Category Archives: Publishing

Writers and Books and the Chain of Happiness

HAPPY! HAPPY!

For those following the evolution of publishing and assorted matters, blogger JW Manus has an excellent post, What Does A Self-Publishing Service REALLY Do?, riffing off the previous post by author David Gaughran, “The Author Exploitation Business,” which I shared last week:

In Traditional Publishing, the Chain of Happiness works like this:

  • WRITER has to make the EDITOR happy
  • EDITOR has to make higher-up editors, the marketing department and the accountants happy
  • Higher-up editors have to make MARKETING happy
  • The marketing department has to make REVIEWERS and the NEW YORK TIMES book editor happy
  • The sales department has to make BOOK STORES happy
  • Everybody has to make the PUBLISHER happy
  • The PUBLISHER has to make the STOCKHOLDERS and BOARD OF DIRECTORS happy

Contrast that with the indie’s Chain of Happiness:

  • WRITER has to make the READERS happy

Notice what’s missing in the first chain of happiness? If you said “readers,” give yourself a gold star. If that list gives you some hints about why traditional publishing is in such disarray and why some self-publishers are succeeding beyond almost everybody’s expectations, give yourself another star.

And yes, I know there are many traditionally published books that make readers very happy. The point I’m making is about focus and priorities. With most publishers, and especially the Big Publishing Houses, reader happiness is a side effect, not a priority.

A compelling idea, and an accurate one.

The rest of her piece is likewise very compelling,and not just about self-publishing services. Read it here.

Caveat Author: The Author Exploitation Business

Greedy Penguin

I’ve mentioned Penguin’s self-publishing scam before. In this blog post, novelist David Gaughran takes the publisher to task in much more detail. I’d say this is essential and important reading for any writer working in, or wanting to break into, the business these days.

And it’s not just Penguin, either. Many of the beloved traditional publishers, those stalwart protectors of lit’rature, nurturers of authors, are engaging in these practices. Go. Read. Remember.

And spread the word.

The Author Exploitation Business

The Jekyll & Hyde Conundrum: Writers And The Public Self

Jekyll & Hyde

We’re all Jekyll and Hyde.

We all have our sunny side, our pat-the-kids-on-the-head-with-an-eternal-smile-of-warmth side, our non-controversial I-breathe-oxygen, how-’bout you? side. That’s our Jekyll, our potential human paragon, our angel.

But we all have our Hyde, too, our goddamnit-won’t-those-kids-shut-the-hell-up side, our you’re-a-fuckwit-because-you-don’t-agree-with-me side, our good-lord-I-want-to-fuck-that-stranger-straight-through-till-sunrise-in-all-the-least-photogenic-ways side.

We’re all the whole Magilla Gorilla, a churning stew of human potential and passion and instinct and mind and soul (whatever the hell that is). And that’s not a bad thing, nor are all the qualities we might shove into the Hyde box actually evilwickedbad in and of themselves. Trying to completely squelch Hyde makes you, at best, neurotic, at worst a slavering hypocrite enslaved by the desires you dare not show. How many anti-gay crusaders have gotten caught with somebody’s dick in their mouth at this point? Probably a small fraction of those who will be.

Still, we all like other folks to think well of us, so we at least refrain from mentioning a lot of the things Hyde says in our heads, and hopefully retain rational control over our impulses and emotions and actions.

Online, we get to fine-tune our public persona a bit. We have the time and distance to choose what we want to present, and how (though it’s all too easy to just hit SEND in an emotional moment and let your Hyde out for all to see; writer Hugh Howey had this happen to him recently and brought down a virtual enraged church picnic of self righteous wrath ‘pon his head). Some splash their personalities all over the internet like monkeys with paintbrushes, or even chimpanzees with machine guns. Some are naturally more guarded than others, and some have concerns beyond the simply personal when it comes to what they’re presenting.

Like writers.

I’ve pondered my own online Jekyll/Hyde mix for a few years now. Continue reading →

Doc Wilde: The Final Update Before Publication!

