
My day is made, thanks to blogger/reader/lovely friend Nydia Macedo down in Rio:
When a great author comes to our bookshelf to stay
Thank you, Nyd. :)

My day is made, thanks to blogger/reader/lovely friend Nydia Macedo down in Rio:
Thank you, Nyd. :)

This week’s free fiction is chapters 11 and 12 of my serialized hardboiled fantasy novel, SKULLDUGGERY, A TALE OF THIEVES. ‘Tis a tangled web I’m starting to weave…
Also, we are now exactly two weeks away from the start of the Kickstarter project I’m putting together to relaunch my Doc Wilde pulp adventure series (which I had been publishing with Putnam, but have now taken independent). The Kickstarter encompasses three books which will be released by the end of the year, in fully illustrated editions available both as ebooks and trade paperbacks.
As part of the run up to the actual project (which will run from Friday, March 30th thru Saturday, April 28th), I’m posting excerpts from the three novels. Last week, I posted part of Doc Wilde and The Frogs of Doom, then followed it this week with the opening chapters of Doc Wilde and The Mad Skull. Monday I’ll post some of Doc Wilde and The Dance of the Werewolf. In the meantime, click below to check out the first two excerpts.
I hope you’ll join me on my Kickstarter adventure…

My pulp brother Barry Reese (author of The Rook series, among other things) has started a conversation at his blog on the subject of sex (and romance) in the pulps…
In the classic hero pulps, there wasn’t a whole lot of sex. You’d have the occasional lurid cover, with some scantily clad woman (usually with stockings showing) in distress while our hero moved to protect her but for the most part, guys like Doc Savage, The Shadow and The Avenger were not very interested in knocking boots. Doc occasionally in later years would display a kind of boyish interest in the fairer sex and The Avenger’s love for his wife was constantly being referenced but even in the first book where you see The Avenger alongside his wife and daughter, you didn’t exactly get the image that they were passionate lovers. They were partners, friends and spouses, yes, but there was no sign of “heat” in the relationship.
There were some exceptions, of course. Jim Anthony was basically Doc Savage with a sex drive but by today’s standards, he was still a bit tame. In fact, the idea of Anthony was racier than the truth — he liked to lounge around at home in a speedo while working in the lab. Hell, what guy doesn’t?
The fantasy pulps (like Conan) got a lot of mileage out of ladies whipping one another and there was no doubt that Conan and others got into lusty embraces. But I’m focusing on the hero pulps because those were my favorites and that’s where most of the New Pulp writings out today fall into place.
So…
Now we’re in the age of New Pulp. Writers are now bringing in more modern ideas about race, gender relations, etc. into their pulp-inspired writings.
But we still don’t have much in the way of S-E-X. I’m not saying we *need* it, I’m just surprised there’s not more variety out there.
Sex and pulp fiction (in that order) are two topics I spend quite a bit of time thinking about, and I’ve given some thought to their interaction too. I commented on Barry’s post:
I’m with you 100%.
One of the things I enjoy about The Spider is the fact that you get the sense that not only are Dick and Nina rabidly loyal and utterly romantically enraptured with each other, they’re fucking like bunnies. I was bugged by Doc Savage’s apparent pre-adolescent state even when I was reading the books as a kid, and it bugs me even more now.
In my Doc Wilde series, Doc is a widower, but over the course of the stories he will start to develop romantic connections again (indeed, we’ll see some of it in the second book). But he’s already a warmer, in every way more emotional, hero than his literary ancestor. And his parents are very old but still quite youthful, and enjoying each other just as much as The Spider and his lady. (And I’ve already made reference to the fact that the elder Wilde, the “original” Doc Wilde from the pulp era, used to be very stoic and humorless, but his wife opened him up emotionally, making him more loving and playful, and, frankly, human).
Making my characters as human as possible is very important to me, and the stolid sexlessness of heroes like Doc Savage (and even the skirt-chasing antics of his sidekicks, who acted like horny thirteen year olds) is, to me, one of the unfortunate failings of those tales I love so much. (It reached its nadir in the terrible seventies Doc Savage movie, in which the most romantic thing Doc says to the gorgeous jungle princess is “Monja, you’re a brick.”) Sex, romance, emotion in general, are all very interesting to readers because they’re human themselves. And it’s hard to take a hero completely seriously if he’s unable to function fully as a grown-up in the emotional world.
Granted, with Doc Savage’s background as essentially a cloistered lab experiment, it does make sense that he may not be emotionally mature, though it would have been nice to see him undergo an emotional puberty through the years and become more fully adult.

