Lately I’ve been trumpeting what I call the “Ebook Apocalypse” and detailing why I think it’s great for readers, writers, even bookstores…basically everybody but big publishers (though they have it within their ability, if not mindset, to seize the day and benefit too). Indeed, as I was thrilled to announce a few days ago, I’m no longer publishing with Penguin/Putnam and will be relaunching my Doc Wilde adventure series on my own later this year.
I already have two self-published ebooks for sale (my folksy supernatural tale “Dead Folks” and my exploration of nature, civilization, and the ecological spirit “Wild Soul,” both just 99¢), and publishing them was easy. Authors can do this. They don’t need someone to do it for them. If you’re smart enough to write a book, you’re smart enough to publish it yourself. (But please, in the names of all the sweet muses, have your work properly edited. Don’t be one of those assholes who publishes sub-literate diarrhea just because you can.)
Even covers are easy (though I have seen established writers put up books with terrible covers though they should know better). Continue reading →
Some supplementary info for anyone who was interested in my “Ebook Apocalypse” post…
Since 2002, about 500 independent bookstores have gone out of business, nearly 20% of them.
Independent bookstores currently account for less than 10% of book sales.
When Borders folded they closed nearly 650 stores.
There are around 700 Barnes & Noble stores, all drastically reducing the number of books they actually stock.
Barnes & Noble is projecting huge losses in revenue for 2012.
Amazon holds 75% of the market for printed books online.
Roughly 90% of all ebook sales go through Amazon (60%) and Barnes & Noble (30%).
Ebook sales on Amazon outnumber printed book sales by roughly 50% and the ratio is growing sharper all the time.
According to Publishers Weekly, publishing insiders predict that within five years ebooks will account for half of all book sales.
Clearly there’s a lot of change going on, and as I wrote earlier, I think it’s good for readers, writers, and independent booksellers (who have a better chance of holding their own in local markets with the crumbling of the big chains). The changes may be more dire for big publishing concerns, however, as more writers realize they can make more money and better handle their own careers by publishing themselves and as book prices fall, bringing less money in to pay for fancy Manhattan office space. Their edge as necessary distributors gets slimmer with each drop in physical stock made by hundreds of Barnes & Nobles stores, every bookshop that closes, and each ebook that sells.
Writers need to seriously consider self-publishing, focusing mainly on the digital market, with hard copy books as an additional option they make available. And, at least for the foreseeable future, they’re going to reach the vast majority of the available market by dealing with Amazon and B&N, though there is much to gain by working with independent bookstores on a personal level.
Even as I was posting my post about the “ebook apocalypse” just now, author Jon Mertz posted his own, about his experiences self-publishing versus his experiences publishing with big publishing companies. Here’s a bit:
I’ve been writing since 1994; I’ve been a traditionally published author since 2002. In the ten years I tried to play the game by New York’s rules, I’ve seen so much ridiculousness, it amazes me the publishing industry has lasted as long as it has. Midlist writers (that is to say those who are not gifted with million-dollar advances and groomed for the supposed bestseller lists) are treated like indentured servants: crummy advances that New York insists are “livable,” crappy royalty rates, contract clauses that are meant to provide steady income for the publisher not the writer, and an accounting system woefully behind-the-times and deliberately complicated so as to render auditing it both costly and intimidating for the average writer.In the year since I’ve been publishing as an indie, I’ve made more money than at any other point in my writing career. I’ve sold more books than at any other point in my writing career (over 20,000 copies of my Lawson adventures JUST on the Amazon US marketplace). And I’ve been able to engage and meet more fans than at any other point in my writing career. And I’m not even as succesful as other indie ebook authors – some of them are making thousands of dollars every single DAY.
Traditional publishing loves to claim that they do a ton of stuff for writers – hence the low pay and royalty rates.
He breaks things down in good detail, and if you’re interested in these matters, you should check it out.
The night is coming. The night that will never end.
Board the windows. Lock the doors and push our beautiful, heavy bookshelves against them. Hopefully we prepared enough, we stocked up on canned peas and sacks of potatoes and stacks of mass market paperbacks and hardbacks, some of them used and old and bound in cloth rather than shitty cheap crappy cardboard.
Outside, the wind howls like a cliched banshee scream.
They are coming, and we fear it will not matter how well we prepared, for they come on silent wings, their numbers are legion, and they don’t use doors, or windows. Like dire fairies of data they come through the walls, through the very air itself, at the speed of light.
And they want to eat. “BOOOOOOKS….” they moan. Because they want to eat our books, all our beautiful books.