A World of Adventure

I’ve been keeping quiet, mostly, since my return from Brazil, and since announcing the “imminent” release of Doc Wilde and The Frogs of Doom at the end of January. This is because I’ve been very busy working, but also because even I’m weary of my pattern of optimistic-announcements-followed-by-some-more-interminable-waiting. That said…

The release of Doc Wilde and The Frogs of Doom is imminent.

I just finished a complete overhaul of the Doc Wilde website, and you can read the details in this blog post there. I’ll be shifting a good share of Doc Wilde-related posts to the official blog in the future, as well as availing myself of the newsletter, which you can sign up for to make sure you get the latest news. Don’t fret, I’m not going to spam you with lots of emails; anyone who follows this blog knows how sporadic I can be. For the moment, the newsletter will be used just for practical updates on the books, but over time I plan to do some fun things with it (though still on a non-spammy basis).

While we’re talking about subscriptions, I may as well point out that you can also subscribe to this blog via the button in the sidebar. This is my personal space, and I’ll continue to talk not only about my writing and publishing adventures, but all the weird and wise and sometimes inappropriate things that occur to me.

Back on the subject of the Doc Wilde site, I’m very pleased with it. Swing by and take a look, check out the gallery of Gary Chaloner’s awesome artwork, read the reviews Frogs of Doom received when it was first published by Putnam, sign the guestbook. Go Wilde…

DOC WILDE ADVENTURE HEADQUARTERS

The Mother Fucking Space Marines

SPACE MARINES

So corporate bully boys Games Workshop are now insisting they own a trademark on the term “space marine,” which first appeared back in 1932 in the story “Captain Brink of the Space Marines” by Bob Olsen. They had a book by writer M.C.A Hogarth kicked off of Amazon for her use of this common, stock, standard, downright cliché science fiction trope.

From her blog:

Today I got an email from Amazon telling me they have stopped selling Spots the Space Marine because Games Workshop has accused me of infringement on their trademark of the word ‘space marine’.

If you go to the Trademarks Database and look up the word “space marine” you’ll find the Games Workshop owns a trademark on the term “space marine,” but it only covers the follow goods and services: IC 028. US 022. G & S: board games, parlor games, war games, hobby games, toy models and miniatures of buildings, scenery, figures, automobiles, vehicles, planes, trains and card games and paint, sold therewith.

Fiction isn’t included in that list, which means Games Workshop has no grounds on which to accuse me of trademark infringement.

I didn’t get my use of that term from Games Workshop. I got it from Robert Heinlein. Apparently the first use of the term was in 1932. E.E. Smith used it, among others. Also there are other novels on Amazon being sold that have “space marine” in the title. I don’t know why Games Workshop decided to complain about Spots in particular, but my guess is because the Kickstarter made it a little higher-profile than the average indie offering.

This is as bad as Marvel and DC Comics conspiring to share a trademark on the term “superhero,” barring all others from using it. It’s pointless and ridiculous and downright unfriendly to the creative community at large.

As for Games Workshop? Fuck those guys.

(Note: Like that cool pulpy cover I posted up there? You can make your own with the Pulp-O-Mizer at Bradley Schenck’s Thrilling Tales of the Downright Unusual website, which is a very cool place to visit…)

Tim Vs. Traditional Publishing

don quixote

Clarification time.

A friend and writer who I like and respect posted a status on Facebook this morning which referenced the indisputable fact that “there are a lot of dreadful books being produced” by self-publishers. I commented, “There are a lot of dreadful books being published by major publishers, and they sell them for a hell of a lot more money.”

He replied, starting by saying, “I actually expected this comment from you so much that I was going to write it for you right beneath my post.”

Which made me think. Am I that predictable? Am I that partisan, in the “battle” between traditional publishers (and traditionally published writers) and self published writers?

I’ve written quite a bit here and elsewhere about my experiences being traditionally published, and my decision to go indie. I’ve posted at length about the flaws in the traditional model and the strengths of the new one. I am absolutely pro-self publishing. But am I anti-traditional publishing?

No. I would say, rather, that I am pro-writer. And a writer’s first responsibility should be to himself and his work. He should choose the path, or paths, that best serve that responsibility, and whatever path he chooses, godspeed.

