Work Habits

Cory Doctorow (whose book Little Brother I recommended with extreme prejudice a while back) has a piece at Locus Online called “Writing in the Age of Distraction,” which gives some pointers on work habits for writers. For instance, he recommends a “Short, regular work schedule:”

When I’m working on a story or novel, I set a modest daily goal — usually a page or two — and then I meet it every day, doing nothing else while I’m working on it. It’s not plausible or desirable to try to get the world to go away for hours at a time, but it’s entirely possible to make it all shut up for 20 minutes. Writing a page every day gets me more than a novel per year — do the math — and there’s always 20 minutes to be found in a day, no matter what else is going on. Twenty minutes is a short enough interval that it can be claimed from a sleep or meal-break (though this shouldn’t become a habit). The secret is to do it every day, weekends included, to keep the momentum going, and to allow your thoughts to wander to your next day’s page between sessions. Try to find one or two vivid sensory details to work into the next page, or a bon mot, so that you’ve already got some material when you sit down at the keyboard.

This is interesting, because Cory’s pretty darned prolific, but it sounds like he’s not exactly at the Asimov end of the work habit spectrum. A page or two a day, that’d net you 365 to 730 pages a year, so yeah, it’ll add up. But I’m surprised that he doesn’t have a higher daily goal. Stephen King aims for ten pages a day, which is about 2,000 words.

I’m not prolific, but I’m working on at least earning the right to use the first three letters of the word to refer to myself. To do that, I continue developing my own work habits, trying to figure out what actually works for me. Continue reading

Thank You

As my book, Doc Wilde and The Frogs of Doom, gets closer and closer to a public existence, I think this Thanksgiving is a prime time to give thanks to those who inspired me and those who have helped make the book a reality.

So here is the acknowledgments page, fresh from the book:

Writing this book has been the literary equivalent of cooking a batch of Stone Soup; I brought some rocks, but the meat and veggies and spice came from many sources.

For inspiration, I affectionately acknowledge the spinners of countless adventure stories I’ve enjoyed since I was a kid, folks like Robert E. Howard, Fritz Leiber, Alexandre Dumas, Paul Dini, Karl Edward Wagner, Rafael Sabatini, Walter Gibson, Ray Harryhausen, Neil Gaiman, Joss Whedon, Norvell Page, Michael Chabon, and Robert B. Parker.

I owe a special debt to two writers from the pulp magazines of old, Lester Dent who, under the nom de plume “Kenneth Robeson,” brought the world the extravagant adventures of Doc Savage, the original superhero, and H.P. Lovecraft whose spooky stories warned of eldritch horrors lurking just outside our world waiting to devour it. Lovecraft’s work is always readily available, and as I write this, all the Doc Savage stories are finally being reprinted in beautiful editions by Anthony Tollin and Nostalgia Ventures (www.shadowsanctum.com).

For encouragement over the years, I’d like to thank the enchanting Carmen Agra Deedy, the sensational Shane Black, and especially my noble friend Ed Hall, who never falters.

Thanks to my wonderful agent, Laura Rennert, who daily dares the frightening jungles of publishing with greater fortitude than I’ll ever know.

A very big thank you to my editor Timothy Travaligni (and his right hand, Shauna Fay) for teaching me to use the scalpel and ignore the pain. Thank you for your patience; I’m a blockhead sometimes, and it can take me a while to realize when I’m wrong. This book is a much shinier diamond than it would have been without your help.

A very special thanks to comic book virtuoso Gary Chaloner, the first true friend of the Wildes. Gaz, you’ll always be welcome on our adventures as far as I’m concerned.

And the biggest thank you of all goes to my son, Nathaniel Byrd, who made me want to tell this tale in the first place.

Galley Slave

Over the weekend, I got in the galleys (aka ARCs, Advance Reading Copies) of my novel, Doc Wilde and The Frogs of Doom. Like much of the publication process, it’s a bittersweet experience. Continue reading

Writing & Those Moods You’re Having

Start writing more. It’ll get rid of all those moods you’re having.
–Ray Bradbury

I used to have this quote on a sticky note stuck to my computer monitor, and it has never lost its wise charm for me. Bradbury is absolutely right: the act of writing, itself, is a great balm for heart and soul, and the gods all know by now I need that balm, these days more than ever.

I’m never happier or healthier than when I’m into a writing project full-tilt, over my head, spilling over. This isn’t to say that the writing is always enjoyable, because often it’s anything but. But the intense application of self  produces satisfaction and engages the brain in wonderful ways and an act of pure creation is a soulful thing.

Writing something can be hard work, but the hardest part is beginning. Oh, and keeping at it. Yes, those are the hardest parts, along with ending it. Other than that, it’s all a breeze. Continue reading

NANOWRIMO I say! NANOWRIMO!!!!

As I near the publication of my first book, Doc Wilde and The Frogs of Doom, people are already asking about what’s next. What’s next is another Doc Wilde adventure, which I’m working on now, though not with the white hot intensity with which I do my best work, at least not yet.

I need to be obsessively committed to a writing project or it’ll take forever to finish. And here it is, October. Which means there’s something else to consider.

NaNoWriMo.

If you don’t know about it, NaNoWriMo is National Novel Writing Month. I believe this is its tenth year. Its purpose is to encourage folks to write their asses off in November with the goal of having a 50,000 novel at the other end. You’re supposed to just write write write every day to meet your word count, without stressing over how good it is or if you’re choosing the right word or any self-editing. Editing will come in after November, when you can revisit the raw material you’ve produced and polish it up.

I’ve never taken part in NaNoWriMo, but always been interested and had decided to do it this year. I’m usually a relentless polisher of my stuff as I write, but when I let myself go and write just to write, I’m usually pleased with the results. I wrote Frogs of Doom that way deliberately, trying for that manic production push the pulp writers used, and it resulted in my first book sale. I’m thinking I need to make speedy, non-meticulous writing a habit.

My twelve year old son is going to be taking part in the NaNoWriMo Young Writers Program, and is really excited about it. It’s going to be a great activity we can do together, intensely, for a month. I’m looking forward to it too.

If you’re interested in finding out more, go to http://www.nanowrimo.org. There are forums and widgets and all sorts of support material there, all aimed at motivating writers and allowing an online community to form. I’m gonna be there under the username outlawmoon. Maybe I’ll see you there.

Tim Byrd and The Blogs of Doom

Hi.

For those who don’t know me, or have known me but don’t have great memory, or those who know me but are in denial, my name is Tim Byrd, and I’m a writer and a dad.

That is not in order of importance.

Anyway, I’ve blogged a bit in the past [NOTE: on 3/11/09, I imported the earlier blog and those entries are now available as part of this blog], and as part of a personal campaign to re-engage the world, plug my work, and make new friends, I’m blogging again. I’m also on Facebook, MySpace, and maybe shaking a tin cup outside your local Starbucks (I probably need a shave).

Next year, G.P. Putnam’s Sons is going to publish my first novel, Doc Wilde and The Frogs of Doom. The book is the first of a series depicting the adventures of Doctor Spartacus Wilde, super-scientist, gadgeteer, physical exemplar, warrior, and the coolest dad in the world except for me.

Doc has two brilliantly capable kids, Brian and Wren, who join him for his perilous travels, often saving the day (and the planet) themselves.

Anyone who enjoys grand old pulp adventure in the Doc Savage/Indiana Jones/The Shadow style should enjoy Doc Wilde. It’s written for young readers, but full of literary allusion and other stuff for smart folks of all ages.