Of course, this literary neutering of the heroes resulted from an attempt to pander to young readers, just as through editorial edict Doc Savage very early on stopped killing bad guys on his adventures. In his earliest exploits, he was a lot more pragmatic, taking down mooks when he had to, but very quickly they made it so that he never killed anyone, relying heavily on non-lethal methods and gear, though many a villain did bring on their own demise and Doc didn’t shed a tear for them. They did this for the kids. But in those early stories, there is a jagged vibrancy that goes away when Doc gets too pacifistic, and as a horny thirteen year old (and as a horny much older year old) I missed that.
Just as I kept wishing Doc would actually bed one of these perky beauties who threw themselves at him all the time. Didn’t have to see it in detail. Coulda happened off-screen. But it would have been nice to know, for instance, that he was getting his ashes hauled by Princess Monja every time he got down to Hidalgo…
Far as I’m concerned, maybe he didn’t let Lester Dent know, but that’s exactly what was happening.


Last week, as part of the run-up to my upcoming Kickstarter project (which will run from 3/30 thru 4/28), I shared an excerpt from Doc Wilde and The Frogs of Doom, the opening volume of my Doc Wilde pulp adventure series (which I’d originally contracted to Putnam, but now am publishing independently for reasons detailed here). This week I’m giving you a peek at the second book, Doc Wilde and The Mad Skull. (To make sure you get all the news, you can follow this blog by clicking the button in the right sidebar).
The Kickstarter project will encompass both of these novels, as well as the third in the series, Doc Wilde and The Dance of the Werewolf (which I’ll let you read a bit of next week). It will allow folks to help us produce some really nice books, in exchange for perks ranging from having your name in the Acknowledgements up to autographed and numbered limited editions and exclusive editions of new Doc Wilde short adventures.
All three books will be released later this year, in both trade paperback and ebook formats, starting with Frogs of Doom in June. More Doc Wilde adventures will follow next year.
All the books will be fully illustrated and have gorgeous covers by Australian comic book master Gary Chaloner. I don’t have any actual advance art to go along with The Mad Skull yet, but you can see some of his work in the Frogs of Doom excerpt linked above.
As you read the following, keep in mind that you’re literally reading the first draft. This book hasn’t entered the editing stages yet. But my first drafts tend to be pretty clean, so I’m comfortable sharing it with you… Continue reading

In honor of Doc Wilde and The Mad Skull (the second of the three pulp adventure novels encompassed in my upcoming Kickstarter project), which I will be posting an excerpt from today at 2 pm EST, here’s some deathly bluegrass, Cornbread Red covering Blue Oyster Cult’s classic “Don’t Fear The Reaper…”
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Welcome to Free Fiction Friday. This is a day, usually Friday, when I will post some free fiction for you, if time and energy allows. I’m going to try to post as close to weekly as I can.
Today, and for a while, Free Fiction Friday will focus on the second novel I ever wrote, way back when I was a callow-yet-dashing twenty-one, a gritty and dark fantasy epic titled Skullduggery, A Tale of Thieves. I started to post it a couple of years ago and didn’t get very far, but this time I’m going to make it a priority. (For the interesting history of the novel, you can read my original blog post or the Introduction page at the site I’ve built to give the book a home).
Drogarth.
The name alone conjures dark images of spilling blood, of blackest magiks, of lawlessness and chaos. Throughout the kingdom children hear stories of this evil city and are told they must never go there — and they wish with all their hearts that one day they will. For children are the custodians of wishes, of dreams; they know in their hearts, in their souls, that only in the darkest of pits can the brightest adventures be found…
As of today, the prologue (called “Exploratory”) and the first ten chapters of Skullduggery are posted. Click below to find yourself in the violent streets of Drogarth, the City of Thieves…
While we’re talking about free fiction, you might also check out the excerpt I posted yesterday from my novel Doc Wilde and The Frogs of Doom. This is the first book of a series of adventures that I had been publishing with Penguin/Putnam, but have now taken independent and will be launching a Kickstarter project soon to restart the series in nicer, fully-illustrated editions (for more on that, go here). You can read the beginning of Frogs at the link below, and I’ll be posting excerpts from the two novels that follow it (Doc Wilde and The Mad Skull and Doc Wilde and The Dance of the Werewolf) in the next couple of weeks as we get closer to the March 30th beginning of the Kickstarter.

