“U-Turn”

I wrote my first book when I was about four or five. It was called The Blue Stallion (there was a black stallion, and a white stallion, so I figured, why not a blue one?), and was about five pages long. The stallion fought a mountain lion, and was victorious. I even illustrated it myself, showing a faith in my artistic ability that I lost not too long after that.

I always loved books, and always knew I wanted to write them. But I remember precisely when I consciously decided that it was going to be my job, not just one of the many varied and wondrous activities I was going to engage in while living my magnificent life (cowboy, spy, zoologist, astrophysicist, movie star…). I was in fourth grade, and I read Ray Bradbury’s short story “The Fog Horn” in an anthology. The story evoked such emotion, such a sense of deep eternal sadness, that it overwhelmed me. I’d always loved to read, and read damn near constantly, but that was the first time I truly grokked the true power of literature. And I knew I wanted to dedicate my life to it.

After that, I did, at least while growing up. I was always reading, but also always writing. I kept a bunch of stories going all at once, the same way I read, and as a result of both activities I actually managed to learn how to write. Then I grew up and started my lifetime of depressed procrastination. That’s another story though, and sad to say, I’m gonna put off writing it.

All this is preamble to a special holiday gift I’m gonna give you, which is a story I wrote in seventh grade, and is, far as I can tell, the earliest work of mine I still have on hand. I wrote it for a writing contest at a local college, and in the weeks leading up to the event, I boasted to everyone I could that I was going to win first place. I annoyed everyone with my arrogance so much I had them rooting for my downfall. Then the day came, and I won first place, which probably did not improve me as a human being, but did boost the ol’ ego (which actually needed the boost a great deal, confident as I was in my writing).

After this success, I had my first experience with an actual editor. I started writing a serialized space opera tale in the school newspaper, in which the heroes travelled the spaceways in a craft driven by a Bussard ramjet, named after Robert W. Bussard, the scientist who envisioned it. In spite of repeated protests from me, the editor changed it, every damn week, into a Buzzard ramjet, because, after all, Bussard wasn’t a word (and still isn’t, according to my spellcheck, which ironically doesn’t even offer up buzzard as a possible correction).

But I digress. Here, for your enjoyment or derision, is  a science fiction story by the thirteen year old me, uncorrected in any way despite many strong impulses. Merry Christmas. Continue reading

Thank You

As my book, Doc Wilde and The Frogs of Doom, gets closer and closer to a public existence, I think this Thanksgiving is a prime time to give thanks to those who inspired me and those who have helped make the book a reality.

So here is the acknowledgments page, fresh from the book:

Writing this book has been the literary equivalent of cooking a batch of Stone Soup; I brought some rocks, but the meat and veggies and spice came from many sources.

For inspiration, I affectionately acknowledge the spinners of countless adventure stories I’ve enjoyed since I was a kid, folks like Robert E. Howard, Fritz Leiber, Alexandre Dumas, Paul Dini, Karl Edward Wagner, Rafael Sabatini, Walter Gibson, Ray Harryhausen, Neil Gaiman, Joss Whedon, Norvell Page, Michael Chabon, and Robert B. Parker.

I owe a special debt to two writers from the pulp magazines of old, Lester Dent who, under the nom de plume “Kenneth Robeson,” brought the world the extravagant adventures of Doc Savage, the original superhero, and H.P. Lovecraft whose spooky stories warned of eldritch horrors lurking just outside our world waiting to devour it. Lovecraft’s work is always readily available, and as I write this, all the Doc Savage stories are finally being reprinted in beautiful editions by Anthony Tollin and Nostalgia Ventures (www.shadowsanctum.com).

For encouragement over the years, I’d like to thank the enchanting Carmen Agra Deedy, the sensational Shane Black, and especially my noble friend Ed Hall, who never falters.

Thanks to my wonderful agent, Laura Rennert, who daily dares the frightening jungles of publishing with greater fortitude than I’ll ever know.

A very big thank you to my editor Timothy Travaligni (and his right hand, Shauna Fay) for teaching me to use the scalpel and ignore the pain. Thank you for your patience; I’m a blockhead sometimes, and it can take me a while to realize when I’m wrong. This book is a much shinier diamond than it would have been without your help.

A very special thanks to comic book virtuoso Gary Chaloner, the first true friend of the Wildes. Gaz, you’ll always be welcome on our adventures as far as I’m concerned.

And the biggest thank you of all goes to my son, Nathaniel Byrd, who made me want to tell this tale in the first place.

