Depending on who you talk to, Mad Max: Fury Road is a revelatory feminist extravaganza, an insidious distaff assault on the stalwart ramparts of all real manliness, or not actually a feminist film at all because all violence is masculine.
I saw it, and if memory is accurate, The Road Warrior remains the best Max film (and Mel Gibson the best Max), but Fury Road is getting people thinking and that’s a good thing. [UPDATE: I changed my mind after rewatching The Road Warrior.] Of course, the “Men’s Rights Activists” are pathetic creatures whose rants have worth only for those looking for a good laugh (and, perhaps in some cases, to establish a case for domestic abuse), like the quoted comment in the image above. There are similar fuckwits on the feminist extremist side of things, like the idiots who attacked Joss Whedon recently. And I respect Anita Sarkesian, and don’t think of her as a militant/unreasonable feminist, but she can be pretty reductively doctrinaire at times. This seems to be one of those times.
To me, yeah, sure it’s a feminist film. But neither it nor its characters are all that deep, and it seems that it had to hit a pretty low bar (promotion tied to Eve Ensler’s involvement, some really basic symbols and themes, passing the Bechdel test) to excite a lot of folks into raving that it’s some sort of revelation. In truth, it’s still just a beautifully crafted cartoon with the barest of ciphers for characters including Max and Furiosa.
Here’s Tina Turner (who could remind you that strong women in a Mad Max flick aren’t anything new) with a song of the week for everybody who can keep their heads out of their asses on the subject…
Tina Turner — “One Of The Living”