As promised earlier, here is the opening of my pulp adventure novel Doc Wilde and The Frogs of Doom, the first adventure of Dr. Spartacus Wilde and his swashbuckling kids Brian and Wren. As you read this, understand that the book is currently going through a polish and extra edit, so neither this nor the original text of the edition published earlier by Putnam is exactly as it will appear in the improved, fully-illustrated re-release of the book this June.
In April, I’ll be running a Kickstarter project encompassing this novel and its two follow-ups (which I’d originally contracted to Putnam, but now am publishing independently for reasons detailed here), all of which will be released this year. Next week I’ll post the first peek anyone has seen of the long-awaited second book, Doc Wilde and The Mad Skull, and the week after a glimpse of Doc Wilde and The Dance of the Werewolf, which Putnam thought too scary in its original form. I like scary and won’t be changing it.
The art you’ll see below (as well as the early draft cover above) was done by comic book artist Gary Chaloner before I’d even sold the first book to Putnam, in the hopes the book would be illustrated by him when published. That didn’t work out originally, but now Gary’s wonderful take on the Wildes will be an integral part of the series. This isn’t finished art, or necessarily images that will make it into the final book, but it will give you a taste of what’s to come… Continue reading

The fun with this book starts with the front cover and does not stop until the very last page!…It was perfect. Fast paced, fun, entertaining…There was also a touching family quality to the whole thing that was priceless. It was one of those rare books that leaves you feeling really good once it is done. —Old Bat’s Belfry on Doc Wilde and The Frogs of Doom
As I announced last month, I am no longer with G.P. Putnam’s Sons, and am instead taking my Doc Wilde adventure series independent (I go into the reasons and a lot more detail here). I have regained all rights to the work and will be relaunching the series with great new covers and interior art by comic book great Gary Chaloner. The first book, Doc Wilde and The Frogs of Doom, will see its re-release in improved form in June, the long-awaited Doc Wilde and The Mad Skull will follow in August, and Doc Wilde and The Dance of the Werewolf will appear in November or early December. More books will follow next year. The books will all be fully illustrated and available in both ebook and trade paperback formats.
I’m putting together a Kickstarter project which will allow supporters to get in on the ground floor and be a part of the Doc Wilde relaunch, and will be offering rewards ranging from a thank you on the acknowledgement pages of the books to signed and numbered limited editions to new additional Doc Wilde stories in exclusive editions. I’m still working out the details, but the plan is to begin the Kickstarter on Friday, March 30th and have it end on Saturday, April 28th.
Daring adventure! Dastardly villains! Climactic cliffhangers!…Byrd updates the old movie serials genre, populates his story with an adventure-seeking family that brings to mind superhero versions of Steve Irwin and his children, and dusts the whole thing with Indiana Jones–style searches for magical artifacts. Oh, and he adds frogs, lots and lots of frogs… —Booklist on Doc Wilde and The Frogs of Doom
For the unfamiliar, the Doc Wilde stories depict the adventures of a modern day pulp hero and his swashbuckling kids. They draw on my lifelong love of pulp fiction and are full of humor and action and literary allusion. They are meant for kids and grown-ups alike, in the vein of something like The Incredibles or Raiders of the Lost Ark.
As we approach the Kickstarter start at the end of this month, I’ll keep you updated, and will give you a taste of each of the three books. (To make sure you get the latest, you can click the “Follow” button in the sidebar to the right). Later today, watch for an excerpt from Doc Wilde and The Frogs of Doom…
This is good, heady stuff. The writing flows beautifully, with occasional forays into laugh-out-loudness…The science is artfully articulated and seamlessly stitched into the fabric of the story. There are good guys and bad guys, car chases, cliffhangers, betrayals, action sequences to rival Indiana Jones, and an explosion of frogs that defies taxonomy… —Ideomancer Speculative Fiction on Doc Wilde and The Frogs of Doom