Galley Slave

Over the weekend, I got in the galleys (aka ARCs, Advance Reading Copies) of my novel, Doc Wilde and The Frogs of Doom. Like much of the publication process, it’s a bittersweet experience. Continue reading

NaNoWriMo Day 1: Doc Wilde Returns

As of today, Doctor Spartacus Wilde and his swashbuckling and brilliant offspring, Brian and Wren, returned to action, after resting a bit following their epic defeat of the Frogs of Doom. (Read about that adventure in the first book, coming out in May 2009!)

NaNoWriMo, National Novel Writing Month, has commenced. My son and I, both participating, tossed our computers in packs, shouldered the packs, and hiked out on a journey of literaturing. We camped in a nice cafe’ with wifi and wrote the afternoon away.

His goal, decided upon based on other factors like school, martial arts classes, drum lessons, afternoon science club, and such, is 100 words a day, to result in a 3,000 word story at month’s end.

My goal, as an adult participant (not to mention full-time writer), is 1,500 words a day, toward an ultimate goal of 50,000 words.

I usually write 1,000 words a day, but today’s 1,500 came easily, and I’m very happy with the book’s beginning. I did decide that this project would be the next Doc Wilde adventure, Doc Wilde and The Daughter of Darkness.

I have some friends who are allegedly participating in the month’s writing, and we’ll see if they are. They, or anyone else who’s playing, can sign up to be my writing buddy over at NaNoWriMo.org, and we can watch our progress bars grow and stuff. My user name is outlawmoon.

As a special treat, here’s Chapter 1 of my new book, in its rough, first draft, fresh-from-the-oven form: Continue reading

Writing & Those Moods You’re Having

Start writing more. It’ll get rid of all those moods you’re having.
–Ray Bradbury

I used to have this quote on a sticky note stuck to my computer monitor, and it has never lost its wise charm for me. Bradbury is absolutely right: the act of writing, itself, is a great balm for heart and soul, and the gods all know by now I need that balm, these days more than ever.

I’m never happier or healthier than when I’m into a writing project full-tilt, over my head, spilling over. This isn’t to say that the writing is always enjoyable, because often it’s anything but. But the intense application of self  produces satisfaction and engages the brain in wonderful ways and an act of pure creation is a soulful thing.

Writing something can be hard work, but the hardest part is beginning. Oh, and keeping at it. Yes, those are the hardest parts, along with ending it. Other than that, it’s all a breeze. Continue reading

NANOWRIMO I say! NANOWRIMO!!!!

As I near the publication of my first book, Doc Wilde and The Frogs of Doom, people are already asking about what’s next. What’s next is another Doc Wilde adventure, which I’m working on now, though not with the white hot intensity with which I do my best work, at least not yet.

I need to be obsessively committed to a writing project or it’ll take forever to finish. And here it is, October. Which means there’s something else to consider.

NaNoWriMo.

If you don’t know about it, NaNoWriMo is National Novel Writing Month. I believe this is its tenth year. Its purpose is to encourage folks to write their asses off in November with the goal of having a 50,000 novel at the other end. You’re supposed to just write write write every day to meet your word count, without stressing over how good it is or if you’re choosing the right word or any self-editing. Editing will come in after November, when you can revisit the raw material you’ve produced and polish it up.

I’ve never taken part in NaNoWriMo, but always been interested and had decided to do it this year. I’m usually a relentless polisher of my stuff as I write, but when I let myself go and write just to write, I’m usually pleased with the results. I wrote Frogs of Doom that way deliberately, trying for that manic production push the pulp writers used, and it resulted in my first book sale. I’m thinking I need to make speedy, non-meticulous writing a habit.

My twelve year old son is going to be taking part in the NaNoWriMo Young Writers Program, and is really excited about it. It’s going to be a great activity we can do together, intensely, for a month. I’m looking forward to it too.

If you’re interested in finding out more, go to http://www.nanowrimo.org. There are forums and widgets and all sorts of support material there, all aimed at motivating writers and allowing an online community to form. I’m gonna be there under the username outlawmoon. Maybe I’ll see you there.

I Been Blurbed

Just got news from my editor  that Doc Wilde and The Frogs of Doom officially has its first blurb:

“Doc Wilde and the Frogs of Doom is an adventure yarn in the old tradition.  It gets that reading is an intellectual activity, and that an adventure, to be really good, has to engage the reader’s brain.  I love a smart book!” —Daniel Pinkwater

If you don’t know Daniel Pinkwater, you should. He’s a marvelous, witty, and prolific writer, and a frequent commentator on NPR. I’m thrilled that he’s blurbing the Wildes.