Back in December 2007, the novelist James Patterson became a hero of mine.
Patterson wrote an open letter to his son in Parade magazine that resonated strongly with me, and said some things I wanted to say to my own son, Nathaniel: Continue reading
Back in December 2007, the novelist James Patterson became a hero of mine.
Patterson wrote an open letter to his son in Parade magazine that resonated strongly with me, and said some things I wanted to say to my own son, Nathaniel: Continue reading

Meet Kimberly Derting, of the Great Northwest.
I’ve privately congratulated Kim, and figured I’d also do so publicly, because she recently got some really awesome news: HarperCollins gave her a buttload of currency to let them publish her first two books (in a deal made by agent supreme Laura Rennert, who also sold my book, Doc Wilde and The Frogs of Doom).
The first book, The Body Finder, is due next year, with the as-yet-untitled second book to follow in 2010. The Body Finder tells the tale of a young girl with an intriguing psychic ability who tries to use it to track a serial killer. Make a note of that title, and Kim’s name, and make sure to grab the book when it comes out so you’ll be the proud owner of a Kimberly Derting first edition, which I’m thinking will escalate quite a bit in value.
For more info, visit http://kimberlyderting.com, Kim’s incredible website that makes me cry because it’s so much nicer than mine.
I could have sworn I posted this news a while back, but apparently I only posted it to Facebook. So here it is, belated but still cool.
Writer Chris Roberson (who, among other achievements, has been a World Fantasy Award finalist four times) got wind of my book, and was kind enough to mention it on his blog:
Click to go to “You can file this under Things That Make Me Burn With Envy.”
For the first time in a long while, it’s easy to build a nice collection of classic pulp adventure fiction, and I’ve been doing just that. I started with the Doc Savage reprints put out monthly by Anthony Tollin, magazine-size volumes using gorgeously restored original art, each book collecting two of the long out-of-print novels, like:
“Resurrection Day” and “Repel”
“The Polar Treasure” and “Pirate of the Pacific”
“The Man of Bronze” and “The Land of Terror”
For the uninitiated, Doc Savage was second only to The Shadow in popularity during the pulp era, and served as a key inspiration to the creators of later characters ranging from Superman and Batman to James Bond and Buckaroo Banzai. He’s also the primary ancestor of my own hero, Doc Wilde. The Savage books were reprinted earlier by Bantam, starting in 1964, and I grew up reading them and wanted to give my son something to read that offered the same sort of adventure.
Tollin offers The Shadow in the same format, also monthly. Till this year, I’d read some Shadow comics and two novels, heard a radio play or two, and seen the film with Alec Baldwin (which is unfortunately campy, but possesses some genuine wit, some gorgeous visuals, and a perfectly cast hero). I was going to just get a Shadow volume here and there, being a lot less of a fan than I was of Doc Savage, but after reading a couple I subscribed to that whole series as well. The Shadow is a magnificent character, and the stories are intricate and action-packed. Here are some great examples:
“The Red Blot” and “The Voodoo Master”
“The Plot Master” and “Death Jewels”
“The Blue Sphinx” and “Jibaro Death”
I subscribed to one more series, The Spider. These reprints also come two to a volume, in nice magazine-sized editions using the original art, but are published quarterly instead of monthly, and by Girasol Collectables. The Spider started as a Shadow rip-off, but evolved swiftly into something much more demented. The Spider tales are more violent, more epic in scale, and far weirder than usual, even for pulp. At the same time, The Spider is a more human and realistic hero than either of his more famous brethren, showing genuine emotion and even involved in a fully committed, intense, passionately romantic relationship.
Baen Books offers a great place to start with The Spider, a couple of volumes of classic tales with beautiful artwork by Jim Steranko:
The Spider: Robot Titans of Gotham
The Spider: City of Doom
Pulp adventure tales like this are great for us grown-ups who love Indiana Jones, The Rocketeer, or James Bond, but they’re also great for young readers, especially boys. And if you start building your own shelf of pulp, don’t forget to put Doc Wilde into the mix. ;)
Anyone know more great pulp stuff that’s available?
Some things I enjoyed last year, in no particular order…
The Dark Knight. I could say, with great conviction, that this was the best movie of 2008, but I actually didn’t see anywhere close to all the movies released, so that’d be pretty presumptuous of me. It was definitely the best new film I saw, and the Batman movie I’ve wanted to see since my age was in single digits. Batman Begins was damn near perfect (Katie Holmes notwithstanding), and The Dark Knight took everything that worked in Begins and improved upon it. It’s not just a great superhero movie, it’s a damn good film, a high caliber crime thriller, beautifully made, masterfully written, full of great performances, politically topical, just amazing. And the Joker’s bit with a pencil is the best bit of sleight of hand I’ve seen in years.