Drogarth.
The name alone conjures dark images of spilling blood, of blackest magiks, of lawlessness and chaos. Throughout the kingdom children hear stories of this evil city and are told they must never go there — and they wish with all their hearts that one day they will. For children are the custodians of wishes, of dreams; they know in their hearts, in their souls, that only in the darkest of pits can the brightest adventures be found…
A couple of years ago (oddly enough, exactly two years ago, to the day, as I type this, now that I check), I started to post my novel Skullduggery, A Tale of Thieves, as a free serialized novel at its own site. Then, life happened, and the project very quickly faltered.
Today, I’m pleased to renew my commitment to making this book available, and there are several new chapters up. I’m going to try to put up at least some new material weekly from now on, which I’ll announce here on my blog (probably on Fridays, click the “Follow” button in the sidebar to the right if you want to make sure to get updates).
Click below to join me on this dark adventure…
In my post about this year’s Doc Wilde relaunch, I told you that Doc Wilde and The Frogs of Doom would be re-released in its deluxe improved edition in June, Doc Wilde and The Mad Skull would follow in August/September, and the third book, to be named later, would follow in November.
I’m ready to give you the third title…

…Doc Wilde and The Dance of the Werewolf!!!
I’d originally planned this to be the second book in the series, and wrote a chunk of it, but it was vetoed by my editor as “too scary.” And, indeed, it is a darker, bloodier tale than the first book (even considering Frogs of Doom’s Lovecraftian horrors), exactly as I intended it to be. I mean, it’s werewolves. It should be scary.
I wondered if I’d ever actually be allowed by Putnam to publish the book without toning down the scares and neutering it.
Well, now I get to write the book I want to write, and you get to read it.
This is my final “good memory” from last year, and I’m going to tell you about the two women who dominated my time and attention, who touched me and thrilled me and inspired me, who gave me delight with their presence, then despair at their loss.
I’m going to call them Witchcraft and Prose. My relationship with one is no secret, but what I shared with the other is, and I like the poetry in these noms de cœur. I’m not going to say much about them, but I can’t write about my good memories of last year without writing about them, because they were responsible for most of them.
◊
Witchcraft may well have the most beautiful eyes I have ever seen.
Her hair is a wild mane of copper and fire.

She moves in the world with confidence and strength, but has a fragility about her, a softness and wariness betrayed in the shyness of her smile.
As 2011 began, we were falling in love, and when we committed to each other, I was happier than I’d been for many years.
She’s a very smart, very wise woman. We shared a worldview, spiritually and politically, and a passionate, physical romanticism. We played. We laughed. We shared our darknesses.
We were forever. But not really.
I won’t go into our downfall. I’ve done that before. It may have been that we were simply, ultimately, unsuited for each other. It may have been that we came together at a bad time. I certainly was having a rough time, and reacted to the stages of our collapse in ways I regret, ways that hurt her. I failed her, and I failed myself.
I have tried to salve the wounds. Apparently they are too deep. And so, she is not in my life, and my life is the poorer. We were lovers, but more than that, we were friends, and I wish that was still so.
◊
Prose is a beautiful, dark-haired woman with beautiful, dark eyes and a ready smile. She’s trim and athletic, and sultry in a teasing, playful way that can turn instantly to smoldering intensity. I loved being the focus of her gaze. I loved gazing upon her. I loved her carnality.

I loved thinking of showering with her in waterfalls, out in the wilds, just her, just me…
I’m calling her Prose because she’s a professional writer. She’s gifted, and the tales she spins mix deep emotion with a wry sense of human fallibility.
She is funny and smart as hell, and the many hours we spent in each other’s company were filled with repartee and laughter. I can honestly say that I have met few people in my life who I just simply like as much as I like her. Our relationship lasted about three months, and she became one of the best friends I’ve ever had.
We spent a lot of time together.
Unfortunately, she had to end things. She was married, in a separation of sorts brought on by the deadening of passion, the dissipation of shared interests, which kills so many marriages. But she has kids. She opted to return to the hard work of trying to reel in the widening gyre, of getting the centre to hold, of making her marriage work.
There was no place for me, or what we shared, in that life. So she drew away. And I gave her my blessing. I spent years working a lifeless marriage myself, for my son’s sake, so I’ve been there. And I want her to be happy, so if making her marriage work again is what she wants, I hope it works out for her. I hope she finds happiness.
I’m rooting for her.
◊
I miss Witchcraft and Prose, and I have regrets. But I don’t regret what I shared with either of them. I’m better for having known them. I will always be here for them, even if it’s just as a loving friend. Even if it’s just as a memory. And there’s nothing I wouldn’t do for either of them.