In the current ecosystem, I do think self publishing is a much more beneficial path for authors to take. Though it is a lot of hard work and there are no guarantees, if you build your audience (which all authors have to do), the potential gains  are much greater than those to be enjoyed via traditional venues. Unless you are one of those very rare writers who gets big advances and actual promotion and support from a traditional publisher, you aren’t even a respected cog in the great machine. Your opinions are of little value, you have little say in the presentation or promotion of your own books (not that they will be promoted), the pay is terrible, and they will drop you in a hummingbird’s heartbeat if you  miss sales goals by even a hair. And they won’t even miss you.

But it doesn’t have to be this way. Publishers can (and should) change their SOP, finding ways to actually nurture the talent on whose backs these companies ride. As I’ve pointed out before, everybody who works on your book gets a good salary and full benefits except you. The writer is Cinderella, scraping the floor clean for her step-sisters in publishing to walk on. But, again, it doesn’t have to be this way.

That may sound anti-traditional, but it’s actually loving critique. I love the book business. My experience with Putnam wasn’t a nightmare, it just wasn’t very satisfying or lucrative. I want the book business, at all levels, to thrive. I just want publishers to start treating writers the way they ought to be treated. Writers are the dream makers, they should at least get a bigger cut of the dream.

The Imminent Return of Doc Wilde

DOC WILDE AND THE FROGS OF DOOM

Whew. Finally.

Months later than originally announced, artist Gary Chaloner and I are almost ready to release the new improved edition of Doc Wilde and The Frogs of Doom under the banner of Outlaw Moon Books. The book layout and design are done, most of the art is ready, and the remaining art is done and inked with just a bit of toning to finish it up. And it all looks beautiful. Gary has really knocked it out of the park, and I can’t wait to see what he does on the next book. (I’ve shared some of the art, in various stages of completion, in this album on Facebook, but there’s still a lot that no one has seen yet).

For those new to our saga, this novel is the first in an all-ages series of high adventure novels which I initially published with Penguin/Putnam. They contracted me for the first three, with more to follow, and published Frogs of Doom back in 2009. For various reasons I’ve covered at length on this blog, I then opted to negotiate my way out of my contracts, pulling Frogs from print and regaining full rights to all the books, in order to take advantage of the new self-publishing ecosystem to release the books in a nicer format, fully illustrated by Gary, with full creative control.

This new edition of Doc Wilde and The Frogs of Doom is not only gorgeously illustrated by an incredible artist, it contains my “Author’s Cut,” preferred (and expanded) version of the text. It is in every way superior to the first edition, and I’m excited to be able to share the book in the form I originally intended.

I have been helped along the way by a sizable group of angels who supported my Kickstarter nearly a year ago, providing funds to aid us in producing books of a quality not just matching the job Putnam did with the Wildes, but radically improving on it. They have cheerfully and stalwartly remained positive through months of delay and setback, and I’m humbled and grateful and thrilled to finally be able to give them something back.

So, when is the book due? ETA: any time now. And this time, it’s for reals.

HURRAY!

Where, Oh Where, Is Doc Wilde?

Doc Wilde and The Frogs of Doom

Time for what will hopefully be the last update before we start getting Doc Wilde books into precious readers’ hands…

Artist extraordinaire Gary Chaloner is polishing up the last bits of art for the long-awaited rerelease of Doc Wilde and The Frogs of Doom, and it has been worth the wait. The cover above is nicely representative of his work, and if you glance to the image of the previous iteration in the sidebar on the right, you’ll notice he’s made it even better (though it still needs a bit of fine-tuning).

I’m doing a few final alterations to the text and end matter (the acknowledgements and author’s notes, that sort of thing), then that goes to Gary and he will polish the whole thing into a shiny, shiny book.

I hope to at least have ebooks into folks’ gadgets (and hopefully for sale) by Christmas. No guarantees, but I hope that. The proofing process for the paperback will likely take more time, as will Kickstarter special bits like posters. But we’re on the job, and as we finalize this book, we’re already getting a start on putting together a great edition of book 2, Doc Wilde and The Mad Skull.