For the record, I also loved Iron Man and Hellboy 2, and Bolt was wonderful.
Barack Obama. Morning in America, Superman leading the Justice League to victory against the Injustice League, a black man taking the highest office in the land, an antidote to the small-minded, soulless corruption of the past decade in American life. Here’s hoping he lives up to his promise.
Mad Men. TV by and for smart people. This show is ridiculously entertaining, and operates on so many levels that it actually triggers synaptic action in the brain, a rarity on television.
Dr. Horrible’s Sing-Along Blog. Joss Whedon adds another classic to his resume, and becomes an internet pioneer at the same time. Songs good enough I get them stuck in my head for days and don’t mind. Hilarious wit laced with deep darkness and pathos. The lovely Felicia Day. And Bad Horse, of course, of course.
Doc Wilde. I received the galleys (advance reading copies) of my book, Doc Wilde and The Frogs of Doom, and after years of dragging my ass on my dream, it felt great to be able to hold a novel I wrote in my hands, flip through its pages seeing all these paragraphs I crafted, and stare at the cover and see the faces of my characters as they will meet their audience in bookstores. Not to mention reading over and over the great blurbs from Daniel Pinkwater and Quentin Dodd. They like me! They really like me!
Um…excuse my Sally Field moment there.
3o Rock. And Tina Fey in general. I’d never watched this show, though I was interested, because I try to keep my TV viewing down, and often avoid shows I suspect I’ll love. I finally broke down and watched the pilot episode, which resulted in days of binge-watching my way through seasons one and two and three. I’m caught up, and eagerly awaiting the show’s return. This show’s funny as hell, Tina Fey’s a marvel, Alec Baldwin gets to showcase his incredible comic skills, and Tracy Morgan’s a delirious delight.
Facebook. I wasn’t interested in Facebook. I was very cynical about it, saw no use for it. But wiser folks encouraged me to use it at the very least as a tool to make myself available to people interested in my writing, so I signed on. That wasn’t that long ago, but I’m already in steady contact with people I lost over the years, people in the writing and publishing community to learn from, new friends, old enemies (amazing how time and a viable net interface can make old grudges seem beneath notice), and people with similar interests with whom to share ideas and discoveries…
Pulp fiction. I’ve been reading a lot of classic pulp, and thoroughly enjoying it. I have enough to say about this that I’ll be tackling it in another post.
Joss Whedon. In retrospect, I should have just put Dr Horrible here. Leave it to Joss to earn a category all his own on my list of joy. In addition to the musical magic of the Sing-Along Blog, Joss gave the world season 8 of Buffy the Vampire Slayer in comic book form, continuing Buffy’s adventures with panache and wit and emotional depth (the issues are collected in paperback, starting with The Long Way Home).
Also in comics, Joss wrote 25 issues of Astonishing X-Men, with amazing art by John Cassaday, which have also been collected. I got the second hardback collection recently and literally had tears in my eyes when I finished.
And, of course, Joss’s earlier work continues to provide enjoyment. I got to watch both Buffy and Angel from start to finish with my son this year, which I’d looked forward to doing for years, and it was awesome. Which brings me to:
My son. Nathaniel has adapted to the sundering of his family and the resulting radical changes in his life with great cheer and flexibility, and I admire and respect him for that. He remains, as always, the brightest star in my firmament, the only unceasing source of joy and meaning in my life.
Far-more-prolific-than-me author Mel Odom has mentioned Doc Wilde on his blog, “Adventures In Writing:”
http://melodom.blogspot.com/2008/12/blog-post.html
I look forward to hearing Mel’s thoughts once he’s read the book.

There’s a very special Christmas story I would like to share with you, but it’s a story some of you should probably stay very far away from. It’s called Santa Steps Out, and was written by a gifted fellow named Robert Devereaux. Here’s the Amazon.com review:
In the opening lines of Santa Steps Out: A Fairy Tale for Grown-ups, we learn that God the Father had to “cut His vacation short” and is in a “towering rage” about it. It appears that while the archangel Michael was running things, the world got pretty screwed up. “Michael…you know that Santa Claus and the Tooth Fairy are never to cross paths. It’s one of our Father’s most solemn injunctions.” Ah, that Tooth Fairy. She’s also got her hooks into the Easter Bunny.