I’ve been spending the evening working on the final installment of my “Good Memories of 2011,” this one focusing on my relationships with two remarkable women I’m unable to spend time with now. One no longer wants to associate with me, the other can’t. I miss them both terribly, and trying to say all the things I want to say, elegantly and briefly, is proving difficult and making me sad.
But I’m oh so glad I got to know them.
In a young adult book market crowded with the depressing and the dour, Tim Byrd’s Doc Wilde swings in on a jungle vine to raise the flag high for adventure. Infused with pace, fun, and all the two-fisted action a reader could ask for, Wilde lovingly riffs on situations straight out of the old pulps, even while making them fresh for a new generation.
— Zack Stentz, screenwriter, Thor, X-Men: First Class
In 2009, Penguin/Putnam released my book Doc Wilde and The Frogs of Doom, an adventure novel for all ages, my homage to the great pulp adventure stories of the thirties and forties. I conceived it as the first of a series, but Putnam waited to see how it was received before committing to more books.
The reviews were great, and the sales very good. As a result, Putnam asked for two more books. But, as regular readers of this blog know, I went through some rough times that delayed completion of the second book, and in the time since Frogs was released there has been a great deal of change in publishing. Thanks to digital distribution, the rapid rise of ebooks, and print on demand, the options for authors are much better than they used to be.
So, today, I’m excited to announce that Doc Wilde is going indy.
Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures. A tale ‘terrifying and dark, of indescribable horrors and eldritch mysteries,’ this is sure to be Wilde-ly popular, and readers will anxiously await future installments.
—Kirkus Reviews
Putnam treated me well enough, but I was largely underwhelmed with my experiences with them. The money was relatively lousy (and usually delivered months after it was contractually supposed to be), they did no promotion, and I thought they failed to take advantage of important opportunities. At no point did I get the idea that my input was valued, except insofar as delivering a printable text was concerned. And they allowed the hardback to sell through its print run and fall out of print before even scheduling a paperback printing, meaning the book’s effective shelf life and opportunity to find new readers was less than two years. In other words, I was treated like most authors are treated by the Big 6.
The thing is, I want to make a living at this, and unless the series really took wing, I was never going to do that under standard publishing terms. Everybody in publishing makes a good living, with benefits, except the folks who write the books. Going independent is a gamble, but honestly, if it doesn’t work, I’m not out much income, and if it does (and I expect it will) I’ll at least be able to keep the roof over my head.
So this is the year of Doc Wilde.
Doc Wilde and the Frogs of Doom is an adventure yarn in the old tradition. It gets that reading is an intellectual activity, and that an adventure, to be really good, has to engage the reader’s brain. I love a smart book!
—Daniel Pinkwater, author of The Neddiad and The Yggyssey
The fact that Putnam allowed Frogs to fall out of print turned out to be a great thing, because it allowed me to retrieve the rights and I can start the series anew, the way I want to. There were things I wanted to do with the books that I wasn’t getting to do with Putnam, and now I can.
One of those things is working with Gary Chaloner. As I’ve written before, well before I finished writing Frogs, I tried to find the perfect artist to depict the Wildes, and Gary was my choice. Not only was he a gifted graphic storyteller with a distinctive style, he was also a huge fan of pulp adventure and had an instinctive understanding (and love) of the material. Together we decided to produce lavishly illustrated books, and he put a lot of time into honing his designs to match my vision of the characters. (To see some of his early designs, go here.)