This has been a major learning process for us, but that was to be expected. I’m disappointed we’ve had the delays and obstacles, but I’m more sanguine about it all now that we’re about to actually have the first book rereleased into the wild where it belongs. In the future, I’ll scale my expectations back somewhat when announcing release schedules, because “they” are right: it always takes longer and costs more.

But the final result is going to be something to be proud of.

I want to once again thank all of our friends who’ve supported us in this project. Your patience has been humbling. Your help has been crucial in allowing us to take the time to do things properly, in order to release the books to a high standard of quality. You’re all a part of the Wilde family and I hope you’ll join us on many more adventures for years to come.

The Wildes

A Note From Doc Wilde’s Workshop

Wondering about what’s happening with Doc Wilde?

You’re in the right place. As you may know, I pulled the series from Putnam in order to use the tools of the new indie publishing revolution to produce the books the way I’d originally envisioned them, including covers and a lot of incredible interior art by comics maestro Gary Chaloner. The original plan had been to have three of Doc’s adventures out by the end of this year, but as I’ve explained previously, this plan has fallen to Murphy’s Law.

I’m not at all happy with that, but the situation is what it is. Gary and I are working steadily on getting the first book, the re-release of Doc Wilde and The Frogs of Doom, out in time for Christmas. I’d say even sooner, but such statements seem to like to come back and bite me on the ass.

As you can see above (as well as in previous posts, and in my “Doc Wilde” photo album on Facebook, which is viewable by the public), the work Gary is doing is amazing, and well worth the wait.

In other exciting news, we’ve added a brilliant new member to Team Wilde, taking an important step toward global domination. My lovely friend Nydia Macedo has contracted to translate Doc Wilde and The Frogs of Doom into Portuguese for release in Brazil. The Brazilian edition will include the same Gary Chaloner design and art as the English edition, and will be just the start of worldwide availability of Doc Wilde’s astonishing adventures.

Welcome to the family, Nyd.

Regarding Harper Voyager’s Submission Portal

Harper Voyager has put out a short-term call for unagented submissions:

Yes, it’s true! We are delighted to announce an exciting joint venture that will offer talented aspiring writers the chance to join our global science fiction and fantasy imprint.

The submission portal, http://www.harpervoyagersubmissions.com, will be open from the 1st to the 14th of October 2012. The manuscripts will then be read and those most suited to the global Harper Voyager list will be selected jointly by editors in the USA, UK and Australia.  Accepted submissions will benefit from the full publishing process: accepted manuscripts will be edited; and the finished titles will receive online marketing and sales support in World English markets.

Voyager will be seeking an array of adult and young adult speculative fiction for digital publication, but particularly novels written in the epic fantasy, science fiction, urban fantasy, horror, dystopia and supernatural genres.

See? The impact of ebooks and Amazon is having yet another positive effect on the publishing ecosystem for writers: a big publisher is actually open to unagented submissions (imagine that) if only for a limited time (two weeks, feh), with the successful submissions going on to be released digitally.

It’s an obvious attempt to adapt, which is to be respected (and hopefully emulated by other publishers), though I would look VERY closely at any contract they offer, particularly as regards the royalties paid (this is a royalty only deal, no advance), lifespan of the agreement (since it’s all-digital, it’d be all too easy for Harper to keep books “in print” forever and lock in a paltry royalty), and attendant rights (this is digital only, but do they restrict the authors from taking full advantage of print and other rights?). I’d also look for guarantees of some real level of promotion and marketing; if they’re just going to throw the books out there like they usually do, with little or no actual support, the author is gaining very little beyond short term gain (mainly editorially, and perhaps in cover design) for long term commitment that will no doubt pay most of its profits back to Harper.

I suspect new authors are better off doing it themselves, but for those who can only believe in their abilities if they’re officially allowed to join the club, it’s good that more opportunities are starting to appear. Thank Amazon: publishers know they have to stay viable, and that they have to start recruiting more raw talent (a lot of established writers will be leaving their houses over time to do things themselves) and taking full advantage of digital platforms. But if the authors are getting anything less than at least 50% of the profits, they’re not doing themselves much of a favor by going this route.