Robert Devereaux is a master of vivid scene setting, especially gory scenes and sex scenes. There is a lot of sex in this book–mostly happy, lubricious sex that is sometimes downright amazing. Prepare for a strange and stimulating ride when you hop in the sleigh with Santa and witness all his adventures. Prepare to see childhood figures–figures known principally for delivering gifts in the night–in a whole new light. Devereaux is exuberantly polytheistic and well-grounded in Greek mythology, so along with the horror and humping, you’ll be entertained by some notions about where all these immortals may have come from in the first place.
I’ll leave it up to you whether you can take, and even enjoy, what this story has to offer. Me? Well, this is my own short review of the book from way back in 2000, when I gave it as a Christmas gift to a bunch of people:
I Want To See This In Claymation
This book IS over the top, and will easily offend those who offend easily. That’s fine. But the pleasures of this book don’t stop at its provocative nature. It’s also a genuinely creative, nigh brilliant, meditation on human sexual/romantic relationships, through a lens of cunning myth and trounced commercial archetypes. At the heart of the book, even at its most horrifying, is a nearly spiritual regard for the place of the carnal in our lives, and the spiritual enrichment that comes from the joys of the flesh…however you might find those joys.I highly recommend this. It’ll crack you up, it’ll keep your attention, and it might even stir your mind.
The book is unfortunately out of print, but easy enough to find used online. It deserves to become a holiday tradition. UPDATE: as of Dec 2010, the book is available in Kindle format from Amazon at this link.
One of various “Big Days” in the life of a first time author has arrived. Doc Wilde and The Frogs of Doom can now be pre-ordered at Amazon.
If you plan to order, and have yet to do so, please order through this link:
This is the same link that I now have on the http://www.DocWilde.com site (which the link in the right column goes to), so you can always get to it there if need be.
The reason for this is that I am now what you call an “Amazon Associate,” which means I get a bit of extra cash off any sales I refer their way through that link. Extra cash means more possibility of food and caffeine, which means a higher probability of future Doc Wilde books you can enjoy. ;)
I wrote my first book when I was about four or five. It was called The Blue Stallion (there was a black stallion, and a white stallion, so I figured, why not a blue one?), and was about five pages long. The stallion fought a mountain lion, and was victorious. I even illustrated it myself, showing a faith in my artistic ability that I lost not too long after that.
I always loved books, and always knew I wanted to write them. But I remember precisely when I consciously decided that it was going to be my job, not just one of the many varied and wondrous activities I was going to engage in while living my magnificent life (cowboy, spy, zoologist, astrophysicist, movie star…). I was in fourth grade, and I read Ray Bradbury’s short story “The Fog Horn” in an anthology. The story evoked such emotion, such a sense of deep eternal sadness, that it overwhelmed me. I’d always loved to read, and read damn near constantly, but that was the first time I truly grokked the true power of literature. And I knew I wanted to dedicate my life to it.
After that, I did, at least while growing up. I was always reading, but also always writing. I kept a bunch of stories going all at once, the same way I read, and as a result of both activities I actually managed to learn how to write. Then I grew up and started my lifetime of depressed procrastination. That’s another story though, and sad to say, I’m gonna put off writing it.
All this is preamble to a special holiday gift I’m gonna give you, which is a story I wrote in seventh grade, and is, far as I can tell, the earliest work of mine I still have on hand. I wrote it for a writing contest at a local college, and in the weeks leading up to the event, I boasted to everyone I could that I was going to win first place. I annoyed everyone with my arrogance so much I had them rooting for my downfall. Then the day came, and I won first place, which probably did not improve me as a human being, but did boost the ol’ ego (which actually needed the boost a great deal, confident as I was in my writing).
After this success, I had my first experience with an actual editor. I started writing a serialized space opera tale in the school newspaper, in which the heroes travelled the spaceways in a craft driven by a Bussard ramjet, named after Robert W. Bussard, the scientist who envisioned it. In spite of repeated protests from me, the editor changed it, every damn week, into a Buzzard ramjet, because, after all, Bussard wasn’t a word (and still isn’t, according to my spellcheck, which ironically doesn’t even offer up buzzard as a possible correction).