The Wildes à la Chaloner
When I signed with Putnam, they completely disregarded my wishes. The resulting book had a really nice cover, but I never got so much as an email consultation from the artist and I have a few minor issues with some of its details. There were no lovely illustrations inside. Instead, there were some goofy typographical effects that (I felt) distracted the reader and made the book look like it was meant solely for very young readers, rather than for young and old as I intended.
Well, Gary’s back on board, and we’re doing the books the way we originally envisioned.
Here’s the plan:
Doc Wilde and The Frogs of Doom will be released in its new edition in June, in both ebook and paper. It will offer my preferred edit of the novel, along with a new short Doc Wilde adventure, and (like future books) will have a new cover and be fully illustrated by maestro Gary Chaloner.
In the next few weeks, I’ll be putting together a Kickstarter project so folks can help us with the relaunch and get assorted boons ranging from being named in the acknowledgments to autographed limited editions and other exclusives.
Then, in August or September, the long-awaited second adventure will finally appear, Doc Wilde and The Mad Skull, in which the Wildes face a mind-blowing mystery and a truly bizarre villain. Doc Wilde and The Dance of the Werewolf, a dark tale featuring lycanthropes and witchcraft, will follow in November.
Had I remained with Putnam, by year’s end there would have possibly been a paperback of Frogs of Doom, and The Mad Skull might have seen print some time next year, though more likely it would have been in 2014. Doing things this way, you get the first three books by Christmas, with more to follow next year.
This is all very exciting for me. Going indy will allow me not only to produce nicer books, not only to make more money (at less cost to readers), but to have a more organic and personal relationship with fans. It’s a great time to be a writer.
Stay tuned for more news, including the details of the Kickstarter project…
A true delight…Tim Byrd has taken Doc Savage, added in a pinch of Robert E. Howard, a liberal dose of H.P. Lovecraft, and mixed it all together in a well done, enchanting pastiche of the pulps that will appeal to the adult audience as well as the young adult readers. It is an over the top at times, rip roaring adventure that returns us to the days of yesteryear and leaves us wanting more.
—Barry Hunter, The Baryon Review
(Note: At the time I post this, Putnam’s ebook version of Frogs of Doom is still available online. The wheels of publishing grind slowly, and they haven’t yet gotten around to removing it as they’re supposed to. If you’re interested in the book, I encourage you to wait for the new version later this year. It will be a much better edition, will cost you less, and I’ll benefit a lot more from the sale.)

In New York, with Phil. I'm the one with glasses. (Photo by Angela Rockstroh)
Looking back at the “good memories” I’ve already posted, and the ones I plan to write, it’s striking how interwoven the subjects are, and how personal. In previous years I’ve posted some personal stuff, some entertainment stuff. But this year, the topics all fit together, bright shards from the broken window that was my 2011.
Day 1 I wrote about the electroconvulsive therapy I underwent as part of my ongoing battle with chronic depression. Day 2 I wrote about the music of the lovely and amazing Brandi Carlile, because her songs helped me cope during the dark times (as well as delighting and moving me even when I was doing well). Those posts are further related via the romantic break-up I suffered just before opting for the electroshock, a romance that was born and died while I listened to Brandi’s songs.
Today, I’m writing about a trip to New York City to visit friends. In memory, and at the time, that trip was bittersweet, because the original plan was for my sweetheart to visit me for several days here in Atlanta, then I’d accompany her on her train trip back to Philly for a brief visit, after which I’d continue on to NYC.
By the time of the trip, my sweetie was my sweetie no longer, and wouldn’t give me the time of day. The tedious loneliness of hundreds of miles of Amtrak travel were magnified as I thought of how the trip might have been with her at my side. While the train stopped in Philadelphia, I thought of tweeting “I tracked my heart to Philadelphia, then lost the trail forever.” But the thought seemed pathetic, so I didn’t. Right call, I think.
Then, while talking about her with my friends one day while walking through a New York City park, I realized the street musicians we’d just passed were playing “I Just Saw A Face,” the Beatles song which, covered by Brandi Carlile, was the tune I most identified with the start of that love.
Oh, synchronicity, how you can fuck with a guy.
See how everything is intertwined? Continue reading