Fear of a Writing Planet: On John Green, Self-Publishing, and Amazon

A thoughtful post by novelist John Green is making the rounds today regarding self-publishing and Amazon:

I wanted to criticize Jeff Bezos, the CEO of Amazon, because I felt that in his introduction of the new kindles, Bezos repeatedly peddled the lie that a book is created by one person, and that therefore a book’s author should be the sole entity to profit from the sale of the book. (Aside, of course, from Amazon itself.)

Bezos and Amazon are consistent in their promotion of this lie, because it encourages the idea that the publishing landscape today is bloated and inefficient and that there is a better, cheaper way to do it—a way where all books can cost $1.99 with most of that $1.99 going to the author. Readers and writers both win then, right?

Well, no. Because the truth is, most good books are NOT created solely by one person: Editors and publishers play a tremendously important role not just in the distribution of books, but in the creation of them…Without copyeditors and proofreaders, my books would be riddled with factual and grammatical errors that would pull you out of the story and give you a less immersive reading experience. Publishers add value, and lots of it, and without them the overall quality and diversity of books will suffer.

Unfortunately, as fair-minded as Green obviously tries to be, at least toward self-publishing in general if not toward Amazon, he falls into the same trap a lot of defenders of traditional publishing fall into. He assumes that the current publishing infrastructure isn’t replicable within a self-publishing paradigm. This is flatly untrue. Continue reading →

Are Self-Published Books Crap?

I really do wish this self-publishing ebook market would implode. It’s loaded to the gills with idiots, fools, and just by-Jove lousy writing. The purveyors of this monstrosity are, quite frankly, a bunch of jerks. I hope they all get ass-cancer and die horrible, painful deaths.

Thus spake writer James Robert Smith on his blog a while back. There are quite a few folks out there who share his view, and Smith often posts this sort of thoughtful musing about self published books and the presumably malignant souls who write them. Because what could be more malignant than putting out a book that inspires some good man to wish you get ass cancer and die an agonizing death?

To be fair, there is a great deal of utter crap being self-published, and unless you act as a rational consumer you can drown in it. But if you exercise roughly the same amount of care it takes in a bookstore to find something worth reading among the stacks of largely mediocre books, you can largely avoid buying shitty books.

Look at the cover; if it looks crappy, the author didn’t bother with doing better, and odds are the same holds for the writing. Read the reviews; yes, there are some slimy writers out there gaming the review system, but overall it’s still useful. Finally, before committing to buy, make sure you download the free reading sample offered by online vendors; if the writer can’t write, you’re gonna know that very quickly. Then, please, whatever your opinion of the book, review it on the site, even if you only write a few lines. A good review will help a writer who entertained you; a bad review will help warn others away.

It’s a time of great change in publishing, and self-publishing is the wild west. But it’s actually great for writers, and for readers, as I’ve written about on this blog (check the “Publishing” category in the sidebar), most notably here.

Here’s a thought experiment for you: Continue reading →

A Visual Guide To Publishing*

*Traditional publishing, that is.

Author Nathan Bransford has posted a clever visual timeline of a writer’s experience in writing and publishing a book. It’s funny and accurate, though he left off the parts at the end where you don’t get any promotion for your book and it probably falls out of print before your next one is ready for release. Or the part where they don’t pick up your next one because they blew their budget for this quarter on Snooki’s new magnum opus.

Also, it’s amazing how many of these steps disappear if you publish as an indie, and how much more quickly your book is available even if you do the necessary things you ought to do, like making sure it’s properly edited…

The Publishing Process in GIF Form

Doc Wilde Is On His Way!

The end of August is nigh. According to our original plan, the first two books in the Doc Wilde relaunch should be out by now. That hasn’t happened, as I’ve explained previously, because of schedule conflicts artist Gary Chaloner had to deal with.

I hate that the plan has gone awry, not just because I’m losing possible income every day that goes by without these books being available, but because I feel bad that I said I was going to bring them out now and failed to do so. I was too optimistic, or unrealistic, or both. And it’s conceivable that had I made certain choices I might have managed to stick to the schedule, or at least closer to it. I could have found another artist for the books, and that might have sped things up…though maybe not, because I’d have had to find them and negotiate the deal with them and familiarize them with the world of the books, and then might have had timing issues on their end as well. And it would have meant not having Gary’s art in the books, which would have been a shame.