But I digress. Here, for your enjoyment or derision, is a science fiction story by the thirteen year old me, uncorrected in any way despite many strong impulses. Merry Christmas. Continue reading
Over the weekend, I got in the galleys (aka ARCs, Advance Reading Copies) of my novel, Doc Wilde and The Frogs of Doom. Like much of the publication process, it’s a bittersweet experience. Continue reading
As of today, Doctor Spartacus Wilde and his swashbuckling and brilliant offspring, Brian and Wren, returned to action, after resting a bit following their epic defeat of the Frogs of Doom. (Read about that adventure in the first book, coming out in May 2009!)
NaNoWriMo, National Novel Writing Month, has commenced. My son and I, both participating, tossed our computers in packs, shouldered the packs, and hiked out on a journey of literaturing. We camped in a nice cafe’ with wifi and wrote the afternoon away.
His goal, decided upon based on other factors like school, martial arts classes, drum lessons, afternoon science club, and such, is 100 words a day, to result in a 3,000 word story at month’s end.
My goal, as an adult participant (not to mention full-time writer), is 1,500 words a day, toward an ultimate goal of 50,000 words.
I usually write 1,000 words a day, but today’s 1,500 came easily, and I’m very happy with the book’s beginning. I did decide that this project would be the next Doc Wilde adventure, Doc Wilde and The Daughter of Darkness.
I have some friends who are allegedly participating in the month’s writing, and we’ll see if they are. They, or anyone else who’s playing, can sign up to be my writing buddy over at NaNoWriMo.org, and we can watch our progress bars grow and stuff. My user name is outlawmoon.
As a special treat, here’s Chapter 1 of my new book, in its rough, first draft, fresh-from-the-oven form: Continue reading
Start writing more. It’ll get rid of all those moods you’re having.
–Ray Bradbury
I used to have this quote on a sticky note stuck to my computer monitor, and it has never lost its wise charm for me. Bradbury is absolutely right: the act of writing, itself, is a great balm for heart and soul, and the gods all know by now I need that balm, these days more than ever.
I’m never happier or healthier than when I’m into a writing project full-tilt, over my head, spilling over. This isn’t to say that the writing is always enjoyable, because often it’s anything but. But the intense application of self produces satisfaction and engages the brain in wonderful ways and an act of pure creation is a soulful thing.
Writing something can be hard work, but the hardest part is beginning. Oh, and keeping at it. Yes, those are the hardest parts, along with ending it. Other than that, it’s all a breeze. Continue reading
The book is Little Brother by Cory Doctorow. It’s about what happens when some tech-savvy teenagers are victimized by the national security cult running the USA these days, and the kids’ resulting stand against that cult and the government itself. It’s bracing, intelligent, important stuff, and it reads like a high-quality pulp page-turner.
Little Brother is widely available in bookstores, and of course on Amazon. But Cory has also made it available for free:
http://craphound.com/littlebrother/Cory_Doctorow_-_Little_Brother.pdf
Check it out. Read a few chapters, and if you like what you read, grab a paid for copy for yourself or some kid you know or a library nearby.
When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him.
When I decided to read The Road by Cormac McCarthy, I had no idea I was going to be exploring the landscape of my own soul.
Before I continue, rest assured I’m not going to spoil the book for you. I don’t do that. The quotes I use are from the first few pages. Also, be warned that there’s a movie coming soon, so if you’re like me and prefer to get to a book before the movie comes along and plants all the images in your head, you should read this soon if you’re so inclined.
The novel tells the story of a man and his son, wandering an ashen post-apocalyptic America, scratching to survive. It is not an adventure story, not in the sense that an adventure story is meant to excite the reader, to offer escape. It is not Mad Max.
What it is, is a harrowing vision of living even when there seems to be no reason to live. Living in a world that no longer gives sustenance, a world without sunlight, a world that breaks the body and the heart and the soul every minute of every hour of every day.
The man takes his son onward through this barren, wasted world, mostly alone. Their moments of victory are petty and rare, a dusty sackful of mummified apples, a cup of fresh water, a warm blanket. They live lives without hope or comfort. They yearn for death. But they keep going.
Why?
Then he just sat there holding the binoculars and watching the ashen daylight congeal over the land. He knew only that the child was his warrant. He said: If he is not the word of God God never spoke.
The boy. The man stays alive for his son. His son stays alive because his father stays alive for him. They’re in Hell. They have no hope. They have each other. It’s stark and real and painful, in no way sentimental. It’s true.
He watched the boy and he looked out through the trees toward the road. This was not a safe place. They could be seen from the road now it was day. The boy turned in the blankets. Then he opened his eyes. Hi, Papa, he said.
I’m right here.
I know.
This is my life.