, and a white stallion, so I figured, why not a blue one?), and was about five pages long. The stallion fought a mountain lion, and was victorious. I even illustrated it myself, showing a faith in my artistic ability that I lost not too long after that.

I always loved books, and always knew I wanted to write them. But I remember precisely when I consciously decided that it was going to be my job, not just one of the many varied and wondrous activities I was going to engage in while living my magnificent life (cowboy, spy, zoologist, astrophysicist, movie star…). I was in fourth grade, and I read Ray Bradbury’s short story “The Fog Horn” in an anthology. The story evoked such emotion, such a sense of deep eternal sadness, that it overwhelmed me. I’d always loved to read, and read damn near constantly, but that was the first time I truly grokked the true power of literature. And I knew I wanted to dedicate my life to it.

After that, I did, at least while growing up. I was always reading, but also always writing. I kept a bunch of stories going all at once, the same way I read, and as a result of both activities I actually managed to learn how to write. Then I grew up and started my lifetime of depressed procrastination. That’s another story though, and sad to say, I’m gonna put off writing it.

All this is preamble to a special holiday gift I’m gonna give you, which is a story I wrote in seventh grade, and is, far as I can tell, the earliest work of mine I still have on hand. I wrote it for a writing contest at a local college, and in the weeks leading up to the event, I boasted to everyone I could that I was going to win first place. I annoyed everyone with my arrogance so much I had them rooting for my downfall. Then the day came, and I won first place, which probably did not improve me as a human being, but did boost the ol’ ego (which actually needed the boost a great deal, confident as I was in my writing).

After this success, I had my first experience with an actual editor. I started writing a serialized space opera tale in the school newspaper, in which the heroes travelled the spaceways in a craft driven by a Bussard ramjet, named after Robert W. Bussard, the scientist who envisioned it. In spite of repeated protests from me, the editor changed it, every damn week, into a Buzzard ramjet, because, after all, Bussard wasn’t a word (and still isn’t, according to my spellcheck, which ironically doesn’t even offer up buzzard as a possible correction).

But I digress. Here, for your enjoyment or derision, is  a science fiction story by the thirteen year old me, uncorrected in any way despite many strong impulses. Merry Christmas. Continue reading

Thank You

As my book, Doc Wilde and The Frogs of Doom, gets closer and closer to a public existence, I think this Thanksgiving is a prime time to give thanks to those who inspired me and those who have helped make the book a reality.

So here is the acknowledgments page, fresh from the book:

Writing this book has been the literary equivalent of cooking a batch of Stone Soup; I brought some rocks, but the meat and veggies and spice came from many sources.

For inspiration, I affectionately acknowledge the spinners of countless adventure stories I’ve enjoyed since I was a kid, folks like Robert E. Howard, Fritz Leiber, Alexandre Dumas, Paul Dini, Karl Edward Wagner, Rafael Sabatini, Walter Gibson, Ray Harryhausen, Neil Gaiman, Joss Whedon, Norvell Page, Michael Chabon, and Robert B. Parker.

I owe a special debt to two writers from the pulp magazines of old, Lester Dent who, under the nom de plume “Kenneth Robeson,” brought the world the extravagant adventures of Doc Savage, the original superhero, and H.P. Lovecraft whose spooky stories warned of eldritch horrors lurking just outside our world waiting to devour it. Lovecraft’s work is always readily available, and as I write this, all the Doc Savage stories are finally being reprinted in beautiful editions by Anthony Tollin and Nostalgia Ventures (www.shadowsanctum.com).

For encouragement over the years, I’d like to thank the enchanting Carmen Agra Deedy, the sensational Shane Black, and especially my noble friend Ed Hall, who never falters.

Thanks to my wonderful agent, Laura Rennert, who daily dares the frightening jungles of publishing with greater fortitude than I’ll ever know.

A very big thank you to my editor Timothy Travaligni (and his right hand, Shauna Fay) for teaching me to use the scalpel and ignore the pain. Thank you for your patience; I’m a blockhead sometimes, and it can take me a while to realize when I’m wrong. This book is a much shinier diamond than it would have been without your help.

A very special thanks to comic book virtuoso Gary Chaloner, the first true friend of the Wildes. Gaz, you’ll always be welcome on our adventures as far as I’m concerned.