I could have opted to forego the interior illustrations, and just have covers by Gary. We almost certainly could have had the books out on time doing that, but I promised illustrated books all through the Kickstarter, and I’m wedded to doing it that way because I want the books to be everything they can be. That was part of the big appeal in going independent in the first place.

So the decisions I’ve made have been to the detriment of the original schedule, rather than to the detriment of the books themselves, and I think most would agree that’s the wise choice. I’m loathe to give a publication date at the moment, considering the way things have gone, but Gary is hard at work finishing up the interiors for Doc Wilde and The Frogs of Doom and painting the cover of Doc Wilde and The Mad Skull. Here’s an early peek at that, complete with cackling skull, unfriendly dead people, and snakes made of fire:

We’re also producing a book of supplemental Wilde material including deleted scenes, historical notes, personal essays, and lots of Chaloner art tracing the artistic development of the characters and their action-packed world. And we’re going to give a free digital copy to every one of our Kickstarter friends as a token of appreciation for your patience.

We’re sorry for the delays, but we remain excited about the Wildes and committed to producing all the books as promised in as timely a manner as we humanly can. When the books are in your hands, I’m confident you’ll think they were worth the wait.

DOC WILDE: Building A Better Hummingbird

For those who are curious about what’s happening with the relaunch of my Doc Wilde series (particularly our wonderful Kickstarter supporters, who have I told you are wonderful?), I figured it was time for another update. The first book, Doc Wilde and The Frogs of Doom, was scheduled for release last month. Unfortunately, Gary Chaloner, artist extraordinaire and official Doc Wilde visual wizard, got caught up in another (more immediately lucrative) project which dragged on and on and ate a lot of the time he’d been planning to put into working on the Wildes.

Now he’s hard at work on Frogs of Doom (as well as the cover painting for the second book, which is looking awesome), and it was worth the wait. Gary gets the Wildes. Gary is also damn good at what he does.

I’m enjoying watching the visual pieces for Frogs as he develops them, and figured I’d share a bit of the behind-the-scenes interplay between artist and author so you can see some of what’s going on, and get an idea of the process.

Understand that the interaction between us is atypical for publishing, and one of the benefits I’ve gained by leaving big publishing and going indie; I have more dialogue with Gary about specific things like what a particular dart gun looks like than I had with anyone at Putnam over an entire book cover. And I never had any contact, at all, with their actual cover artist, which led to a nice cover with characters who didn’t quite look right and details that were off.

Gary’s more than a hired hand on these books, he’s a creative partner. He makes sure of the details, and he also brings his own vision which enhances mine. When you see his art, you can be sure that not only are you seeing what I, as the author, want you to see, often you’re seeing something I like even better than what was in my head when I was writing.

Which brings me to the Colibri… Continue reading →

DOC WILDE AND THE CHARIOTS OF THE FROGS Added To Doc Wilde Kickstarter

“The Astonishing Adventures of Doc Wilde” Kickstarter project is kicking butt, at 146% of its initial goal with a week still to go. It encompasses the first three Doc Wilde novels, all to be published by year’s end. It allows people to get involved with the series, and with me (the author),  early and to contribute donations to help make the books (which will be fully illustrated by maestro artist Gary Chaloner) as awesome as possible. In return, they can get copies of the books, posters, signed sketches by the artist, all sorts of goodies. The reward levels range from the paltry $5 to the epic $400, and you actually get something at every level.

Previously, I’d announced the first three Doc Wilde novels would be released this year, to be followed by two more next year. Then I added the Dark Avenger Option that allows supporters to add the fourth book, Doc Wilde and The Daughter of Darkness to their rewards package at a special rate.

Now, several supporters have asked me what I have planned for the fifth book, and if there’s any way to add it as well, to round out the pentalogy as it were.

So, with eight days left and me still hoping to get as close to my ideal goal of 200% as possible…why not?

In the fifth book, Doc Wilde and The Chariots of the Frogs, the Frogs of Doom return to our world on a much more epic scale, ready to turn back the tide of warm-blooded evolution once and for all with armies of batrachian monstrosities, dark amphibious magics, and the eldritch power of their dark god. Also really wanting to eat the Wildes, who got in their way last time.