The night is coming. The night that will never end.
Board the windows. Lock the doors and push our beautiful, heavy bookshelves against them. Hopefully we prepared enough, we stocked up on canned peas and sacks of potatoes and stacks of mass market paperbacks and hardbacks, some of them used and old and bound in cloth rather than shitty cheap crappy cardboard.
Outside, the wind howls like a cliched banshee scream.
They are coming, and we fear it will not matter how well we prepared, for they come on silent wings, their numbers are legion, and they don’t use doors, or windows. Like dire fairies of data they come through the walls, through the very air itself, at the speed of light.
And they want to eat. “BOOOOOOKS….” they moan. Because they want to eat our books, all our beautiful books.
The ebooks have escaped the labs. OH. MY. GOD. Continue reading

A lot of folks don’t know Brandi Carlile, which is a shame. I’ve been listening to her for a few years now, featuring her music here several times. She’s a wonderful talent. This year, no other artist was there for me as much as she was, in good times and in bad.
Early in the year, her live cover of The Beatles’ “I Just Saw A Face” perfectly captured the wonder and joy I felt when I looked at the woman I loved… Continue reading

Yeah, I know. Electroshock therapy? A good memory?
Yep.
I’ve struggled greatly, for years, with chronic, terrible depression, and I’ve done therapy and all sorts of self help and multifarious concoctions of antidepressant meds, but nothing actually worked to any significant degree. I finally got desperate and started looking into electroshock, or as it’s known these days, electroconvulsive therapy (ECT). Continue reading
The past few years, I’ve started each new year with a few posts about “Good Memories” from the previous year, things that I enjoyed or that had special meaning to me. So far, this year I haven’t done that. (To see earlier good memories, just click on the “Good Memories” category in the sidebar.)
I have given a lot of thought to doing it, and have a handful of posts in mind, but motivation has been lacking. Last year was largely painful for me, and there aren’t many things that stand out as particularly “good.” And so far this year my depression has its claws in my back and when I try to move forward it just digs in deeper.
Still, the act of writing the posts, of writing at all, is a kick in the nuts to Demon Depression, and I am starting to make some headway again (he typed, hearing the rhythmic sloosh of laundry washing in the next room). So in the next week or two, I plan to get on with it.
I also plan to get back to blogging more in general again. I’ve been in a slump for a while, for a lot of reasons (many of them bad memories), and I know the world needs my wisdoms.

I’ve been having a bit of fun, joking around about the wave of Veterans’ Day posts that we see every year on this day, and I know not everyone appreciates the humor. I get that, and I’m sympathetic. But I don’t apologize.
I’m a veteran. I’ve had blood on my hands. I’ve lost friends. And to me, though I realize how sincere most people are, Veterans’ Day is a day of jingoism and platitudes, particularly in a time when we send our soldiers to die in wars we do not need to fight, and when we don’t take care of them when they come home.
Yes, we should honor the soldiers who are fighting and dying in our name, but we should do that by making sure they are doing so ONLY when necessary, otherwise we are wasting their efforts and their lives. Honor them by doing all you can to bring them home. Let their spouses curl up with them every night, their parents be able to sleep in peace, and their children grow up with fathers and mothers.
Yes, we should honor the veterans who have fought in our name when ordered, whether misused by their leaders or not. And to do that best, we should make sure they are given the medical and psychological attention they need when they’re back home, and we should make sure they’re given the benefits they’ve been promised (the VA screwed me out of over 80% of my College Fund, and I’m not alone), we should make sure their homes haven’t been stolen by bankers, and we should do all we can to help them find security in our lousy economy.
So yeah, wave the flag if you want to, tell everyone how important it is to honor our warriors, but if that’s the extent of it, it’s meaningless. If you want to thank me for my service, do something that’s going to help those who need help because they volunteered.

Halloween/Samhain has always been my favorite holiday. To celebrate, here’s Springsteen channeling the raging ghost of Howlin’ Wolf with a perfect Halloween song…
For the interested, here are some posts from back in my blog somewheres related to Halloweeny goodness…
…for those who might like to watch something scary and good, I figured I’d throw you a few bones. Collect ‘em all and you can build a skeleton.
These are just five classics, not my all time favorites or anything with that much thought behind it, not in any particular order. All of them are first rate.
Some more contemporary works that many people haven’t seen, and everybody who loves a good scare needs to.
A wonderful short animated film by UCLA student Joaquin Baldwin. It’s visually amazing, and the story is very moving.