And the biggest thank you of all goes to my son, Nathaniel Byrd, who made me want to tell this tale in the first place.

Galley Slave

Over the weekend, I got in the galleys (aka ARCs, Advance Reading Copies) of my novel, Doc Wilde and The Frogs of Doom. Like much of the publication process, it’s a bittersweet experience. Continue reading

NaNoWriMo Day 1: Doc Wilde Returns

As of today, Doctor Spartacus Wilde and his swashbuckling and brilliant offspring, Brian and Wren, returned to action, after resting a bit following their epic defeat of the Frogs of Doom. (Read about that adventure in the first book, coming out in May 2009!)

NaNoWriMo, National Novel Writing Month, has commenced. My son and I, both participating, tossed our computers in packs, shouldered the packs, and hiked out on a journey of literaturing. We camped in a nice cafe’ with wifi and wrote the afternoon away.

His goal, decided upon based on other factors like school, martial arts classes, drum lessons, afternoon science club, and such, is 100 words a day, to result in a 3,000 word story at month’s end.

My goal, as an adult participant (not to mention full-time writer), is 1,500 words a day, toward an ultimate goal of 50,000 words.

I usually write 1,000 words a day, but today’s 1,500 came easily, and I’m very happy with the book’s beginning. I did decide that this project would be the next Doc Wilde adventure, Doc Wilde and The Daughter of Darkness.

I have some friends who are allegedly participating in the month’s writing, and we’ll see if they are. They, or anyone else who’s playing, can sign up to be my writing buddy over at NaNoWriMo.org, and we can watch our progress bars grow and stuff. My user name is outlawmoon.

As a special treat, here’s Chapter 1 of my new book, in its rough, first draft, fresh-from-the-oven form: Continue reading

Writing & Those Moods You’re Having

Start writing more. It’ll get rid of all those moods you’re having.
–Ray Bradbury

I used to have this quote on a sticky note stuck to my computer monitor, and it has never lost its wise charm for me. Bradbury is absolutely right: the act of writing, itself, is a great balm for heart and soul, and the gods all know by now I need that balm, these days more than ever.

I’m never happier or healthier than when I’m into a writing project full-tilt, over my head, spilling over. This isn’t to say that the writing is always enjoyable, because often it’s anything but. But the intense application of self  produces satisfaction and engages the brain in wonderful ways and an act of pure creation is a soulful thing.

Writing something can be hard work, but the hardest part is beginning. Oh, and keeping at it. Yes, those are the hardest parts, along with ending it. Other than that, it’s all a breeze. Continue reading

NANOWRIMO I say! NANOWRIMO!!!!

As I near the publication of my first book, Doc Wilde and The Frogs of Doom, people are already asking about what’s next. What’s next is another Doc Wilde adventure, which I’m working on now, though not with the white hot intensity with which I do my best work, at least not yet.

I need to be obsessively committed to a writing project or it’ll take forever to finish. And here it is, October. Which means there’s something else to consider.

NaNoWriMo.

If you don’t know about it, NaNoWriMo is National Novel Writing Month. I believe this is its tenth year. Its purpose is to encourage folks to write their asses off in November with the goal of having a 50,000 novel at the other end. You’re supposed to just write write write every day to meet your word count, without stressing over how good it is or if you’re choosing the right word or any self-editing. Editing will come in after November, when you can revisit the raw material you’ve produced and polish it up.

I’ve never taken part in NaNoWriMo, but always been interested and had decided to do it this year. I’m usually a relentless polisher of my stuff as I write, but when I let myself go and write just to write, I’m usually pleased with the results. I wrote Frogs of Doom that way deliberately, trying for that manic production push the pulp writers used, and it resulted in my first book sale. I’m thinking I need to make speedy, non-meticulous writing a habit.

My twelve year old son is going to be taking part in the NaNoWriMo Young Writers Program, and is really excited about it. It’s going to be a great activity we can do together, intensely, for a month. I’m looking forward to it too.

If you’re interested in finding out more, go to http://www.nanowrimo.org. There are forums and widgets and all sorts of support material there, all aimed at motivating writers and allowing an online community to form. I’m gonna be there under the username outlawmoon. Maybe I’ll see you there.