And, yes, supporters can add the book to their rewards if they like by adding this new option:

(NEW) THE MONSTRO FROG OPTION

You can now get the fifth Doc Wilde novel, Doc Wilde and The Chariots of the Frogs, as part of your Kickstarter package, at a special rate. Add $5 to your pledge and you get the ebook; add $13 and you get the ebook and the trade paperback; add $20 and you get both plus a bookplate for the paperback signed by both Gary and me. (For international orders, an additional $10 will be needed to cover shipping on the paperback).

As special thanks for their high level of support, supporters at SERIAL DAREDEVIL level and higher who add the trade paperback for $20 will have it upgraded to a numbered limited edition to match those already in their rewards package.

(As with the Dark Avenger Option, if you choose to do this, just add the appropriate amount to your pledge without changing your chosen reward level; I’ll be sending out a survey after the Kickstarter ends that will allow you to specify which options you’ve pledged for.)

Click the image below for all the information about the Kickstarter:

Looking for Adventure? GO WILDE!!!

DOC WILDE: Looking for a Doc Savage pastiche and a Lovecraftian adventure all in one? Look no further.

As we enter its final week, The Astonishing Adventures of Doc Wilde Kickstarter is at 141% of its original goal and (hopefully) still climbing. After building the project around three novels (all being published this year), in recent days I added an option allowing supporters to also get the 4th book, Doc Wilde and The Daughter of Darkness, which will be released in the first half of 2013.

The most popular option supporters are choosing gets all four novels in ebook format for only $20. Higher level rewards include trade paperback copies, signed limited editions, several additional short Doc Wilde adventures, and other cool stuff.

I also added a bonus reward that all supporters will get for free if we pass 200% of goal, which you can read about here.

Over the course of the Doc Wilde Kickstarter (which ends April 28th), I’m sharing a few of my favorite reviews that the first book, Doc Wilde and The Frogs of Doom, received when it was originally published by Putnam. Today’s is by novelist Bill Crider:

Looking for a Doc Savage pastiche and a Lovecraftian adventure all in one?  Look no further.  Tim Byrd has it for you right here.  Doctor Spartacus Wilde and his two kids, Brian and Wren, are plunged into action almost from page one when they learn of the disappearance of Grandpa Wilde.  They go from the top of what’s obviously the Empire State Building to the South American jungle, tangling with all kinds of weird frogs, not to mention frog-men, along the way.

Wilde is so much like Savage that I expected to him to start trilling on any page.  He never did, but his shirt is always ripped.  So is Grandpa Wilde’s, for that matter.  Like their dad, the kids are fluent in many languages, know more science than a college prof, know more literature than your average English teacher, and are as agile as monkeys.  Doc’s other companions are the ape-like Declan mac Coul and the cultivated Phineas Bartlett (he’s “good with quotations”).  The whole crew speeds from one cliffhanger to the next so fast that you’ll hardly be able to keep up.

Byrd is clearly out to hook both the youngsters and the older folks who’ve read Doc Savage.  Who else would he expect to get this joke: “The impact rattled the man of brawn’s skeleton, . . .”  I’ll bet Byrd’s been waiting years to get that one into print.

It’s all in good fun, and you should know by now if this is your kind of thing.  If it is, you’re probably already waiting for the sequels, which should come along very soon.

Looking for Adventure? GO WILDE!!!

Tim On The Radio: Talking With PULPED! About Doc Wilde, Indie Publishing, & Kickstarter…

Last week, I was interviewed by Pro Se publisher Tommy Hancock for the Pulped! podcast (which, as you might imagine, is all about pulp fiction). We discussed the relaunch of the Doc Wilde series, the Kickstarter I’m currently running to help with that (which ends April 28th), self publishing vs. traditional publishing, and other pulpy things. While my radio face is only slightly better than my internet face, I think the interview came out pretty well, and you can hear it at:

Tim Byrd Gets Pulped!

DOC WILDE ADVENTURES: “Over the top at times, rip roaring adventure that returns us to the days of yesteryear and leaves us wanting more!”

The Astonishing Adventures of Doc Wilde Kickstarter is still doing well, currently at 123% of its original goal and (hopefully) still climbing. After building the project around three novels (all being published this year), in recent days I added an option allowing supporters to also get the 4th book, Doc Wilde and The Daughter of Darkness, which will be released in the first half of 2013.

The most popular option supporters are choosing gets all four novels in ebook format for only $20. Higher level rewards include trade paperback copies, signed limited editions, several additional short Doc Wilde adventures, and other cool stuff.

Yesterday I also added a bonus reward that all supporters will get for free if we pass 200% of goal, which you can read about here.

Over the course of the Doc Wilde Kickstarter (which ends April 28th), I’m sharing a few of my favorite reviews that the first book, Doc Wilde and The Frogs of Doom, received when it was originally published by Putnam. Todays, by novelist Barry Hunter, is from The Baryon Review:

Just a quick note about a new book. It has a May publication date and is a joy. If you remember the pulps and Doc Savage, you need to pick this one up. It’s a true delight and will be something your children will enjoy as well.

DOC WILDE AND THE FROGS OF DOOM by Tim Byrd, Putnam, reviewed by Barry Hunter.

Sometimes as you get older you think about some of the joys and memories you have accumulated over the years: your first comic book, your first trip to the library, or your first trip to the movie theatre. All these are fond memories, but another of mine stands out as well. It was the first time reading Doc Savage, The Shadow and The Spider in the original pulp appearance. They enjoyed a revival in the seventies, but what of the new readers that have come along since then? 

This book helps to solve that problem. Tim Byrd has taken the basics from the pulps and the world spanning adventures they brought into our lives on a monthly basis. Doc Wilde is a descendant of those pulps and starts off with an adventure that is straight out of the thirties.

Doc Wilde has trained his two children, Brian and Wren, from an early age to be physically fit, mentally alert and to expect the unexpected at a moments notice. 

In this adventure, their grandfather has disappeared, they are attacked by mutant frogs and mutated frog men, travel to Hidalgo on a rescue mission, and uncover the mystery and the master who is hoping to take over the world.

Byrd has taken Doc Savage, added in a pinch of Robert E. Howard, a liberal dose of H.P. Lovecraft, and mixed it all together in a well done, enchanting pastiche of the pulps that will appeal to the adult audience as well as the young adult readers. It is over the top at times, rip roaring adventure that returns us to the days of yesteryear and leaves us wanting more. I hope to see more from Tim Byrd and Doc Wilde in the future. 

Looking for Adventure? GO WILDE!!!

DOC WILDE AND THE DAUGHTER OF DARKNESS Added To Doc Wilde Kickstarter

The Doc Wilde Adventures Kickstarter project encompasses the first three Doc Wilde novels, all of which will be published by year’s end. It allows people to get involved with the series, and with me (the author),  early and to contribute donations to help make the books (which will be fully illustrated by maestro artist Gary Chaloner) as awesome as possible. In return, they can get copies of the books, posters, signed sketches by the artist, all sorts of goodies.

After the first week, we hit our $3,000 goal. But that goal was the minimum amount needed for the project to actually succeed on Kickstarter, not a maximum needed to produce the books. The project is still live (through April 28th) and people can still come join the party and go Wilde.

To celebrate our success, I’ve added an option that all supporters who pledge at least $5 (that’s the lowest reward level, getting you one of the books as an ebook and a thank you in the acknowledgments) can take advantage of.

THE DARK AVENGER OPTION
You can now get the fourth Doc Wilde novel as part of your Kickstarter package, at a special rate. Add $5 to your pledge and you get the ebook; add $13 and you get the ebook and the trade paperback; add $20 and you get both plus a bookplate signed by both Gary and me. (For international orders, an additional $10 will be needed to cover shipping on the paperback).

The book will be released in the first half of 2013.

And what is the fourth book?

Doc Wilde and The Daughter of Darkness

In which something terrible happens to Doc, and the kids go looking for an ally of their family’s from years past, a rather dark character with a tendency to laugh while he shoots people. He’s not home, but his just as shadowy and violent teen daughter is…

Here’s how the book begins: Continue reading →